Quotes of All Topics . Occasions . Authors
Every day without fail one should consider himself as dead. There is a saying of the elders that goes, 'Step from under the eaves and you're a dead man. Leave the gate and the enemy is waiting.' This is not a matter of being careful. It is to consider oneself as dead beforehand.
I had a really great performance with Steven Tyler in the movie 'Be Cool.' I performed 'Cryin',' so we recorded the song beforehand. But I didn't get to meet him until I hit the stage with him, and we had a live performance with 30,000 people in the audience, and that was for the movie.
Like other men, I have sought honours and preferment, and often have obtained them beyond my wishes or hopes. Yet never have I found in them that content which I had figured beforehand in my mind. A strong reason, if we well consider it, why we should disencumber ourselves of vain desires.
To me, form is not something that you can plan beforehand, especially for a documentary. You can't write it or sketch it. It requires a confrontation with reality, with history, with ethics and morals. After identifying good content, you have to find the right form to express that content.
The purpose of the mission must be thoroughly understood beforehand, and the men must be inspired with a sense of personal dedication that knows no limitations... In an age of high technology and Jedi Knights, we often overlook the need for personal involvement, but we do so at our own risk.
Before I start, I search the internet for hours looking for inspiration - I look at horror movies, special effects, everything. Then, I take a bunch of screenshots, and pile them together in Photoshop to create a story for myself. I plan it out in my head, but I don't ever practice beforehand.
My mom knew that I was gay. So she just came up to me in the kitchen one night, and she said, 'Justin, are you a homosexual?' And I said, 'Yes,' and that was that. She took all the steps, she went to talk to a family counselor beforehand to see how she should bring it up, and now my mom's my biggest fan.
We have amazing stunt performers and in Miguel Sapochnik, a director who's so good at spending hours and hours and hours on every shot beforehand, so that he knows exactly what he wants when he gets to the battlefield on the day. We only shoot ten-hour days, so you have to pack a lot into those ten hours.
I take some pains to learn the material beforehand. I have a bunch of tricks I use to try and hit the ground running. I write everything out. I take the text and I very methodically go through, and that tends to put it into my head a little bit more solidly than if I just glanced at it and hoped for the best.
I came from the Groundlings Theatre in L.A., and there, you're guaranteed to at least try something out in front of an audience. At 'SNL,' only the best stuff gets picked, and it's taught me a very defined language of comedy. You learn the structure of a joke, which is not something I was very good at beforehand.
When I hear the word 'documentary,' I don't think certain things should be left out. You've got to keep it 100 percent as much as you can, unless your group has a meeting beforehand and says, 'Yo - don't say this, 'cause boom, boom, boom.' Other than that, it's a documentary so let's document, you know what I mean?
I still look forward to doing things I've never done before. But the fear beforehand is always worse than the actual moment. Leading up to it, especially before the match, is when the butterflies are at their worst. But in the match, the creatures - my fans - fuel me. They're a huge superpower for me and my survival.
Action set pieces are my absolute favorite thing to write. I'm pretty much always in the mood to do them, but music certainly helps the process. I usually brainstorm out the dynamics and choreography of a fight to music beforehand - it gives me the little sparks of imagination when I get to the gaps in my own creativity.
I know girlfriends of mine who, when they were approaching pregnancy and starting a family, consistently went through a period right beforehand that was a last gasp kind of thing where they just wreak havoc. They fall apart, in a profound way, because there's some awareness that that's the last time they can do that for awhile.
Let's take up the most important issues first. Let's take up the reauthorizations first; let's take up the appropriations bill first, not wait until four days beforehand - no one has mentioned anything, and, all of a sudden, somebody looks at their watch and says, 'Hey, in four days, the government is going to run out of money.'
In 'Fighting With My Family,' there's a scene where I have to wrestle; I have to do the famous fight between Paige and AJ Lee. We actually did perform it in front of all those thousands of people. And just beforehand, we had a little dress rehearsal, and there were all these famous wrestlers going around and watching as well. Terrifying.
I wasn't ready for fame and all that brings to your life. It was an amazing experience, but so overwhelming, because no one can tell you beforehand when it will happen or how it will impact you. So no one can tell you how to handle it, being stopped everywhere you go because people saw you on 'Oprah.' It took me over, and I wasn't ready.
I'm proud of my driver test. So many people were waiting for me to test and fail, so they could say that women would never be able to race in F1. I always view my time in F1 as before and after the test. Beforehand, I could sense everybody asking, 'What's she doing in the F1 paddock? Is she good enough?' After my test, that attitude changed.
I don't like going out on a date unless I know the broad a little bit beforehand. By the way, 'broad' to me is not a detrimental term for women; it's simply another word for female. Anyway, I don't really go out a whole lot, because there aren't many girls I like to take out and spend a whole evening with - at least not an evening in public.