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A French Republican is a Republican who beats up on conservatives and is constantly praising the Democrats and contributing to the massive spending in this country while they go home and pretend otherwise.
If you listen to the radio, and something beats you into surrender, like 'REO Speedwagon', and you really hate them, there's 'You Can Go Your Own Way' in your ear all day, and that's what makes a good song.
We don't beat the reaper by living longer, but by living well, and living fully - for the reaper will come for all of us. The question is: what do we do between the time we're born and the time he shows up.
You know, as I'm progressing with my sound, I just realize when you got a simple sound with crazy percussion in the beats, it makes it. It kinda shapes my sound when it comes to what makes a Tay Keith beat.
When I actually first moved to Atlanta, I was cutting hair. I was making beats and making music out in the Bay Area. But I came here to make - you know, I had to get my barber license, so I was cutting hair.
No offense to music - thank you for Entertainer of the Year and all that stuff. But if you're a father or a mother, there's nothing that beats being a parent, and that's the best time of my life right there.
I think it need realness, you should speak on thing that you know about, that you being from, that you experienced or that you been around, you know. I think you need a good hook, good beats and good lyrics.
A lot of young producers will stay at home and make beats all day but making beats is only about 20 percent of the job. The other 80 percent is networking; that's what I feel like a lot of people are lacking.
I wanted to be a doctor at one point and I also wanted to be a pilot. I think if you grow up in a dodgy area, reality often beats down those ambitions as you get older. But with me that never really happened.
I still feel like if I can get a song to work with, say, a basic beat, a rhythm, some chord changes, and a melody, a vocal melody - if it works with that, then I feel it's written and there's something there.
I could do beats with a million sounds, and I could do beats with two sounds. Which one is going to make the most sense, and which one is going to sell the most records? Most of the time, it's the simplicity.
I could never really tell you what direction. It's just however God just makes it; that's how all of my albums are. I don't really aim for a direction, but I just pick the best beats I can pick and that's it.
When I tried to send him beats in 2010, he told me I was too expensive for him. I told Future we had to work together, that it would be beneficial for both of us, that we didn't have to worry about the money.
When you get just that right audience and just that right sound on stage and you can just sit back and kinda just let it happen and it's not really any work. I love those moments. Nothing can beat that for me.
Sometimes I wonder why I'm not working at McDonald's and how come I have the life I have. I don't know. But I'm happy that I have these choices. That's kinda sappy, huh? But whatever, acting beats pumping gas.
Toasting is basically what you call rapping. It came off of playing the beats at the parties, however it be. You find a space in the beat, and you have somebody live just basically saying rhymes over the beat.
'Welcome to Atlanta' was a song I wanted to do on my first album. The idea was for me and Outkast to do it, but I could never come up with a beat for us to do it. Outkast beats and my beats were very different.
When I first started making music, I was pretty drawn to hip-hop beats wrapped together with super-good lyrics. The most important thing in that is wordplay, so that stayed with me when I started writing songs.
I was making all my own beats, and I really liked sampling stuff, like old '50s and '60s pop and soul and doo-wop records. I was chopping those up and putting loops and drums on them and just rapping over them.
I have been making hip-hop since I was a kid growing up in New York in the '80s and '90s. It's always been a hobby of mine - I've been making beats and writing songs for as long or longer than I've been acting.
On 'Utopia,' I mix sick beats with ethereal elements while trying to keep the focus very much on the songwriting. If you strip any of these songs down to just the vocal and a piano, there's a real song in there.
Hip-hop has survived as a sonic practice more than anything else. It's an approach to music-making based in sampling and rhyming over beats, that's proven far more versatile than its detractors thought it would.
I have a particular pair of headphones I love so much I bring them everywhere: Beats Studio. It's perfect for watching movies as well because you feel like you have your own theater with you, even with your iPad.
He was not a runner, my father, but he was quick. I always remember it was very difficult to escape from him when he was angry. If he wanted to beat us he would always catch us. Even me, he could always catch me.
I will say you could always look at 'Looney Tunes' and learn about writing. I think you can learn a lot about the beats of comedy. I think you can find out about awkward pauses, because I think they did those well.
You have to find a sound that reflects what our souls feel like inside, how our bodies actually feel. That's why we made our own beats. We couldn't find a producer who could give us the feeling to match our lyrics.
For people who love Tribe, I'm the defector. They say, 'You should get back with Ali to do the beats.' But a lot of people don't realize I did all the music in Tribe. In the first three albums, I did all the beats!
Playing well with others is important - not being too flashy, just keeping good time and of course coming up with cool beats. A good snare drum, kick drum, high hat. Just getting good at the hand feet coordination.
Instead of giving all your best tracks to artists, producers now have the opportunity where we can take our favorite beats we make and put our favorite artists on them and release fun songs for people to listen to.
My music is airy; it's spacious. It requires you to be able to rap and articulate your message over it. That's what the beat demands of you. Not a lot of people try to rap over my beats because it's a bit of a task.
I went out of my way to make 'Immortal' sound perfect. 'Immortal,' 'Just What I Am,' and 'King Wizard,' those are perfect beats. Not a lot of people can perform on them. I say that meaning they're tailor-made for me.
The worst of the action films are the ones where everything is one shout from beginning to finish. And there's no differentiation between beats, like small or big, or quiet or expansive. It's all just one loud shout.
I kind of watch a guy like Aleister Black go around, and he does whatever he wants. He Black Masses whoever he wants. He beats up security guards; he threatens general managers. Tommaso Ciampa does whatever he wants.
People don't understand how long it really takes to find beats. Sometimes they're not all the way there, but it's elements in them I love. Then I get to take them to get chopped up. Ye got to cook over a few of them.
You just realize that at the beginning of 'Scooby' you're just going to start at level ten and stay at ten the entire time. It's hard. It physically beats you up. It's definitely one of the hardest movies you can do.
I'm more into beats than rhymes. I'm a huge fan of anything touched by the Neptunes. Dancing is kind of my thing. I go out with my friends as often as I can on the weekends, and I'm always drawn to girls with rhythm.
Manhattan's always fascinating, too, just a big, stinky, smelly conglomeration of numbered avenues and streets, but it's just got a vibe that's hard to beat. I shouldn't like it, but I do. I can't put my finger on it.
I don't even know if hip-hop is music anymore. It's definitely rhythm. It's definitely tempo. It's definitely beats per minute. But it's product. And television is product placement for the most part. It's not passion.
I get music from odd places that I assume are fairly typical at this point. I'll just go on iTunes, go to EDM and just look at the Top 100, or I'll go on the Beats app and look on the playlists that are sort of curated.
I made my entire first tape using Beats headphones - the studio headphones and halfway through the second one, because I finally started making a home studio. But I record and make all my beats with the Beats headphones.
People still say to me, 'What, you still live in Mexico?' I don't have to go to the United States simply to find work, and I don't have to stop what I'm doing. I mean, which Hollywood film beats 'The Motorcycle Diaries?'
If you constantly beat yourself up with negative thoughts, you will either beat up on the people around you- verbally, emotionally, or physically- or you will beat up on yourself by destroying some area of your own life.
I played drums since I was 6 years old. And then I got into producing music when I was about 16 or 17. Somebody showed me FL Studios, the program. My beats were bad at first, but then eventually they started to get good.
Why did they do it? Beats the hell out of me. I was just a scared kid from Kentucky, and these guys had been up in the majors for a while. I guess it was because I was just such a helluva nice kid - if you'll accept that.
Indian food beats everything else, in my book. The kinds of cuisine our country offers is just amazing. Every single dish has a variation depending on what region you go to, and that excites me the most about Indian food.
The simplest beats, on what rock music or any music has been formed on, can be the toughest beats to execute and perform, because it's really easy to not respect a simple 4/4 beat, because people always want to play fast.
I feel I am a little unfit for the kind of music that is being made today. There is a big difference between what I sang earlier and what is being made now. I am not saying this music is bad, but there are too many beats.
When Migos flew me out to see if I was actually making the beats, they didn't expect a white kid from Canada to be making harder beats than the guys in Atlanta. Being white in that environment, it was definitely different.
I was DJing for this party promotion called 1st Flight Entertainment, having to DJ on the weekends and then also going to school in the same week. So I just figured out how to balance that, then make beats on the side too.
I like collaboration because, first of all, I'm good at writing lyrics. I don't know how to make beats. I don't play instruments. I'm not a good singer. So even when you see a solo album of mine, it's still a collaboration.