I do voices. I can sound like a man or cartoon character. I also have very believable Spanish and English accents.

I love the wilder, more outlandish characters that are hard to make believable. Those are the ones I want to play.

On stage you need to emphasize every emotion. But on screen you need to tone everything down and make it believable.

Being able to draw means being able to put things in believable space. People who don't draw very well can't do that.

I like to lean on making wrestling the most believable, realistic form of entertainment as possible for the most part.

Chaos is the natural state, and theater tries to make sense of it, but it's got to be a little messy to be believable.

It's surprisingly hard to play a vampire and feel believable. I mean, you want to be able to at least believe yourself.

I think, specifically with the horror genre, you have to make it very believable because it can come across ridiculous.

Once you create a believable fictional universe, you suck the audiences into that world and they tag along for the ride.

I'm not good at dialogue. I'm not good at holding a mirror up at a real world. I'm not good at believable characterisation.

Without Roddy Piper, you can't have an equal good. He was a great villain and so believable. He wasn't playing a part ever.

Ironically, in today's marketplace successful nonfiction has to be unbelievable, while successful fiction must be believable.

You need to be real enough to be believable, but you don't necessarily have to be real enough to be real. There is a distinction.

You hear many things, take a little from each experience, and tune your imagination to create believable characters and situations.

Maybe people don't see me as believable playing a person of today. I guess I'm just more realistic in a corset and funny hairstyles.

Things have to be believable, not in a literal, photographic sense, but in an emotional sense - capturing the essence of the situation.

Some people in America don't ever interact with black people outside of television, so we should give them real, believable characters.

We tried to limit human versus human conflict only to those cases where it could be powerfully motivated and made completely believable.

Creating a believable world on the ship was very important, and technically they got better and better and better at showing the ship too.

The greatest thing to be achieved in advertising, in my opinion, is believability, and nothing is more believable than the product itself.

People who are lying are, understandably, more worried about being believed, so they work harder - too hard, as it were - at being believable.

We can do things that we never could before. Stop-motion lets you build tiny little worlds, and computers make that world even more believable.

I don't reflect on sort of the age of the roles that I get. It's usually just what plays into what's believable - 'Am I believable at this age?'

The Marxist theory of ideology is extremely contentious, not least because it is tied to socio-economic hypotheses that are no longer believable.

I think one of the things you have to learn if you're going to create believable characters is never to make generalizations about groups of people.

If your characters are two-dimensional and your plot uncompelling, it won't matter how incredibly detailed and believable your fantasy world might be.

If the characters on 'The West Wing' were watching a TV show wherein a character like Trump was leading in the polls, they wouldn't find it believable.

When I was younger, I played a lot of upper-class English girls. Then I came to America, and everyone was like, 'She's very believable as trailer trash.'

As an actor, you have to be able to put yourself into the character since your job is literally making the character and the situation he is in believable.

The big issue with rock stars becoming actors is that sometimes it's not believable, and vice versa with actors becoming rock stars. Sometimes just doesn't fit.

I don't get a chance to do many of my own stunts on 'Buffy' - none of us do. We have amazing stunt people who make us all look really believable and really good.

The very fact that you thought of it means that, somewhere in your mind, it's believable to you. All you have to do is convince your audience that it's possible.

What I did was take the Jesus of the Gospels, the Son of God, the Son of the Virgin Mary, and sought to make Him utterly believable, a vital breathing character.

Having watched 'X Factor' over the years, they just haven't got it right. The male winners haven't been believable. They look like puppets; they sound like puppets.

When I want to show the kind of meanness people are capable of, to make it believable I find I have to tone it down. It's in real life that people are over the top.

In New York you go to the coffee shop, have a bagel, walk down the street, get hassled, run into someone else. People just waltz into your world and it's believable.

What is most important to me is that my narrator's voice is believable, and that, though it is clearly an absolute fiction, it has the emotional resonance of memoir.

I do keep getting these bad girl roles. The funny thing is that, honestly, I don't think I'm believable as these aristocratic mean girls. But I do love playing them.

I feel that for the story of 'Romeo and Juliet' to be impactful, it has to be believable, and there has to be a certain level of chemistry between the two characters.

People who've read my reviews know my tastes, know how I approach a book, know my background. I can write with believable authority. It doesn't mean I'm always right.

I would like 'Frost' to go on forever, but you don't want people in the press hammering you, saying you've outstayed your welcome or that it's not believable anymore.

I love Robin Wright's character in 'House of Cards' because she's a bona fide villain. She's a not-nice person in a believable way; you can see her working in the world.

The headline is the most important element of an ad. It must offer a promise to the reader of a believable benefit. And it must be phrased in a way to give it memory value.

You never want to just be outrageous for outrageous' sake 'cause then it doesn't work, and it's not believable. You want to be as true to whatever character you're playing.

One of the reasons people find me a believable actor is that I don't seem like one of the gods from Olympus. I seem like someone who was lucky enough to be let into Olympus.

I didn't want readers to have to make allowances for what they couldn't see, but to be able to say to themselves that the fabric of the magic detailed was perfectly believable.

Dubbing can change the 'sur' of the character. Doing it for another actor and to make it believable is tricky but interesting because you do not know the graph of the character.

I think characters are most terrifying when they're relatable. It's best when your most horrible characters make sense, and are believable. That's when a movie is most terrifying.

On the web the thinking of cults can spread very rapidly and suddenly a cult which was 12 people who had some deep personal issues suddenly find a formula which is very believable.

The whole essence of good drawing - and of good thinking, perhaps - is to work a subject down to the simplest form possible and still have it believable for what it is meant to be.

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