Quotes of All Topics . Occasions . Authors
Becoming a scientist is a long journey, and at every step, I found projects that were exciting, motivating me to continue. My path was not straightforward - when I began studying physics in college, I had no idea I would end up studying asteroids; in fact, I never took an astronomy class.
I used to be something of an obsessive when it came to research. When I first began writing the Thorne novels, I would drive to a set of traffic lights in the early hours of the morning to make sure you could turn left. I thought it was important to get even the most trivial details right.
As our parents planted for us, so will we plant for our children. When Charlie and I began our philanthropic journey, we wanted to focus our resources on planting seeds that would help perpetuate Jewish values and traditions for future generations and also contribute to repairing our world.
I would come to understand there is no poem separable from its source. I began to see that poems are not just an individual florescence. They are also a vast root system growing down into ideas and understandings. Almost unbidden, they tap into the history and evolution of art and language.
I mean, I went to a church school when I was younger and imbibed a certain amount of religion then but it was really in university that I got interested in religion and politics at the same time. I don't think as if it were one moment of conversion but my spiritual journey really began then.
Sid Vicious began the age of participation in which everyone could be the artist. Sid proved that you don't have to play well to be the star. You can play badly, or not even at all. I endorsed that attitude. If you can't write songs, no problem - simply steal one and change it to your taste.
From a young age, I understood the idea of balanced flavor - the reason you put ketchup on a hamburger. I was that kid who wouldn't eat something if there was something missing. I never really understood it until I began cooking professionally, balancing acids, sweets, spicy flavors and fat.
I obtained my first job with the Eagles through a series of internships that began during my junior year of college. From there, after obtaining the job, it was a combination of hard work and perseverance and showing them the type of person that I was that helped me climb the coaching ladder.
When I was in meditation, God began to speak to me, and God said, 'Roland, I have enough preachers. I need people where you are in your positions. When you are on radio, when you are on television, you speak into more people in the five minutes than some preachers speak to in an entire year.'
My desire for my own sitcom began as a little girl - I spent hours lying on my belly on the shag carpeting getting lost in the world of the '70s sitcom. All I wanted to do was run away to the Brady house, The Partridge Family bus; even the project on 'Good Times' seemed better than Clark, NJ.
About forty miles away from Paris, I began to see the old trench flares they were sending up at Le Bourget. I knew then I had made it, and as I approached the field with all its lights, it was a simple matter to circle once and then pick a spot sufficiently far away from the crowd to land O.K.
When 'Apollo 13' appeared as an opportunity and I began to tackle that in as authentic a way as I possibly could, I really became enthralled by the philosophical side of space travel and why we need to explore - what it means to us here on Earth - all of those things. I became a huge proponent.
I think it is about time that equipped women began to take on some of the ethical questions which a male-dominated culture has produced and dissect and analyze them quite to pieces in a serious fashion. It is time that 'half the human race' had something to say about the nature of its existence.
As I grew up and began identifying myself as a feminist, there were plenty of issues that continued to make me question marriage: the father 'giving' the bride away, women taking their husband's last name, the white dress, the vows promising to 'obey' the groom. And that only covers the wedding.
When the modern movement began, starting perhaps with the paintings of Manet and the poetry of Baudelaire and Rimbaud, what distinguished the modern movement was the enormous honesty that writers, painters and playwrights displayed about themselves. The bourgeois novel flinches from such notions.
I obtained a Woodrow Wilson Doctoral Fellowship and entered the graduate program in History at the University of California. With no Greek or French and minimal Latin and German, I was in no position to pursue my classical interests, so I began work at Berkeley with little more than an open mind.
When the other kids started calling me nicknames, I knew everything was all right. I have a pretty big mouth, so they hit on that and began calling me Gatemouth or Satchelmouth, and that Satchelmouth has stuck to me all my life, except that now it's been made into 'Satchmo' - 'Satchmo' Armstrong.
Football has always been violent. In the early days of the game, they didn't wear hard helmets. They wore soft helmets, which were just designed to protect the ears. In the '40s and '50s they began to introduce hard helmets, which provided much more protection against things like skull fractures.
Some prescient American collectors, including Vicki and Kent Logan and Mera and Donald Rubell, began collecting Chinese art before 2000 with a genuine passion, but as the auction prices exploded everyone was beating a path to the galleries and artist studios in China. It became the 'China thing.'
I heard about the project over a year before we began. My American agent said, 'Oh, you might want to read 'In Cold Blood' because they're talking about you for Capote, but the script's with Johnny Depp and Sean Penn at the moment.' So, these things take their time to dribble down the food chain.
I used to swim with these beavers in a beaver pond when I was 10. I went back when I was 11 and found there were no more beavers. I found that trappers had taken them all, so I became quite angry, and that winter I began to walk the trap lines and free animals from the traps and destroy the traps.
As a reporter, I spent a great deal of time in court. During brief breaks in testimony, I would often look at the spouse, usually the wife, of the accused. I began to wonder how listening to the details of a crime purportedly committed by your spouse would affect that person's view of her husband.
I created 'Captain Underpants' when I was in the second grade. I was constantly getting in trouble for being the class clown, so my teacher sent me out into the hallway to punish me. It was there in the hall that I began drawing 'Captain Underpants'. Soon I was making my own comic books about him.
The women's movement burst forth when I was fifteen. That was when I began to believe that life might semi-work out after all. The cavalry had arrived. Women were starting to say that you got to tell the truth now, that you had to tell the truth if you were going to heal and have an authentic life.
The biggest start-up successes - from Henry Ford to Bill Gates to Mark Zuckerberg - were pioneered by people from solidly middle-class backgrounds. These founders were not wealthy when they began. They were hungry for success, but knew they had a solid support system to fall back on if they failed.
My books often involve characters who began in some form of mental isolation, with a feeling of having died to the world. Then they become involved in some kind of action where by necessity they're forced to reengage, to get back into the game of life, as it were. You could say that about 'Chance.'
I had never thought that I would be involved in narrative structures. As a young guy, I was more interested in abstract modeling. But as I got older, I began to see that there was no reason to limit myself to any intellectual or conceptual postulate, when in fact I'm a professional student of music.
There was a time I was no longer going to be black. I was going to be an 'intellectual.' When I was first looking around for colleges, thinking of colleges I couldn't afford to go to, I was thinking of being a philosopher. I began to understand then that much of my feelings about race were negative.
I first started acting in primary school, just doing little plays. And from the moment I began, something just went 'click' inside me. Suddenly I wasn't shy anymore. Instead I felt confident and happy. I can remember the enormous sense of relief it gave me. I loved the feeling of making people laugh.
In 1956, when I began doing theoretical physics, the study of elementary particles was like a patchwork quilt. Electrodynamics, weak interactions, and strong interactions were clearly separate disciplines, separately taught and separately studied. There was no coherent theory that described them all.
Around the time I began starving, in the early eighties, the visual image had begun to supplant text as culture's primary mode of communication, a radical change because images work so differently than words: They're immediate, they hit you at levels way beneath intellect, they come fast and furious.
Lyric poetry is, of course, musical in origin. I do know that what happened to poetry in the twentieth century was that it began to be written for the page. When it's a question of typography, why not? Poets have done beautiful things with typography - Apollinaire's 'Calligrammes,' that sort of thing.
I began my career as an economics professor but became frustrated because the economic theories I taught in the classroom didn't have any meaning in the lives of poor people I saw all around me. I decided to turn away from the textbooks and discover the real-life economics of a poor person's existence.
Ultimately, I'm in the fitness industry. But, I've branched out from there quite a bit. I began doing consulting on writing and getting published in magazines in about 2011. Right around that time, I started doing some angel investing and looking to grow my skills and general experience outside of that.
In Globalization 1.0, which began around 1492, the world went from size large to size medium. In Globalization 2.0, the era that introduced us to multinational companies, it went from size medium to size small. And then around 2000 came Globalization 3.0, in which the world went from being small to tiny.
I was a housewife, so I learned to write in times off, and I don't think I ever gave it up, though there were times when I was very discouraged because I began to see that the stories I was writing were not very good, that I had a lot to learn, and that it was a much, much harder job than I had expected.
When American poet Alice Notley was very young, she used to sit in front of the radio and just listen. When she got older, she began to hear words and songs in her head everywhere she went - songs she loved, like 'Begin the Beguine' by Cole Porter, and her own words that sometimes tumbled out into poems.
My narrative style centers around intimate, highly subjective depictions of personal experience and internal landscapes. In 'March,' everything fell into place as soon as I began identifying strongly with John Lewis as a young boy and saw how we shared the same kind of gravity and intensity as youngsters.
I began writing poems when I was about eight, with a heavy assist from my mother. She read me Arthur Waley's translations and Whitman and Robinson Jeffers, who have been lifelong influences on me. My father read Keats to me, and then he read more Keats while I was lying on the sofa struggling with asthma.
Jobs offshoring began with manufacturing, but the rise of the high-speed Internet made it possible to move offshore tradable professional skills, such as software engineering, information technology, various forms of engineering, architecture, accounting, and even the medical reading of MRIs and CT-Scans.
When my father was, you know, a very big artist in the 1970s and then later up through the '80s. And then I began playing guitar with him in the road in the late '80s until he retired in 1997. So I traveled the world with them for years, you know, and all around the world and got to meet some great people.
I saw what the Depression was doing to my students. Often they could get no jobs, or jobs which were wholly inadequate. And through them, I began to understand how deeply political and economic events could affect men's lives. I began to feel the need to participate more fully in the life of the community.
The new millennium began with a great global dream. World leaders gathered at the United Nations in 2000 and adopted, among others, a historic goal to reduce poverty by half by 2015. Never in human history had such a bold goal been adopted by the entire world in one voice, one that specified time and size.
Thomas Young was born in 1731 in upstate New York. The child of impoverished Irish immigrants, he grew up in a log cabin without the benefit of a formal education. But he was an avid reader who began collecting books at a young age and eventually amassed one of the finest personal libraries in New England.
I began to realize that, in spite of great achievements in wealth and military prowess, the great powers of Europe have not yet succeeded in providing the greatest happiness of the vast majority of the people; and that the reformers in these European countries were working hard for a new social revolution.
Writing, for me, when I'm writing in the first-person, is like a form of acting. So as I'm writing, the character or self I'm writing about and my whole self - when I began the book - become entwined. It's soon hard to tell them apart. The voice I'm trying to explore directs my own perceptions and thoughts.
My love for cooking began when I was young. Because my parents were in the army, they were both really busy. A lot of times I'd have to cook for the family; I'd rotate with my siblings. It started out as a chore, but as I got older, my mom started to see that I was really good at it. I became her sous chef.
When I began to choreograph and find my way pulling other artists' dreams out and changing music in a visual way, there was still a part of me that had something more to say. There was still a desire to rock a stage and ultimately perform the eight count of my dream, but there was a lot of insecurity there.
The equal right of all citizens to health, education, work, food, security, culture, science, and wellbeing - that is, the same rights we proclaimed when we began our struggle, in addition to those which emerge from our dreams of justice and equality for all inhabitants of our world - is what I wish for all.
Fifty years ago, historians advised politicians and policy-makers. They helped chart the future of nations by helping leaders learn from past mistakes in history. But then something changed, and we began making decisions based on economic principles rather than historical ones. The results were catastrophic.