Quotes of All Topics . Occasions . Authors
Members of Congress are less beasts of accumulating burden than computational machines designed to win re-election. Their sense of their own political interests is acute.
Hit songs are mysterious and slippery beasts; few artists have a lock on them. This means that many people, like me, have become fans of songs rather than fans of artists.
We cannot suppose therefore that God has made an order of beings, with such mental qualities and powers, for the sole purpose of being used as beasts, or instruments of labour.
I am writing to all the churches to let it be known that I will gladly die for God if only you do not stand in my way... Let me be food for the wild beasts, for they are my way to God.
Diversity has definitely been increasing, but still we have the issue of inclusion, and that is why I am so grateful about playing the role of Nagini in the 'Fantastic Beasts' franchise.
Many people continue to think of sharks as man-eating beasts. Sharks are enormously powerful and wild creatures, but you're more likely to be killed by your kitchen toaster than a shark!
Most fish require a short cooking time, but cephalopods are the exception to this fishy rule. As with some cuts of larger land beasts, the longer they're cooked, the more tender they get.
Racism, xenophobia and unfair discrimination have spawned slavery, when human beings have bought and sold and owned and branded fellow human beings as if they were so many beasts of burden.
I've been a huge fan of Quvenzhane Wallis since 'Beasts of the Southern Wild.' To me, she's our Shirley Temple, a phenomenal talent, and I wanted to work with her as soon as I saw that movie.
For 99 percent of the beasts on this planet, stress is about three minutes of screaming in terror after which it's either over with or you're over with. And we turn it on for 30-year mortgages.
From Syria even to Rome I fight with wild beasts, by land and sea, by night and by day, being bound amidst ten leopards, even a company of soldiers, who only grow worse when they are kindly treated.
As the science of every thing is in the formed Word, so also is God's will therein: That same expressed Word is in the angels, angelical; in the devils, diabolical; in man, human; in beasts, bestial.
There are people who want to hear what they consider your hits. There are people who want you to experiment and explore random, rare things. And it's kind of a different; they're two different beasts.
In 2006, I started making a film called 'Restraint of Beasts.' While I was making it, I had a personal disaster. My wife fell ill, so we stopped shooting halfway through. And then sadly, my wife died.
One of my biggest goals in writing the music for 'Fantastic Beasts' was to create memorable melodies. J.K. Rowling's world has always had a great musical legacy and I was hoping to continue that tradition.
I would love for there to be a 'Voodoo Dreams' movie, especially after seeing the glorious 'Beasts of the Southern Wild.' I so admired how the filmmakers captured Louisiana and the magical atmosphere. I cried.
I knew Berlin would have to become a kind of character in my new book, 'In the Garden of Beasts'. I had felt likewise about Chicago when I wrote 'The Devil in the White City' and Galveston with 'Isaac's Storm'.
What a lonely species we are, searching for signals of life from other galaxies, adopting companion animals, visiting parks and zoos to commune with other beasts. In the process, we discover our shared identity.
May nothing entice me till I happily make my way to Jesus Christ! Fire, cross, struggles with wild beasts, wrenching of bones, mangling of limbs - let them come to me, provided only I make my way to Jesus Christ.
They're odd beasts, musicals, but what I like about them is the way they allow windows into people's lives. When people sing, you get an opportunity to see a vulnerability, a glimpse of a life in a messed-up head.
Every true man, sir, who is a little above the level of the beasts and plants does not live for the sake of living, without knowing how to live; but he lives so as to give a meaning and a value of his own to life.
A street thug and a paid killer are professionals - beasts of prey, if you will, who have dissociated themselves from the rest of humanity and can now see human beings in the same way that trout fishermen see trout.
Among the old Norse, it was the custom for certain warriors to dress in the skins of the beasts they had slain, and thus to give themselves an air of ferocity, calculated to strike terror into the hearts of their foes.
Fantastic Beasts, to in any way be associated with that world was amazing, especially having been such a huge fan of JK Rowling for such a long time, it's one of those things I never would have dreamt of being a part of.
I worry about the very pernicious way we elevate and separate ourselves from other beasts, the way we rationalize our comfort and ease, our worship of the self, as healthy. It's enticing, but with a terrible taint of evil.
'The Restraint of Beasts' is a painful subject. We'd shot 60% of the film when I had to stop. The material looks great, like nothing I've ever done or even seen before. It could have been really great, definitely original.
If we cut up beasts simply because they cannot prevent us and because we are backing our own side in the struggle for existence, it is only logical to cut up imbeciles, criminals, enemies, or capitalists for the same reasons.
For me, the biggest thing was writing memorable themes for the new characters so that ultimately people would have the same identification with 'Fantastic Beasts and Where to Find Them' as they do with the Harry Potter films.
About 10 minutes before I found out that I had landed 'Fantastic Beasts', I got a residual check in the mail for zero dollars. On the check it said 'Advice Slip.' And I was like, 'Well, what's the advice? Go into another line of work?
Possibly the strangest book ever made, the 'Codex Seraphinianus' is an encyclopedia of an imaginary world, with illegible calligraphy - it is written in an alphabet no one can understand - and surreal drawings of odd beasts and machines.
That's the secret of 'True Blood' - all the creatures that roam Bon Temps become a metaphor for our insatiable lusts and inner desires. Humans craving what they can't have and those secret appetites transforming them into beasts, or even killers.
I only knew one thing about policemen: they were inhuman beasts. The problem was how to turn them into likable, sympathetic human beings. The answer was simple. Give them head colds. And first names. And keep their dialogue homey and conversational.
Generally my typical books have lots of twists and turns a big surprise ending and then usually another surprise at the end and ideally, as in Garden of Beasts, we get to the very end and we find at the last few pages that there's yet another surprise.
At a certain stage in his evolution, man himself had been able to lay hold upon a higher order of things, which raised him above the level of the beasts that perish, and enabled him to see, at least in the distance, the shining towers of the City of God.
A musical is really one of the most complicated beasts. It's a play, and there's music... and there's dancing... it's unbelievably satisfying to get something up out of your brain onto a piece of paper ... and start the process and then see it on the stage.
God made and governs the world invisibly, and has commanded us to love and worship him and no other God; to honor our parents and masters, and love our neighbours as ourselves; and to be temperate, just, and peaceable, and to be merciful even to brute beasts.
One of the things I like best about Netflix is that they make projects like 'Beasts of No Nation.' It's a film about a reality in an African country where kids were being used to be soldiers in a war. And it made so much sense to me as a citizen of the world.
You were not wanted. You were, at best, tolerated. You had to be constantly on your guard, like an animal in a jungle full of beasts of prey. You experienced it all within the short distance of five miles from the gates of St. Peter's to Park Station in the city.
Humans have a fraught relationship with beasts. They are our companions and our chattel, our family members and our laborers, our household pets and our household pests. We love them and cage them, admire them and abuse them. And, of course, we cook and eat them.
We are not angels, we are merely sophisticated apes. Yet we feel like angels trapped inside the bodies of beasts, craving transcendence and all the time trying to spread our wings and fly off, and it's really a very odd predicament to be in, if you think about it.
It absolutely helped - to write the father in both 'Juicy' and 'Beasts,' I had to see the whole story from his point of view. All of a sudden I understood more of what my own father must be going through - the fear, the frustration, the anger... the hope that he'll leave a legacy.
Ireland, in breadth, and for wholesomeness and serenity of climate, far surpasses Britain; for the snow scarcely ever lies there above three days: no man makes hay in the summer for winter's provision, or builds stables for his beasts of burden... the island abounds in milk and honey.
Nothing is more dreadful than private duels in America. The two adversaries attack each other like wild beasts. Then it is that they might well covet those wonderful properties of the Indians of the prairies - their quick intelligence, their ingenious cunning, their scent of the enemy.
I do not believe that God has created us under this dire necessity to toil, like beasts, to sustain life. I believe it is his will that we should hold absolute mastery over time, so as to devote it mainly to intellectual and moral improvement, domestic enjoyment, and social intercourse.
Since the Renaissance, a concept called 'progress' has been baked into our society. Progress - founded on an accumulation of knowledge through experience (and in the case of science, through experiment). To build on the past rather than endlessly relive it. That's what separates us from the beasts.
It's a big theme throughout my music to just embrace everything about your own mind and to always feel powerful. It's not just a feminine thing, but for men, too, whether they feel weak, or strong or crazy or reclusive. I want everyone to feel powerful no matter what little beasts they have in their head.
I think a good story can do as much as a novel; not the exact same thing, of course, but just as much artistically. They're different beasts, but to tackle an expansive country like the United States, you're either going to write a big novel, or go in to various points on the map and write stories or poems.
The BBC must never be all about ratings - or even mainly about ratings. In the past year, we have made a raft of terrific programmes which stand comparison with the best the BBC has ever done: 'Blue Planet,' 'Walking with Beasts,' 'Son of God,' 'Clocking Off,' 'The Way We Live Now,' 'Conspiracy,' 'Lost World.'
As a little girl, I didn't like stories about little girls. I liked stories about dragons and beasts and princes and princesses and fear and terror and the Four Musketeers and almost anything other than nice little girls making moral decisions about whether to tell the teacher about what the other little girl did or did not do.
The Malays have many queer notions about tigers and usually only speak of them in whispers, because they think that certain souls of human beings who have departed this life have taken up their abode in these beasts, and in some places, for this reason, they will not kill a tiger unless he commits some specially bad aggression.