Quotes of All Topics . Occasions . Authors
All the collaborators of storytelling, in film and television, have to be partly self-centered because they need to do their work the best they can, and that's what makes them really good at what they do, but then they also have to be a part of the socialist society, for the greater good.
'Macbeth' is one of the best operas ever, and doing it was a great experience. I added some things to the opera based from my experience on the movie - such as some of the special effects and bits of film - to make it new and interesting. It was a very good work and a very good experience.
There are many interactions that an actor like me has in public when he gets recognized. The best are 'You're a great actor, good work,' and move on. A very good interaction could be when they say 'You were awesome on 'The West Wing,' 'Loved 'In Her Shoes,' great movie,' 'What Women Want,' good job dude.'
I'd like to do more TV stuff that is live action, but I am so totally happy doing as much voice work as I possibly can. Because it really is the best work. It's so amazing. You just show up. You don't have to look good. You don't even have to brush your hair. You work for a couple of hours, and you go home.
I used to worry that I had a finite supply of ideas, that I should hold on to each of them in case it was the last. But then I talked to other cartoonists, and I realized ideas are cheap; you can have a million ideas. The tricky part is the follow-through: making good ones work, making the best out of the raw material!
Everyone has a different body shape, so you kind of have to figure out not only what works best for your body type, but what also makes you feel confident. Even if everyone thinks you look good in a bikini, and you don't feel good in it, you're not going to be at your best. If you feel great in a bikini, you can always work it.
Mostly, in song writing, my experience is that there isn't so much inspiration as hard work. You sit there for hours, days and weeks with a guitar and piano until something good comes. But the urge to write is something you have to have. A conviction, an ambition to write and never stop until you think, 'This is the best I can do.'
With directors, some have a kind of in-built ability to just know how to work with actors and get the best out of actors, and some don't have a clue about acting. I think it'd be a good idea if directors put themselves in front of the camera, or even went on a six-week drama course, just to know a little bit about what that feels like.
It is so basic as to be mundane, but in disaster relief, all the good will in the world can go to hell in a hand basket if the logistics don't work. In Ethiopia at the best of times, the logistics are difficult. It is a huge country - about the same size as Texas, New Mexico and Oklahoma combined. It is also a transportation nightmare.
If you look at the fact that the best chance we have for a good economy is the private sector. The government cannot create jobs. If the government could create jobs, then Communism would have worked. But didn't work. So what we have to do is allow the private sector and the entrepreneurial spirit to lead us back to a job-filled recovery.
I thought 'The Artist' was a perfect way to find a good balance. The artistic challenge is obvious because the film is black-and-white and its silent, but I did my best to make the movie accessible and easy to watch. I really don't want to make elitist movies. I really try hard to work for the audience. Audiences are smart. They get everything.