Beat Quotes - Page 18

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Ever since I was a little kid, I've felt comfortable in a suit. It all started when my mom bought me a three-piece Pierre Cardin suit. I wore that thing everywhere. Eventually I realized I was going to be the kid who got beat up in school, but I kept wearing it.

We've got teams and other countries have teams. Right now, we are going to their countries; we're finding the best athletes; we're bringing them to our team. We're training them, we're making them awesome, and sending them back to beat us. We've got to stop that.

Any defensive coordinator is worried about two things: a running quarterback and a deep ball. You know, don't get beat deep and don't let the quarterback run, because a big part of your defense can't account for the quarterback as a runner, so he gets a free run.

I beat Larry Holmes and George Foreman. I whupped Mike Tyson twice. I had my ear chewed off and spat on the ground in front of me. I've seen everything it is possible to see in boxing. I know this business better than anyone. So I live and die by my own decisions.

I felt that I ostracized myself by my behavior, by the past, by living with all the regrets of my mistakes, that I sort of wore a hair shirt and beat myself up most of the day thinking and regretting why did I make such a mistake? Why have I made so many mistakes?

My parents had this relationship that was really terrifying. I mean, the level of hatred that they had, and the level of physical abuse - my mother would beat up my father, basically - and I think I was drawn to images on television that were bright and reflective.

If you take a song like 'We Will, We Will Rock You,' 'You got blood on your face... ' - he's rhyming on that! And if you take the lyrics out of that song, you get a hip-hop beat. It's a rock song, though. So it's not out of my element for me to get with Black Lips.

I've always loved the mixture of crushing live drums with a programmed groove, that really cool blend, like in the verse there's a really funky drum beat that is programmed then it comes in to the chorus; you've got that enormous human feel where the band kicks in.

Our right to disagree is precious but fragile. The best way to protect and preserve it is to let the other side speak without demonizing them or destroying their right to be heard. Such civil exchanges are the heart beat of democracy - essential to keeping it alive.

I learned in high school that I was going to have to outwork people. I remember running around the track, training for football, and a faster guy ran past me. I just figured, I can outlast him. If I work harder than him, I'll beat him. And to this day I overprepare.

When I first heard 'Pearly Gates' by Mobb Deep and 50 Cent growing up, the rapper Prodigy had a line about wanting to beat Jesus up. I wasn't religious, but I'd never been introduced to something like that. I was scared and mad, but then I asked why I felt like that.

Any person I idolise, or I really admire their work, I want to beat them... For me, going through my years, I made sure to idolise myself... So when you're in a race, you have to make sure that you think you are the favourite to win. You have to have that confidence.

I have a big problem when the sanctimonious, holier than thou congressmen and women go on national television for six hours and beat somebody up with a stick, and not because I'm 'Ms. Manners.' That's not what bothers me. People in glass houses shouldn't throw stones.

My mom has an English accent, so we always referred to the trunk as the 'boot.' And then, suddenly, we moved to Georgia and I would say things like 'open the boot' with a bit of an accent, and I quickly realized I had to adapt; that kind of thing will get you beat up!

Keeping it all together as a modern woman means multitasking, especially when you work. I think you always need to try your best, but at the same time you can only do what you can do, and you don't need to beat yourself up about it. I'm not white-picket-fence perfect.

With so much evidence of depleting natural resources, toxic waste, climate change, irreparable harm to our food chain and rapidly increasing instances of natural disasters, why do we keep perpetuating the problem? Why do we continue marching at the same alarming beat?

Think about just exceeding expectations of every job you're being asked to do. Continually ask for feedback on how it's going. Ask everybody involved what you can do to do an even better job, and the world will beat down your door trying to ask you to do more and more.

You're out there on an island. It's just you and the best receiver, man-to-man, in one-on-one coverage a lot of the time. And you don't really get any help. If you get beat, everyone can see. If you get scored on, everyone knows. That's the difficulty of playing corner.

I remember my first trip to Toronto. There was this street musician playing an instrument I've never seen before - like, he had a hang drum on the left side and this random bagpipe, bodhran stick type of thing. It was the craziest thing ever! So I sampled it for a beat.

The craftless anarchy of the Beat poets on the one hand, and the extreme control of Henry James on the other, suggest that for most human beings, just as both freedom and discipline are necessary in life, serendipity and design must coexist in a work to make it readable.

Football is a chess game to me. If you move your pawn against my bishop, I'll counter that move to beat you. Football is the same way. I study so much film that I know exactly what teams are going to do. I love knowing what a offense is going to run and stuffing that play.

The real reason why people are going with digital is that it's extraordinarily mobile, and it's cheaper, and it has a great image, and you just can't beat it at night. It's pulling in variations of colors; it's pulling in lights from 40 miles away - a candle would be seen.

Umm... my favourite Wizkid tune of all time would be 'Don't Dull' 'cos I recorded the track in, like, 5 minutes. The beat was ready, we went into the studio and freestyled, and it was ready. The song became really, really big, so I think 'Don't Dull' is still my favourite.

A lot of amateurs are terrified of going up against a player who is clearly better than they are. They never play their best, because they aren't comfortable. There's one surefire way to get over that, and it's to ask yourself, 'What if I beat him?' Imagine the possibility.

I try to beat back the producers and engineers so they - there's not an excess of stuff used to squeeze my voice to make it artificial. There's a person in there, and people will listen; if they hear another person speak to them, they'll listen because it's lonely out here.

One of the most important things for me in terms of my working method is doubt. I get very insecure about my ideas. And I don't say 'insecure' in kind of a paranoid way. I mean just: 'Are they good enough?' 'Is this the right thing to do?' I really beat myself up over that.

Sometimes we fall, sometimes we stumble, but we can't stay down. We can't allow life to beat us down. Everything happens for a reason, and it builds character in us, and it tells us what we are about and how strong we really are when we didn't think we could be that strong.

Maybe now, instead of being afraid and saying, 'Look how hard Terry tried, and he still got cancer,' instead people will say, 'Look at the effort he put in, and he died of cancer. We're really going to have to try hard in order to beat it - harder than we ever have before.'

I enjoy listening to contemporary rock on the college stations while I'm taking long walks, love gospel and soul music, am fascinated by hip-hop and rap as the new kind of urban 'beat' poetry and, come to think of it, find something interesting about just any kind of music.

This was totally influenced by me and the direction that I am writing about and the stuff that I am writing about. There is just no way that you can be as intense as what I have been through in my life over a drum beat machine, sample, or loop; it's just not going to happen.

I don't feel like a very nostalgic person. I think about the past much more clinically. When I look back and wonder, 'Why was I doing that? Was it a waste of time?' I don't beat myself up. Instead, I say, 'I'm so glad I did that, because now I really know what matters to me.'

Number three, we're going to play very smart and we're not going to beat ourselves. If the other team is better than us and they just out execute us and play better then we can live with that, but we're going to play smart and give ourselves every opportunity to win the game.

I got beat real hard and heavy in the Olympic Games in 1968 by a guy who swam an incredible race one time in his whole life, but he did it right at the right time. I'd like to be that guy now. Maybe that's what I'm going to have to pull out of my hat to make the Olympic team.

I have three younger siblings, so the four of us were outside all the time after school playing games, making up games. My sister made up a game called 'roof ball.' We'd play that constantly. She always beat me in it, and it made me very mad. But we were outside all the time.

No one knows this, but when I would play the clubs back in '65, '66, they used to call me 'Screaming Chicken,' 'cause I would go out and scream, fall on the ground, beat myself, smash stuff, jump through the ceiling, roll on the floor, and act like I was having epileptic fits.

This is what I wanted. They tell me that London is the best field in history. I wanted to be part of that. Because everyone will be there it will be a wonderful challenge for me. You can see the best runners, how they look, how they run. For me to beat the best is what counts.

I've never had a huge collection of records; I've never been a beat digga. I never been one of these guys who drives cross-country and knows some one-legged sailor who has a boat parked off some pier with a thousand Russian funk records that he stole from the Red Army in 1972.

Only two to three per cent of an audience is interested in words and pays attention to lyrics; most of the rest of it is about image or the beat or the sound, or else it's a tribal thing - country & western, rap, heavy metal, with historical folk rock off in some kind of cult.

There are methods to creating a mayhem that sounds different from your usual mayhem. Because mayhem and a heavy drum backbeat end up sounding like Green Day or something. But if you put a different beat within it to create some air and lightness, the chaos comes through better.

My ultimate goal is to be the best player in the world. If I'm the best player in the world, I'll be the face of American golf. It will come with the territory. That's where I want to be. If I want to be there, I have a lot of guys I have to beat out, in the U.S. and the world.

Genetic Denim gods, if you're listening, please don't rip, and if you have to, maybe you could have an elf from your warehouse send me another pair... I'm a size 28 and its called 'The Twig' in a dark grayish wash... I will wear them until I die, unless those rips beat me to it.

I could beat my mike stand into the stage, but I was still in pain. Maybe fans liked it, but sometimes people forget you're a person and they're more into the entertainment value. It's taken a long time to turn that around and give a strong show without it being a kamikaze show.

I don't think I'll ever feel as famous or as popular as I felt when I was a 17-year-old soccer player in Modle. Only about 20,000 people live there and 12,000 of them come to every game. Running onto the pitch each week was just the most fantastic feeling. Nothing can beat that.

Every man's heart one day beats its final beat. His lungs breathe a final breath. And if what that man did in his life makes the blood pulse through the body of others, and makes them bleed deeper and something larger than life, then his essence, his spirit, will be immortalized.

You pity the fool because you don't want to beat up a fool! You know, pity is between sorry and mercy. See, if you pity him, you know, you won't have to beat him up. So that's why I say fools, you gotta give another chance because they don't know no better. That's why I pity them!

I feel like guys, girls, whatever it is, you just come out hoping to make the best record. You just try to have a conversation and just create what you've talked about. Whatever you find to fit the beat at the time, what the person is down for, wherever the beat takes you towards.

Over a 10-season stretch from 1967 to 1976, eight Super Bowl champions either were the Raiders or had to beat the Raiders in the playoffs. The Jets, the Kansas City Chiefs, the Baltimore Colts, Miami, the Steelers each of the first two times... we all had to deal with the Raiders.

I had just done a movie called 'How to Beat the High Cost of Living,' and it didn't get a good review. And the same people sent me the script for 'Airplane!' for the Robert Hays part. I read it, and there were a lot of plays on words, and I said, 'I don't like this kind of comedy.'

I'd visually have that idea. I'm diving off the end of the diving board. I'm not going to be worried about if I'm going to dive into a jellyfish or the water's going to be too cold or the boys are going to beat me. I'm just doing it. And if I do it, it's a good chance I'll make it.

'Stans' can not see anything wrong with their favorite artist. They love everything they do. If the artist fart, they're like, 'OMG, that was the best-sounding fart I ever heard in my life. She farted on beat,' whatever. I'm an 'objective fan,' so I can give my opinion about things.

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