Quotes of All Topics . Occasions . Authors
What I want to see is more mixed casts. We need it. People need to be brave - in the real world, everyone and anyone is around. So if people get to see themselves on the stage, they'll want to come.
As for advice for aspiring authors, the best I can give is to be brave. It sounds like a simple enough thing, but it's not. Rejection is such an integral part of this journey, and it never goes away.
I always thought I could be brave and charge at things and smash 'em and walk away, but it takes courage to sit and look at things and say, 'This is what I am. How do I fix it? How do I live with it?'
Children should always be brave and do something about bullying. It's not okay to stand by and let it happen. Bullies thrive off secrecy. Children should tell someone if they see someone being bullied.
Yeah definitely, I have to be brave. There are some bad tackles that we don't like. But it's not my job to look at that, it's the referee's job, he has to see what is going on. All I try to do is keep going.
Stand up for your rights and be brave, and don't be intimidated. Read your Bible. That's really given me strength, and it will give you strength. Pray, and use God's name, Jehovah. And never tell a lie, ever.
I do sometimes play characters that are a bit ambiguous. You've got to be brave about that sort of stuff. I like the sense of people not feeling too secure, not immediately knowing what they have in front of them.
To be a manager, you've got to gamble. Be brave, be bold, but be humble in everything that you do, and from the kit man to the physio to your best player to your youngest player, make sure you treat everybody the same.
Holding on to things from the past is the same as clinging to an image of yourself in the past. If you're the least bit interested in changing anything about yourself, I suggest you be brave and start letting things go.
There was the 'Cosby Show' in America in the 1980s, which was a doctor in a beautiful Brownstone middle-class house. We just haven't created a role like that in the U.K.; it's always gangs and crime. We need to be brave.
It took me a long time to learn how to be brave enough to put myself out there and try everything, no matter how strange or silly. If I can impart that same wisdom to other folks - no matter what age - it would be an honor.
I'm very proud of 'Every Girl's a Super Girl.' I want all girls to know that no matter what size, color, or shape, whatever they are, that every girl is a super girl! They should be brave, confident, and have fun and enjoy every day!
I always look for the character that gets into your guts and tells you, 'You have to play this.' You have to be brave enough to let everything else go and let the character guide you. When I read a script, I look for that kind of pull.
For many decades - and this was reinforced by the broadcast networks' standards-and-practices department - bad guys on TV had to get their comeuppance, and good guys had to be brave and true and unconflicted. Those were the laws of the business.
When I see films like 'Lagaan' and 'Rang De Basanti,' I feel, 'Why can't I do work like this?' Then you think and realise you need to learn more to make this kind of a film or write this kind of a film. Also, somewhere down the line, you need to be brave.
The Special Olympics motto, 'Let me win, but if I cannot win, let me be brave in the attempt,' really speaks to me because it embodies exactly what I have pursued in my life. Really, that's all any of us can hope for - a chance to be brave and to pursue a dream.
It's getting too late in my life to care about the small things. It's getting too late to not be brave, to not live my life fully, to not try to be an artist. Trivial things like how nice your hotel room is, or if you have to be naked for a while, they fade away.
Everybody was trying to put me in action movies and heroic roles, and I wanted to find more complex things. They just didn't suit my taste, so I thought, 'OK, I have to be brave enough to say no.' And for a while, that hurt me immeasurably in the Hollywood world.
Develop resilience and be brave. There are days when it is very discouraging. You have to develop personal resilience to environmental things that come along. If you let every single environmental challenge knock you off your game, it's going to be very, very hard.
I graduated from Second City Los Angeles. It helped me tremendously, not only in my roles in films but in helping shape me into a writer as well. In improv, you will fail sometimes, so it teaches you to be brave and try anything. The worst that can happen is nobody laughs.
The real problem with big issues like Medicare is that both parties have to be brave at the same time. Every pollster will tell you not to do that to get partisan advantage. Too many people here are willing to deliberately harm the country for partisan gain. That is borderline treason.
I'm a big fan of unflinching drama and bold drama. If you shy away from dark subject matters, there's only certain places for TV drama to go. If there are shows that can break through that and be brave, those are the shows that I personally enjoy watching. I try and do work that I would watch.
For the American economy, for any economy to grow, to truly innovate, we cannot leave behind half our population. We have to socialize our girls to be comfortable with imperfection, and we've got to do it now. We cannot wait for them to learn how to be brave like I did when I was 33 years old.
I guess I say this for younger actors out there: you have to be brave, and you have to be ready to fail, and that's the only way you can be unique. So when a director is confident enough in what they're doing, and they allow their actors to be brave and bring in stuff, the more likely it's going to work out okay.
Yes, you have to be brave enough to take steps that your heart is telling you to take. Because when I decided to go into cricket, not one person told me I was making the right move. At that time, nobody thought the IPL would become so big. I was nervous at that time, because suddenly I was in an uncomfortable spot.
Some people worry about our federal deficit, but I, I worry about our bravery deficit. Our economy, our society - we're just losing out because we're not raising our girls to be brave. The bravery deficit is why women are underrepresented in STEM, in C-suites, in boardrooms, in Congress, and pretty much everywhere you look.
I feel that when I began writing, I had a need to know more about the play before I got into it. I think that's the way I was thinking. But my actual experience is that the best way to find out what the structure is, is by writing the play out laterally. You just have got to be brave enough to start without knowing where you are going.
I was writing at a really young age, but it took me a long time to be brave enough to become a published writer, or to try to become a published writer. It's a very public way to fail. And I was kind of scared, so I started out as a ghost writer, and I wrote for other series, like Disney 'Aladdin' and 'Sweet Valley' and books like that.
I think, regardless of gender, women and men need to be brave, take chances with their work, and be open to feedback. But I do think 'politeness' is an issue that can hinder your work if you aren't careful. Kindness is important, but being overly polite - thinking you can't disagree with someone about your own work - be careful about that.
