My role in 'Yamla Pagla Deewana' was widely appreciated, and the best part was that my character connected me with my Punjabi fans.

I never personalize anything because I think that can be dangerous. For me, the best way is - this may sound pretentious - but it's to breathe the character and get into the psychology of it.

I think, to me, I was always taught you never approach any character as a villain. Every human being on earth really believes that they're doing the best thing. We all have our rationalizations.

The best complement I ever got from the public or producers or directors is that I just totally blend in and become the character and they don't notice me and that the play happens or the movie happens or the TV show happens.

My character's kind of grown up with Katniss. The beginning of the story, they're more or less brother and sister than anything. They're best friends. They've been keeping each other alive. It's a little frustrating, for the character. As the character, not as me.

I think for me, the best comedy comes from when something feels real and genuine, so even though Miranda is this wacky character, there is a real vulnerability to her that we finally get to show in 'Haters Back Off,' and I think that's what makes this comedy rich and more fulfilling, at least for me.

'The Dark Knight,' for me, has the same problem that every other 'Batman' movie has. It's not about Batman. I think Heath Ledger is just phenomenal and the character of the Joker is beautifully written. He has a particular philosophy that he carries throughout the movie. He has one of the best bad guy schemes.

The Russo brothers are the best people ever, and they cast me in 'Happy Endings.' I did text Joe Russo to say, 'I don't think my character dies, so if you need a local news cameraman to show up in 'Captain America 2'... I know it doesn't make sense, but just hear me out on this!' He was really cool about it and turned me down right away.

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