Quotes of All Topics . Occasions . Authors
There are two sorts of curiosity - the momentary and the permanent. The momentary is concerned with the odd appearance on the surface of things. The permanent is attracted by the amazing and consecutive life that flows on beneath the surface of things.
When there wasn't a lot of work, I wrote a screenplay, 'What Lies Beneath,' which got noticed and got me more acting jobs. As I got more jobs, I was able to make my own films. That ethos of making my own work has provided me with a lot of opportunities.
I use a lot of narration; I have a very prosaic style. I like to get you invested in the character first and do a lot of work in the first pages of each issue to try to re-establish things and keep the symbolism of a story very tucked beneath the surface.
Have we so soon forgotten those four years of terrible carnage, the greatest war of all time; forgotten the millions of men who gave their lives, who made the supreme sacrifice and who today, beneath the soil of France and Belgium, sleep the eternal sleep?
At the Summer Solstice, all is green and growing, potential coming into being, the miracle of manifestation painted large on the canvas of awareness. At the Winter Solstice, the wind is cold, trees are bare and all lies in stillness beneath blankets of snow.
There is no calamity which a great nation can invite which equals that which follows a supine submission to wrong and injustice and the consequent loss of national self-respect and honor, beneath which are shielded and defended a people's safety and greatness.
The Rolling Stones are constantly changing, but beneath the changes they remain the most formal of rock bands. Their successive releases have been continuous extensions of their approach, not radical redefinitions, as has so often been the case with the Beatles.
It's amazing that you can listen to any song and you can always tell when there's some substance beneath it and when there isn't. Even if it's poetically written and technically brilliant, I'd rather hear something that's all over the place but has some soul to it.
In marriage there are no manners to keep up, and beneath the wildest accusations no real criticism. Each is familiar with that ancient child in the other who may erupt again. We are not ridiculous to ourselves. We are ageless. That is the luxury of the wedding ring.
Pilots have their names painted just beneath the canopy of their aircraft. This gives the pilot a sense of ownership for his or her jet. What's more, like cars, each aircraft has its own personality, so it's important for a pilot to get to know and love his aircraft.
I'm of that generation of Jews still deeply influenced by the Holocaust. Certainly the notion that the state power to kill can be subject to such extraordinary abuse is always lurking beneath the surface for me. Certainly my experience and identity as a Jew is there.
My favorite place is whichever sidewalk is beneath my feet because I am just constantly fascinated by walking and looking and learning. If I've already walked a street five times, then the next five times I walk it looking up, and I learn something about the cornices.
After college, I became a geologist, mapping what lay beneath the earth's surface. I thought I had my life pretty figured out and all my boxes checked. But then, I was laid off - along with thousands of other geologists. I lost not only my job, but also my profession.
Sitting in the Oval Office, beneath a painting of George Washington, with a bust of Martin Luther King Jr. over his right shoulder and a bust of Abraham Lincoln over his left shoulder, Obama told 'National Journal' that the country's economic woes are deep and endemic.
Standing beneath the white light of an Apple store is like standing on a Stanley Kubrick movie set. His '2001: A Space Odyssey' predicted Jobs and a future where technology was our friend. Kubrick, of course, didn't like what he saw. And occasionally, I have my doubts.
Many Lexington natives believe they live in a special place, one impossible to leave. I'm not so sure about that - or it's more accurate to say I think a more general truth exists beneath it: the place you first call home stays with you always, whether you remain or go.
Once I was walking with teammate Joy Fawcett in a hotel in Haiti. We were barefoot, and the lights went out to save electricity. Joy felt something crunch beneath her feet, and she felt the need to shine her flashlight on the floor. It was, I swear, a five-foot cockroach.
For the last couple of years, as the economic ground beneath all I've accomplished and cherished has shifted so profoundly in a life-shattering reversal of fortune, I've trained myself to stay alert when the roar and the rumbling of what could be catastrophic change begins.
Whether you're writing a horror show or a James Bond film, I think what bubbles beneath is interesting characterization. The colors that emerge through storytelling is what a dramatist does. There's always got to be something bubbling underneath that will erupt at some point.
Julia Louis-Dreyfus is just perfect in 'Veep.' She gets to show off the spiky claws beneath her patrician finesse. The obvious way to play 'Veep' would be to make Louis-Dreyfus a folksy heroine, one with more common sense or populist heart than her enemies. But she isn't one.
For a rapper as well-known as Drake, there remains an essential element of mystery about him. For one so open, there's a distance, and he prefers it that way. But then there's something beneath the exterior that reveals itself with urgency in conversation: Drake's raw ambition.
About half of all potential future global warming emissions from United States fossil fuels lie in oil, gas and coal buried beneath our public lands, controlled by the federal government and owned by the American people - and not yet leased to private industry for fuel extraction.
Internet outrage can seem mindless, but it rarely is. To make that assumption is dismissive. There's something beneath the outrage - an unwillingness to be silent in the face of ignorance, hatred or injustice. Outrage may not always be productive, but it is far better than silence.
There's even an aircraft sensor system that sends down hundreds of thousands of pulses of light measured at different return rates. It allows you to literally strip away vegetation and see entire cities beneath the rain forest canopy. This is the unbelievable future of archaeology.
I live in places where, although I don't take public stands, I'm surrounded by liberals, and I've spent a lot of time in this country talking to people who have very different views than the people I live around and trying to see kind of what's in common beneath those conversations.
Today's preoccupation with physical theories of everything takes a wrong turn from the purpose of science - to question all things relentlessly. Modern physics has become like Swift's kingdom of Laputa, flying absurdly on an island above the earth and indifferent to what is beneath.
I believe people are fundamentally good and want to find things that make life better for themselves. There are social dynamics for people that work, and there are ones that are pathological. But beneath every 'no' lays a 'yes' that had never been broken. I put my life-faith in that.
Sustainability is a seemingly laudable goal - it tells us we need to live within our means, whether economic, ecological, or political - but it's insufficient for uncertain times. How can we live within our means when those very means can change, swiftly and unexpectedly, beneath us?
The Florida peninsula is, in fact, an emerging plateau, honeycombed with voids and vents, caves and underground waterways. Travelers on Interstate Highway I-75 have no idea that, beneath them, are cave labyrinths still being mapped by speleologists - 'cavers,' they prefer to be called.
A sportswriter's life means never sitting with your wife or family at the games. Still working after everyone has gone to the party... Digging beneath a coach's lies, not to forget those of athletic directors and general managers and owners of pro teams. Keeping a confidence. Risking it.
The line between private and public lives is a fertile one for me. I've lived quite a public life, and it's the reason I have used well-known people in my work. I'm interested in what's going on beneath the facades they present to the world, taking them to a place which is uncomfortable.
We trace out all the veins of the earth, and yet, living upon it, undermined as it is beneath our feet, are astonished that it should occasionally cleave asunder or tremble: as though, forsooth, these signs could be any other than expressions of the indignation felt by our sacred parent!
I love all types of music. Jazz, classical, blues, rock, hip-hop. I often write scripts to instrumentals like a hip-hop artist. Music inspires me to write. It's either music playing or completely silent. Sometimes distant sound fuels you. In New York there's always a buzzing beneath you.
When I would visit my octopus friend, Octavia, at New England aquarium, usually she would look me in the face, flow right over to see me, and flush red with emotion when she took my arms in hers. Often when I'd stroke her she'd turn white beneath my touch, the colour of a relaxed octopus.
Billie Jean King is one of the all-time tennis greats; she's one of the superstars. She's ready for the big one, but she doesn't stand a chance against me. Women's tennis is so far beneath men's tennis; that's what makes the contest with a 55-year-old man the greatest contest of all time.
All art is at once surface and symbol. Those who go beneath the surface do so at their peril. Those who read the symbol do so at their peril. It is the spectator, and not life, that art really mirrors. Diversity of opinion about a work of art shows that the work is new, complex and vital.
New York is still the most glamorous city I've ever been to, but it's starting to feel older. The sirens still wail; the paths in Central Park still pulsate with joggers. The Manhattan schist still trembles beneath your feet. But weirdly, it's starting to feel, dare I say it, a bit quaint.
A lot of people celebrate their past, but I don't look at it all. I don't Google myself; I focus on the future. This is a volatile profession, and the moment you start thinking you've got something, that's when the floor beneath you falls through, so I hope to make more movies and TV shows.
I always felt that everything that happened was incredibly exhilarating and massively puzzling at the same time. I can even remember, when I was six or seven, digging a hole beneath a tree. And I would go into this tomb, this cave that I had made, and would lie there, meditating, for hours.
Look at the bark of a redwood, and you see moss. If you peer beneath the bits and pieces of the moss, you'll see toads, small insects, a whole host of life that prospers in that miniature environment. A lumberman will look at a forest and see so many board feet of lumber. I see a living city.
I produced audio editions of 'Beneath' and 'Kronos' primarily to grow my audience. I'd seen it work for guys like Scott Sigler and J.C. Hutchins and thought their audience might enjoy my books as well. The goal was to get them hooked on the audio and hope they would migrate to the print books.
People didn't just wear wedding dresses in the past. They also wore plain cotton shifts beneath them. As pretty as the dresses might be, and as lovely as they might look on display, if a museum doesn't hang the shifts beside them or acknowledge that the shifts existed, that exhibit's incomplete.
If Reagan and John Paul II were linked by anything, it was a grand, ambitious, and generous idea of Western political civilization, one in which a democratic Europe would be integrated by multiple economic, political, and cultural links, and held together beneath an umbrella of American hegemony.
We'll be 'outsourcing' our creativity and our thought processes to manufactured components that could be inconspicuously implanted beneath our coiffeurs. Welcome to the Borg. You might not be entirely comfortable with such cybernetic enhancements, but all the smart money says it's going to happen.
I grew up in suburbia, so it's a world I'm familiar with... but in my experience, all the families that I grew up thinking were the perfect families who kept it together... all their secrets would come out, and it'd be something dark and disgusting beneath the surface, so I wanted to exploit that.
You always feel the ground rumbling beneath your feet, and if you don't, you're an idiot. Mostly because it is rumbling beneath your feet, and there is always someone who is coming up behind you who is as good, younger, and, at least as you perceive it, has more energy and more nimbleness than you.
I'd always been fascinated by people who allow themselves to be so rude and irritated and foul-mouthed and hostile, but usually you can sense there's something vulnerable beneath them - a shield they use to protect that vulnerable side. Finally, when they expose that soft spot, it's kind of touching.
Around the time I began starving, in the early eighties, the visual image had begun to supplant text as culture's primary mode of communication, a radical change because images work so differently than words: They're immediate, they hit you at levels way beneath intellect, they come fast and furious.
The proud depend upon the world to tell them whether they have value or not. Their self-esteem is determined by where they are judged to be on the ladders of worldly success. They feel worthwhile as individuals if the numbers beneath them in achievement, talent, beauty, or intellect are large enough.
I always feel that a viewer has an expectation about every moment of the film and where it's going, so if I act against that, I've created a twist. In fact, it becomes a kind of game with the expectations of the viewer. This is the superficial appearance. In the layer beneath, there is a hidden theme.