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At, like, 11, I think, that was just me watching a lot of YouTube videos, and I whenever I had the chance, I would talk to myself, practise pronunciation. Then I found out about hip hop and became friends with American people through Twitter. I was like, 'Yo, I need to be in a country where everybody speaks the same language.'

I wanted the attention I missed at home, so I became the leader of a gang. That way, I got attention and was recognized as being important. It wasn't a bad gang - you know, in poor districts in New York, there's a gang to every block. We never robbed at the point of a gun; we'd steal potatoes from a grocery store, or crackers.

We fought in 1974 - that was a long time ago. After 1981, we became the best of friends. By 1984, we loved each other. I am not closer to anyone else in this life than I am to Muhammad Ali. Why? We were forged by that first fight in Zaire, and our lives are indelibly linked by memories and photographs, as young men and old men.

I was born into a Turkish family that had acquired Italian citizenship. Many members of the family subsequently became British, French, Brazilian, and German, so there was a bit of everything. It was not uncommon for people in the family to speak seven languages: English, French, Ladino, Italian, Turkish, Arabic, and even Greek.

I used to play a lot of electric guitar. I don't really consider myself a guitar player anymore. Then I got really into how the pickups work. And winding and de-winding Telecaster pickups. And then building Telecasters. And I became more fascinated with making them than I was with actually playing them. So it's a slippery slope.

I was born in 1952, so obviously the sixties were important. That's when I came of age. It was also a revolutionary period, a complete break with the generation before us in terms of culture, literature, music, and in politics, of course. 1968 was an important year; I was 16, and the world became clear to me, visible, so to say.

Similar questions were posed to Allende as to me. Allende was told that he blamed everything on a conspiracy, on the economic crisis, that he blamed the high inflation that sabotaged him on the United States, and that he was frequently accusing the little lambs of Nixon and Kissinger of a coup. But everything became known later.

After my performance 'The Artist is Present (2010)' at MoMA in New York, many scientists became interested in why so many people who sat across from me began to cry. I was incredibly moved by this experience also, and was very curious to know what happens in our brains when we spend time not talking, just looking at one another.

I became a poet in Pittsburgh. When I lived in the South, I was a basketball player and primarily a jock. An English teacher essentially suggested that I send the poems that I'd been writing - really just for him - to a few programs, so that when I wound up in Pittsburgh, it's where I figured out that I could actually be a poet.

More than 500 million years ago, vision became the primary driving force of evolution's 'big bang', the Cambrian Explosion, which resulted in explosive speciation of the animal kingdom. 500 million years later, AI technology is at the verge of changing the landscape of how humans live, work, communicate,and shape our environment.

With *NSYNC, we shopped our deal for a year in America, sang a capella in everybody's office, then moved to Germany for almost two years and became popular there. A guy representing a rock band came to our show in Budapest, saw 60,000 people get excited for a band from America that nobody in America knew, and told someone at RCA.

For 'The Grey Album,' I'd been thinking about the good side of lying - lying as a kind of improvisatory act in black culture. Afterward, it nagged at me because there are those other kinds of lies that I think are all around us, and I was fascinated about hoaxes in general. So 'Bunk' became a natural extension of 'The Grey Album.'

In 1983, my second year of law school, I became the only white player in the Ogden Park Basketball League at 65th and Racine. My teammates joked that I integrated the league, which I guess is true. They weren't so much focused on integration as on winning, and they knew you can't teach height. 'He can't jump, but he sure is tall.'

I first wore a hat after seeing a friend wear a hat. It seemed like a neat way to keep snow off my head without having to wear a beanie, so I tried it on for a while. Turns out I started wearing the hat at around the time people took pictures of me and put them online and in newspapers, so it kind of became part of my public image.

I became quite a diva, and intolerant, and people knew when I was not pleased. Some people were afraid of me, and other people just kind of blew me off. But I wasn't making any friends. I only had one person who remained my friend, and he was my boyfriend for a while. Even though I told him I was gay, he was like, 'That's alright.'

In 2011, I released my first album called 'International Villager.' I had no support, and whatever money I had made, I put it all in the album. I shot the music video for 'Brown Rang' with one lakh dollars. I spent so much money, as I just wanted to put it up on YouTube, as I knew that my market was there, and it became a huge hit.

While the emphasis on effects became a catastrophe for science fiction, it was a relief for the capitalist culture of which 'Star Wars' became a symbol. Late capitalism can't produce many new ideas any more, but it can reliably deliver technological upgrades. But 'Star Wars' didn't really belong to the science fiction genre any way.

I can clearly trace my passion for reading back to the Jonesboro, Georgia, library, where for the first time in my life I had access to what seemed like an unlimited supply of books. This was where I discovered 'Encyclopedia Brown' and 'Nancy Drew,' 'Gone With the Wind' and 'Rebecca.' This was where I became inspired to be a writer.

I've always had a passion for giving back. It's a family tradition that comes from my devout parents. They were always giving back and serving the community. So when I became fortunate enough and blessed to play the game of basketball, I was also fortunate enough to follow in my parents' footsteps and give back like the way they did.

When became citizens, we took an oath to support and defend the Constitution and laws and bear faith and allegiance to the same. When I became a judge last year, I took the very same oath administered by Justice O'Conner. Rather amazingly, I'm now in the position to administer that oath to others who themselves are becoming citizens.

I heard opera all day long. From the time I was 9 years old, I was imitating the singers; later I studied opera. But we also got Western television and radio, from the Americans in West Berlin. When I was 11 years old, I turned into a hippie and gave flowers to policemen. And when I was 21 and left Berlin for London, I became a punk.

The reason I became 297 pounds is because that was comfortable. What was very uncomfortable was running. What was very uncomfortable was being on a diet. What was very uncomfortable was trying to face things that I didn't want to face. And I also realized, when I was really big, I had no growth. Why? Because I was living comfortable.

I tap danced for ten years before I began to understand people don't make musicals anymore. All I wanted to do was be at MGM working for Arthur Freed or Gene Kelly or Vincent Minelli. Historical and geographical constraints made this impossible. Slowly but surely the pen became mightier than the double pick-up time step with shuffle.

When Donald Trump became the candidate we didn't have any money other than Mr. Trump's money and I don't think he wanted to write that check all himself. We needed to create a grassroots campaign and we needed to go out and find millions of people to be our supporters and Facebook allowed us to do that in alarming numbers, very fast.

I got into Dio when I was still quite young. I remember seeing the video for 'Rainbow In The Dark' on MTV. That was my first taste of Dio. It wasn't until years later that I realized he had this whole career with Rainbow and Black Sabbath and even going back to Elf. When I saw that video, it instantly became one of my favorite songs.

When I finished my degree I became a physics and maths teacher. And worked in the international school in Brussels, because like many kids, after University I went home going 'ahhh I don't know what to do'. I happened to fall upon a job there because they were desperate for a physics teacher which is a common theme among many schools.

The way that we're consuming what we watch. Netflix, binge-watching, destination agnostic were not terms. It was about networks, times, dates. Even with feature films, you had to see it this way, in this capacity, at this time. All that has changed. Now it's really about the story. It's a gift that I became a storyteller at this time.

I was in New York on September 11 when those planes hit the World Trade Center. At the time, it seemed like it was a local thing. But three or four days later, by the time we drove across the country in the bus, we realized it wasn't a local thing. You could really feel the states become united. We became the United States of America.

I don't feel I was 'born American,' but my homeland was denied to me after the end of World War II, and I craved something I could identify with. When I became a student at Harvard in the 1950s, America very quickly filled the vacuum. I felt I was American, but I think it's more revealing of America how quickly others here accepted me.

When I was three, my parents were told that I would never be able to recover from rheumatoid arthritis. Doctors from the biggest and the best of hospitals had said that the condition would never be cured. But with naturopathy and yoga, I recovered and became a wrestler, and even got the opportunity to represent my country in wrestling.

With the Industrial Revolution, the production of food was delegated to big companies in order for women and men to be in the labour force, to come home, stick something in the oven, and eat. It became a big industry that does not have a love affair with food nor is really concerned about nurturing you or giving you the right nutrition.

I had been wrestling with a fracture in my elbow and a slight tear in my triceps for quite some time, but it was continuing to get worse. As I worked through it, I ended up dislocating my shoulder and tearing my labrum. All of these injuries were on the same arm, so things like working out or even sleeping became increasingly difficult.

Mitt Romney has a history of being a great job creator. Secondly, he was a great governor. He went from billions of dollars in the hole when he became governor to billions of dollars in surplus when he left. And he went from the loss of tens of thousands jobs when he became governor to the creation of 40,000 new jobs when he left office.

Mum worked as a secretary for Orson Welles for what sounded like a very miserable year. Her brother was the actor Jeremy Brett, who became famous for playing Sherlock Holmes. He was an absolutely lovely man. Very exciting and glamorous, he'd always make me feel amazing and full of confidence, like I'd picked the right thing to do in life.

Wherever I went, I became a son-in-law. It was a terrible phase for me. I had to work double hard to get back my identity. Whenever I gave an interview, the first question would invariably be, 'What is it like to be his son-in-law?' Now that question comes somewhere in the middle of the interview. Hopefully, soon, it won't be asked at all.

When I was mayor of New York, my views changed. I began as mayor of New York City thinking that I could reform the New York City school system. After two or three years, four years, I became an advocate of choice, of scholarships, and vouchers, and parental choice, because I thought that was the only way to really change the school system.

I'm a gamer, and I became obsessed with 'Resident Evil.' I played the first two games back to back. It took me, like, 10 days. I disappeared from view. Stayed in my apartment. Didn't return anyone's calls. After 10 days, I emerged with 10 days' worth of stubble and kind of bloodshot eyes going, 'I love this! We have to turn it into a movie.'

When, you know, when Nic became addicted, I was completely uneducated, and basically everything I assumed at the time turned out to be wrong. I guess the main thing is that I was so blindsided, that I had this idea of, you know, what an addict looks like, and it didn't look like Nic. And I realized that, you know, anybody can become addicted.

When I was 15 years old, my cousin and I formed a singing group called The Altaires. And, because we became the most popular singing group in the Tri-State area, the rest of the group convinced me I should play the guitar - even though I didn't own one! So what happened was, my stepfather actually made my first electric guitar for me for $23!

When I was 15 years old and in the tenth grade, I heard of Martin Luther King, Jr. Three years later, when I was 18, I met Dr. King and we became friends. Two years after that I became very involved in the civil rights movement. I was in college at that time. As I got more and more involved, I saw politics as a means of bringing about change.

'Calcutta is a pot of honey' means that in the first half of the nineteenth century, before the society became truly Victorian in feeling and tone, Bengal was a place to make money. The governor-generals returned to England rich men. It was a bountiful, lush, prosperous, easy place to make a fortune - in coal, in jute, and particularly cloth.

Until the 20th century, medicine was more like politics than physics. Its forecasts were often bogus and its record grim. In the 1920s, statisticians invaded medicine and devised randomised controlled trials. Doctors, hating the challenge to their prestige, resisted but lost. Evidence-based medicine became routine and saved millions of lives.

At first, 'Family Ties' seemed to just be a wonderful project of its time. These were the Reagan years, the new conservatism. Alex P. Keaton quickly became the Fonzie of the '80s, so it seemed very much a product of its time. But I soon began to realize that it went far beyond that. These great family shows transcend whatever time they are in.

Cinema is a visual language, and you're always looking for visual metaphors for things. You know, if I was writing a play about Howard Hughes, I could have him give a monologue about how he's terrified to touch a doorknob. But on screen, you know, working with Marty Scorsese in 'The Aviator,' that became the series of images that told a story.

I lived in Italy for two months when I was in college. And I traveled to Paris. I traveled to Egypt. I traveled to Spain. I just would travel a lot. I remember going to Paris and saying, speaking French, 'I would like some chicken and some fries.' And just the chicken and fries was, oh my gosh, just so amazing. I became intrigued and inspired.

My company was based in Palm Beach, Florida, but when 'Bar Rescue' took off, I knew I had to move west. It was a choice between L.A. and Vegas. I have a lot of friends in Vegas, and it became my choice. I'm so glad because I love it here. There's a real sense of community. It's a big town that feels like a small town. Everybody knows everybody.

My mother's family is Christian: her father was a Baptist lay preacher, and her brother, in a leap of Anglican upward mobility, became a vicar in the Church of Wales. But my mother converted to Islam on marrying my father. She was not obliged to; Muslim men are free to marry ahl al-kitab, or people of the Book - among them, Jews and Christians.

My wife and I, we knew each other back in 2001 but had fallen out of touch. One day, I had a dream about her and wrote her a note on Facebook - I was living in L.A. at the time - and that turned into six months of just letter-writing. It started off with Facebook messages and turned into emails and eventually became actual hand-written letters.

A word about blue jeans, which, when I was growing up, were called dungarees, one of the more unfortunate marketing ideas of our time: Starting as a work garment for miners, the ubiquitous blue jeans became a staple of the counterculture starting when Brando wore them in 'On the Waterfront' and remained so through the anti-war protests of the '70s.

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