Tony Bennett is an iconic jazz legend.

Jonathan Bennett and I are very close friends.

I'm confident in Rhea, but not in Demi Bennett.

And who wouldn't want to date Jonathan Bennett, right?

I get recognized all the time, but not as Haley Bennett.

Connie Bennett, the guys used to stake her, she was so good.

Eliza Bennett is just one of the brightest girls I have ever met.

William Bennett is my patron saint, one of them. Redd Foxx is another.

Naftali Bennett and I have a method in life: We believe in seizing opportunities.

I grew up listening to legends such as Sinatra, Sammy Davis Jr., and Tony Bennett.

I have an uncle in Jamaica who's an OG producer/songwriter over there, Mikey Bennett.

Thanks to Coach Bennett for a great education in basketball and for making me better.

The L. K. Bennett and Jenny Packham bride is confident, feminine, and fashion-forward.

Get an Alan Bennett script; then everybody will want to do it, no matter how big they are.

Tony Bennett and me are all the same... and he's still singing. I don't know what else to do.

Arnold Bennett was a writer I admired. He was actually taking notes at his father's deathbed.

I'd love to work with Michael Buble, with Tony Bennett, with Damian Marley, with Andrea Bocelli.

Bill Bennett really became an idol for me. I listened to him every morning from 6 to 9 for, oh, years.

What Bill O'Reilly says means nothing. What Stephen Bennett says means nothing. What God says means everything.

I think I'm so old I'm in. We call it the 'Tony Bennett Syndrome.' For some reason, young people think I'm cool.

I liked the idea of being one of the foundations for Coach Bennett's program and trying to revive UVa basketball.

If I could hire a coach in this country and I could get Tony Bennett, there would be nobody in second place. Nobody.

You look at Sinatra, Tony Bennett, Bob Seger. All they ever wanted to do was go out there and entertain, and I'm the same way.

Alan Bennett is a starmaker; he's the Simon Cowell of the theatre world! He's a beautiful, beautiful man: completely humble and so accessible.

Richard Julian was the one who told me to check out Cartola. Telling someone to check out Cartola is like telling someone to check out Tony Bennett, you know.

I don't think any other college coach could have prepared me as well as Coach Bennett, just in terms of mental toughness, being able to grasp concepts and retain information.

From its inception by Michael Bennett, 'Dreamgirls' has always been an epic story with an ensemble cast. I didn't change that. The screen version remains, really, a group story.

I found reading Alan Bennett striking because you have this sudden flash of recognition when you read about a boy who has intellectual interests utterly different from his parents.

I listened to Bill Bennett and tons of other talk show hosts who talked about that and other policies and started branching out and caring about other issues in regards to politics.

I heard Tony Bennett say that when you're a big deal early on, you have to maintain that level forever, and it's very scary. You have to keep hitting those home runs, turning out hits.

People ask me if I ever get sick of playing 'Daydream Believer' or whatever. But I don't look at it that way. Do they ask if Tony Bennett is tired of 'I Left My Heart in San Francisco?'

People love Jane Austen, even though those books are absurd to us, because we like the clarity of it: we can see very clearly what Elizabeth Bennett has to overcome, what she has to deal with.

I remember seeing Tony Bennett on television. He was the only guy in the orchestra who was wearing a white tux, and I thought, 'That would be good. To be the only man on stage in a white jacket.'

I was trying to find an original style that didn't sound like Tony Bennett or anyone else. So I prayed about it, woke up with this high voice, and by 1954, I was going to amateur nights and winning.

For my money, Tony Bennett is the best singer in the business. He excites me when I watch him. He moves me. He's the singer who gets across what the composer has in mind, and probably a little more.

I want to be around for a long time. I want this to be a career. I want to sing like Tony Bennett. I want to be an old man and I want to go through all the ups and downs and I wanna still love what I do.

The governments that were in power before Naftali Bennett and I went into politics, before the Jewish Home party gained strength, were right-wing governments that carried on with the policies of the left.

When Sinatra said, 'For my money, Tony Bennett is the best singer I've ever heard,' it changed my career completely. He was my best friend, and I was his best friend... but I was never part of the Rat Pack.

Sammy Davis, Andy Williams, Tony Bennett... their records sell in the millions; when I do it, it just trickles. But for the composer and lyricist, there's a tidy bit to be made that way, too, so I don't really mind.

I own a copy of the original 'Talking Heads' by Alan Bennett, which I purchased many years ago shortly after they were first broadcast. It's been lovingly well-thumbed over the years. They are magnificent. A masterpiece.

I've worked with people and I've known people that were really competitive, but I've always said that I take an Elizabeth Bennett philosophy of life - I laugh. I love my job, but if it means hurting someone, I won't do it.

Alan Bennett is a very quirkish man. He laughs in a self-effacing way, which stops you getting close. If you embrace him, he'll laugh in an embarrassed way and pull away, not to shrug you off, but because he finds it awkward.

I would love to do anything involving a good strong character, whether it's in film, TV or theatre. My dream role's already been taken by Keira Knightley in 'Pride and Prejudice.' Growing up, I really wanted to be Lizzie Bennett.

I went to Detroit Public Schools: Harms Elementary, Bennett, which is now called Phoenix Academy. This is all in Southwest Detroit. I graduated from Southwestern High School, so I'm a 'Prospector,' which is what we used to call each other.

Frank Sinatra did 'Born Free', Tony Bennett did 'Walkabout,' but you have no control over who does what, really. So you just hold yourself responsible for the stuff you do, and then get filthy rich on all this stuff that other people have done.

If I'm serious, yes, I'd like to have done what Shakespeare did... to act and write. You learn so much from acting. One of our great writers, Alan Bennett, does both supremely well. When I write a story, I tend to speak it aloud as I'm writing it.

As a small guard, you need to understand how you impact the game and make sure you impact it in the way that you can showcase your talent on the floor and having that understanding of the game. Tony Bennett was a smaller guard, too. We all have different strengths.

To be asked to perform a new 'Talking Head' was beyond any expectation. The matchless brilliance of Alan Bennett's words coupled with the extraordinary wisdom of Nick Hytner's direction made this a thrilling and quite simply unforgettable experience, and I'm enormously grateful.

I read in the 'Daily Mail' that I'm one of these 'foul-mouthed comedians.' But I'm much cleaner than the people they like. Nothing gives me greater pleasure than to think that a 70-year-old - particularly someone like Alan Bennett - would like it, because they've seen a lot of stuff.

I'm probably the only one in the world you can name that's worked with Billie Holiday, Louie Armstrong, Ella, Duke, Miles, Dizzy, Ray Charles, Aretha, Michael Jackson, rappers. 'Fly Me to the Moon' was played on the moon by Buzz Aldrin. Sinatra. Paul Simon. Tony Bennett. I'm the only one.

Share This Page