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So I had to change my mental outlook from, 'wow, this is Lee Haney, the icon we are all trying to aspire to,' to, 'this is the guy I am trying to beat.' I thought, 'I can't be in awe of this guy because, if that is your attitude then you're not going to have much chance of winning.'
I get Tweets every day from people telling me that 'Hey, I'm going to overcome my injury or my illness. Cancer. Different diseases. I can beat it because Adrian Peterson showed me the determination and the willpower to be able to prosper and get through adversity whenever it comes.'
Every now and then there might be a beat someone turned down that I have as an unused beat. But everything that predominantly matches the artist in my 30 years of doing this, it was me walking in and sitting there with no drums, no samples, no nothing, and making a beat on the spot.
Women's humor seems to be a little more supportive. It's just kind of trying to make the other one laugh through funny voices and kind of talking about other people. I respond to that. I feel less like I'm going to get beat up in a room full of women than I do in a room full of guys.
Chicago's known for the drill. Keefs, Lil Durks, and whatnot. My music, on the other hand, it has a message to it. I think that's what sets me apart. I think it gets deeper than saying anything on a trap beat. I'm putting stories together, and people are relating to what I am saying.
I'm a bit insane when it comes to doing my own stunts and getting down and dirty. It's fun, you know? It's things I wouldn't normally do in my real life, so when I go to work and get to beat people up and shoot guns and get waterboarded, those are things I find completely interesting.
I'm a little like Roy Keane. Mentally I'm very strong. I'm very hungry. I'm very dedicated. You can't throw me off my stride. That's how I break people. I just don't care what they do. They can throw 180, 180 and 180 again and I'm like, 'so what?' They've got to keep it up to beat me.
I want to sound like an instrument. I want my voice and my words to marry the beat. I go with the rhythm of it and the words start to come to my mind and those words could be based on things that's been on my mind for the past year, the past month, the past week, whatever; I write it.
Out-innovating them is the way to beat China. And to do everything that we do in this country to support innovative policy, that drives innovation and new products and more jobs and creates jobs. You can't - you can't put a wall up around here. We tried that in the '30s. It didn't work.
I suffered a lot when I tried to make sanitary napkins and promote the idea. My family - including my mother and wife - deserted me. Villagers even tied me to a tree and beat me. But after seeing me successful now, they come and say that they all knew that I would become famous one day.
U2 are a great band; they've given us an unbelievable body of work, and all of us musicians owe them at least something. I can honestly say that every time I have played the Red Rocks Amphitheatre in Colorado, as soon as my drums are set up, I go into the beat of 'Sunday Bloody Sunday.'
'Minute to Win It' is a variation on a game show from the 1950s called 'Beat the Clock,' in which contestants won washing machines and fox stoles by doing such pointless stunts as catching a tennis ball in a paper cup or knocking a hat off one's wife's head with a whipped-cream spritzer.
I used to enjoy using dots where they would be least expected, not at the end of a sentence but in the middle, creating the effect... of a skipped beat. It seemed to me the mind reacted - first!... in dots, dashes, and exclamation points, then rationalized, drew up a brief, with periods.
To make an omelette, you need not only those broken eggs but someone 'oppressed' to beat them: every revolutionist is presumed to understand that, and also every woman, which either does or does not make 51 percent of the population of the United States a potentially revolutionary class.
The popular dystopian vision of AI is wrong for one simple reason: it equates intelligence with autonomy. That is, it assumes a smart computer will create its own goals and have its own will and will use its faster processing abilities and deep databases to beat humans at their own game.
I once joked in a book that there are three things you can't do in life. You can't beat the phone company, you can't make a waiter see you until he is ready to see you, and you can't go home again. Since the spring of 1995, I have been quietly, even gamely, reassessing point number three.
I think a lot of people saw 'Fight Club' and thought, 'Right, here's our next Che Guevara, here's our next Fidel Castro, here's someone who's going to wave the flag.' And I was like, 'No, it's just a book. And if I beat that drum, if I play that song one more time, I won't have a career.'
Hip-hop is the streets. Hip-hop is a couple of elements that it comes from back in the days... that feel of music with urgency that speaks to you. It speaks to your livelihood and it's not compromised. It's blunt. It's raw, straight off the street - from the beat to the voice to the words.
The danger of serialization is that you almost get into a monotone - where they all have the same beat and pace, and it's all one long thing - and when you can kind of do this interesting mixture of episodic and serialization, you can kind of take the audience on a more interesting journey.
It wasn't until 9th grade that I got into music. This guy in school heard me singing around the hallway to girls and stuff. The girls liked it. One day, he was like, 'Come to my crib. I got a studio. Come and record a hook for me.' I recorded the hook on the 'Lovers & Friends' beat - Usher.
I read 'Tiger Beat' and 'Bop' from the time I was 9, 10, 11 years old. I loved movies. I saw 'E.T.' seven times. I used to yell at people who called me when 'L.A. Law' was on because they should know better. So I just have been so in love with the business of Hollywood since I can remember.
The definition of success is that the company doesn't miss a beat. Do I love what I do? Oh yeah - I love it more than ever. You've got to have that energy level 24/7. But you've also got to make sure the transition is smooth. Being realistic, most high-tech companies haven't done that well.
Like a lot of people, I pray for a sick relative or that kind of thing, but I don't pray to make my next flight connection at the airport. I find prayers before sports contests to be insensitive and kind of demeaning, at least when someone prays to beat the other team or something like that.
I had a boom box with a dual cassette deck and a mic, so I used to make pause tapes. I think a lot of people started like that because it was all I had. I would just take rap records that I liked and just loop the beat by pressing pause and record and make, like, five minutes of these beats.
It's easy to get negative because you get beat down. You go through a few disappointments and it's easy to stay in that negative frame of mind. Choosing to be positive and having a grateful attitude is a whole cliche, but your attitude is going to determine how you're going to live your life.
The first beat that I ever made that I thought was actually worth a damn was called 'Toilet Paper Nostrils,' and I made it when I had a cold. I had the worst cold ever. And I had toilet-paper nostrils making music, but it was really reflective of how I felt. It was a really sad trumpet sound.
I'm unique for a suspense author in that I don't have a specialty background. A lot of suspense writers used to be lawyers or crime beat reporters. I didn't even know a cop when I started out. I finally figured out that I could visit prisons - I just had to be willing to make the phone calls.
Although I have to say, it's become a lot harder for me since I won the world series because everyone wants to beat me. For example, bluffing is really tough now, because there's always someone who calls me on the off-chance that they'll then be able to say they read a world champion's bluff.
My mother taught us to play baseball, to bake a cake, to play fair - she beat the living daylights out of us sometimes, and she loved us with all her heart; she taught her favorite poets, and there is no child care in the world that will ever be a substitute for what that lady was in our life.
In America, we have always taken it as an article of faith that we 'battle' cancer; we attack it with knives, we poison it with chemotherapy or we blast it with radiation. If we are fortunate, we 'beat' the cancer. If not, we are posthumously praised for having 'succumbed after a long battle.'
I think there's something very lovely and hilarious about exploring the particular neuroses of the female mind. It's just not the same thing with men. I mean, there are exceptions, but for the most part, women beat themselves up in their heads more. They overanalyze stuff far more than men do.
'I Want To Hold Your Hand' is a great classic by Paul McCartney and John Lennon, I sure love that song. I did like the classic version, a rock-oriented song, then someone heard me do it with the Grant Green approach - Grant Green and Larry Young did it, with a bossa nova beat on the funky side.
When we were playing chess in the house, she would never let me win until I was good enough to beat her. It was always a competition. She was also always there for me. She was a very caring, loving mom, and the sacrifices she made to allow me to get to where I am today, I'll be forever in debt.
I can't tell you how many things I've worked on where I sat on it for a few years, and then somebody else did something very similar. Whether it's some weird vocal effect you hear on another record, or a drum beat, or even a song title, a subject matter, or a mixture of different kinds of music.
When somebody has an enormous success in this culture, people start asking two questions, which are 'What are you doing now?' and 'How are you going to beat that?' And I have to say, I love the assumption that your intention is to beat yourself constantly - that you're in battle against yourself.
I think music can really affect people's emotions and, when I am about to get into a race car, I definitely listen to music with a good beat - that's when you've got the adrenalin pumping. And the time before you go into a race weekend, you have a lot of emotion and adrenalin, and a lot of focus.
Older boys were allowed to beat younger ones at my 15th-century English boarding school, and every boy had to run a five-mile annual steeplechase through the sludge and rain of an October day, as horses do. We wrote poems in dead languages and recited the Lord's Prayer in Latin every Sunday night.
I wish I had coined the phrase 'tyranny of choice,' but someone beat me to it. The counterintuitive truth is that have an abundance of options does not make you feel privileged and indulged; too many options make you feel like all of them are wrong, and that you are wrong if you choose any of them.
Usually I start with a beat, I start making a beat, and my producer side is making the beat. And on a good day, my rapper side will jump in and start the writing process - maybe come up with a hook or start a verse. Sometimes it just happens like that. A song like 'Lights Please' happens like that.
I don't have a favorite author; I have favorite books. 'Moby Dick' is a favorite book, but Melville was a drunk who beat his wife. 'Moveable Feast' by Hemingway, but I would not like him personally. He was a stupid macho person who believed in shooting animals for fun, but that book was incredible!
I think defeating Fox - and more importantly, getting the rest of the media to understand they do not do legitimate news - is very important. I hope to do that through pointing out their hypocrisy, propaganda, and general foolishness. But I also plan to beat them in the ratings and make them fear me.
I went to see President Nixon at the White House. It wasn't difficult to get a meeting because I was heavyweight champion of the world. So I came to Washington and walked around the garden with Nixon, his wife and daughter. I said: I want you to give Ali his licence back. I want to beat him up for you.
I'm a small-time white kid trying to represent hip-hop. If a hip-hop artist comes up and beats me in a battle, who did they beat? A small-town white kid who ain't never been an MC, who ain't never done nothing. Now if an MC comes to battle and they get beat by a small-town white boy, that's MC suicide.
I started a youth center in Houston. The kids would come in and want to learn to box; they wanted to tear up the world, beat up the world. And I'd try to show them they didn't need anger. They didn't need all that killing instinct they'd read about. You can be a human being and pursue boxing as a sport.
With comedy, it's a combination of knowing the comedic beat was good - it made you laugh, it made people on the crew laugh. With drama, you do something deep and if your stuff was really effective, the ultimate result is silence. Silence is not necessarily... that would also be the result if you sucked.
You tell them that all your experience tells you this is the best way to beat this particular opposition. You persuade them and you drill them, and you tell them so many times they can hear you when they go to sleep. Then, on the day of the game, you stand on the touchline and hope to God that it works.
That straight man character is a short trip between comedy and drama in a project, so I can play the comedic beat on the same page as a dramatic beat. It gives me a lot of freedom as an actor to play scenes in multiple ways because I don't play the clown, nor do I play someone who is particularly maudlin.
When I met Bob Dylan, I was definitely impressed. This guy had come from the American folk world, but he was very schooled in poetry, too. He'd studied the Beat poets, of course. I grew up in the British bohemian scene. Dylan grew up in the American bohemian scene. So I was very pleased to meet such a guy.
My mom beat us until she started breaking clothes hangers. Wooden clothes hangers! Once we started laughing back at her, then your spankings were through. That's the way I was raised. So, I got to be about 13 years of age when finally she quit spanking on me. But I think that it was great way to be raised.
I can't stand on a podium and beat my chest saying I'm the best. I just think I've been the luckiest of all. Yes, I'm talented. The movies that I've chosen and the way they've fared have also helped. I've always done films I would love to watch. I have stayed away from films which I thought were depressing.