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I've gotten more flack from the remake nature of our 'Being Human' from American audiences than I have from British fans. Every fan of the BBC original that I've bumped into seemed very excited and interested in seeing what we did with it - at least to my face!

The BBC is the greatest broadcaster in the world. It's the standard that everyone measures themselves against. If we lose the BBC, it won't be quite as bad as losing the royal family, but an integral part of this country will have gone. But then, I'm an old guy.

Getting to do what I think was my fifth BBC drama with Nikki Amuka-Bird - we've done 'Shoot The Messenger,' 'Five Days,' 'The No. 1 Ladies' Detective Agency,' 'Born Equal' and now 'Small Island' - was another highlight for me. And filming in Jamaica was great, too.

Since becoming a BBC breakfast presenter I have been paid four-figure sums for doing hour-long speeches for associations and at awards dinners. That has been an eye-opener. I am surprised by how much people are willing to pay TV celebrities to do that kind of stuff.

I started writing sketches with Dennis Kelly, who I ended up writing 'Pulling' with. We entered a BBC competition and did quite well, then started writing bits for other people's shows. You wheedle your way in, write pilots and eventually you end up writing a sitcom.

When I speak a serious subject in an informal and humorous way, it has bigger impact. So much so, when BBC made a small documentary, they first thought of having a voiceover for me. The producer liked my English so much, he said they were retaining my original voice.

I've always had an unsentimental view. I don't think the BBC is my auntie. I worked there for years, and you learn that they don't love you for yourself. They'll use you as long as you're popular. You shouldn't wait until it starts to wane. It can sometimes end badly.

As long as the appointment process is transparent and there is a broad mix of political views among the governors of the BBC, I think the public can feel confident that impartiality and independence are just as important to me as they have been to previous incumbents.

There were all us baby boomers who had a grammar school education, started to learn, then went on the pill, the whole thing, and so there are today a lot more women writers, editors, producers, and so a lot more women's stories. God, the BBC's practically run by women.

The first series of 'Open All Hours' came and went without much fanfare because the BBC, in its almighty wisdom, put it out on BBC2, reasoning that it was 'a gentle comedy', better suited to the calms of the second channel than to the noisier, choppier waters of the first.

My first job was at the BBC but was really dull. I was working in the BBC's reference department, where I did a lot of filing. I had always been interested in films and theatre, so I thought that getting a job at the BBC would be a good idea, but the job was really mundane.

BBC TV gets hold of an idea and beats it to death until we're all heartily sick of it. They buy people without thinking what they're going to do with them. It's the wrong way around. What they should be doing is employing really good ideas people to come up with good ideas.

There's a Norwegian equivalent to 'BBC Introducing' called 'P3 Untouched,' and I remember when they played the first song I ever wrote that I'd put online. I was 16 at that point. That was the first moment where I was like, 'Oh, maybe this is something I want to do more of.'

I remember once at the end of a BBC job interview the manager said to me: 'I didn't realise people like you were clever.' I don't think he was being intentionally nasty. At that time in the BBC he was surrounded by clones of himself, give or take some facial hair and glasses.

Too often, there are complaints in the British papers about the BBC. It's too left wing, too right wing, too pro-Brexit, too anti, and so on. It's only when you go abroad and try to find out what is going on in the world that everyone falls with gratitude before the BBC News.

A guy playing pool in a pub once said to me that they should put me on the telly. It went in one ear and out the other. But then I started thinking about it. I wondered how it all worked, did you have to be best mates with someone at the BBC who you went to uni with in Oxford?

Although being economics editor sounds impressive, it does not mean I actually edit anything. It mainly reflects two decades of title-inflation at the BBC, which has given ever more status to senior reporters, presumably because it is cheaper to do that than to offer higher pay.

For a startling period of my life, I reported the Troubles in Ireland for the BBC. I lived in Dublin and was called out to all sorts of incidents that, if taken together, add up to a war - bombings, assassinations, riots, shootings, robberies, jailbreaks, kidnappings, and sieges.

Before 'American Idol' and all this stuff, I was obsessed with music charts, and I used to go online to find out what was popular in other countries. I'd log on to the BBC website, and that's how I found out about artists like Natasha Bedingfield, Daniel Bedingfield and Take That.

I used to do a Saturday drama group called Young Blood Theatre Company with school-friends in west London - nothing to do with my mum and dad. A casting director came to pick people out for a new BBC children's series called 'MI High.' She picked me, I auditioned, and I got the job.

As an arts journalist in London, working mainly for the BBC, I interviewed hundreds if not thousands of authors. From them I gleaned a great deal of passing instruction in writing and I observed one fascinating detail: no two writers approach their work - physically - in the same way.

WI played a young Helena Bonham Carter in a BBC film called 'A Dark Adapted Eye,' and I thought she was a completely spellbinding person. Totally unmoved by other people's expectations, fashions or opinions. She's probably the coolest English actress there is. Incredibly idiosyncratic.

The story of Harold Fry and his unlikely pilgrimage began as an afternoon play for radio. For many years, I have been writing plays and adapting novels for 'Woman's Hour' and the 'Classic' series. So this was originally a three-hander play, broadcast one sunny afternoon on BBC Radio 4.

The BBC's television, radio and online services remain an important part of British culture and the fact the BBC continues to thrive amongst audiences at home and abroad is testament to a professional and dedicated management team who are committed to providing a quality public service.

There is an honourable tradition in British public life that those charged with authority at the top of an organisation should accept responsibility for what happens in that organisation. I am therefore writing to the prime minister today to tender my resignation as chairman of the BBC.

I left the Army in 2000 and went into industry before I started appearing on TV in 2003. My best job there was on a series called 'Crafty Tricks Of War' for the BBC. I loved that because it celebrated how clever and inventive people are and the ingenuity that goes into solving problems.

Without the BBC, the proliferation of television and radio channels by the private sector would simply result in more and more channels, with tiny audiences, all seeking to do the same thing. The future would be one of fragmentation - fragmentation without either plurality or diversity.

Because of England's lack of social mobility, unless they make truly heroic efforts, writers who are privately educated and then go on to Oxbridge or an institution like the BBC will generally embarrass themselves when they attempt to have a go at working- or lower middle-class characters.

On Monday and Thursday, I eat fewer than 500 calories a day; then I eat like a pig for the other five days. You 'surprise' the body: keep it guessing. I got the idea from a BBC documentary about this Indian man who seemed about 138 years old and said his secret was severe calorie restriction.

I first saw Walter Hill's second film, 'The Driver,' as a teenager, late at night on the BBC, quite possibly sitting too close to the telly. Given that this 1978 slice of neo-noir takes place almost entirely in the dark streets of a deserted downtown L.A., it's really a perfect midnight movie.

I started writing sketches when I was 13. I liked Vic Reeves, Fry and Laurie, and Paul Merton, and I thought you could just send sketches to the BBC, and they'd go, 'Great. We'll put these on telly.' But I gradually realised that you either had to go to university and join a club, or do standup.

Ironically, when I was in Dubai with the BBC 'Good Food Show,' even though it's an urban area, when you see the vast panorama from the top of the Burj Khalifa, it feels remote, as if it's just sprung up out of the desert. I like Dubai. I didn't think I would, but the food and the people were great.

I've been told by the BBC that if I make one more offensive remark, anywhere, at any time, I will be sacked. And even the angel Gabriel would struggle to survive with that hanging over his head. It's inevitable that one day, someone, somewhere will say that I've offended them, and that will be that.

No money has ever been spent on 'Peaky Blinders' in terms of publicity, there's no massive campaign - because it's the BBC you just get the trailers. But what's happened is people have found it for themselves and I think the loyalty is greater when people find than when they're told to watch something.

My awakening to the fight for women's votes came when I was 13, and the BBC screened a drama called 'Shoulder to Shoulder' about the suffragettes, with the great Sian Phillips as Emmeline Pankhurst. It made a huge impression on me - not just the history, but because of the debates it triggered at home.

Mongolia is a country of only three million souls. One million of them live in Ulaanbaatar, where, despite the skyscrapers, half the population sleep in tents. One of the few Mongolians to become famous outside his home country is Ariunbaatar Ganbaatar, who won the BBC Cardiff Singer of the World prize.

I used to go round to my granddad's house on a Saturday morning, and we'd sit and eat our porridge and watch re-runs of 'Steptoe and Son' on BBC Two. I thought it was hilarious - and Rag 'N' Bone Man sounded like a blues name to me. It reminded me of people like Sonny Boy Williamson and Big Mama Thornton.

The BBC must never be all about ratings - or even mainly about ratings. In the past year, we have made a raft of terrific programmes which stand comparison with the best the BBC has ever done: 'Blue Planet,' 'Walking with Beasts,' 'Son of God,' 'Clocking Off,' 'The Way We Live Now,' 'Conspiracy,' 'Lost World.'

Following 25 children for the TV series 'Child of Our Time' has been extraordinary. The BBC's original plan was to commemorate the new millennium. What better way than to film a number of expectant mums from across the U.K.? Coming from widely different backgrounds, all were due to give birth on January 1, 2000.

It has been an honour to present BBC 'Sports Personality Of The Year' for the last 19 years and I have loved every minute of it. The BBC have asked me to stay but I had made the decision to downsize my commitments a while ago, and I knew that the time would be right after what was always set to be a magical 2012.

I think with Sky and BBC Three and Channel 4, there are some great television platforms, and the stand-up movement in this country is phenomenal. It's like rock n' roll here. Britain's a funny place and there's a lot of funny people coming out of there and a lot of people are finding mediums to express themselves.

'Dancing with the Stars' is a great format for us. It's a format we license from the BBC, so that can't travel for us, but we consider it a great success. 'Desperate Housewives,' on the other hand, a huge success for us internationally. 'Missing' has actually sold to 80 territories before it's even gone on the air.

The great thing about being a print journalist is that you are permitted to duck. Cameramen get killed while the writers are flat on the floor. A war correspondent for the BBC dedicated his memoir to 50 fallen colleagues, and I guarantee you they were all taking pictures. I am only alive because I am such a chicken.

The most watched programme on the BBC, after the news, is probably 'Doctor Who.' What has happened is that science fiction has been subsumed into modern literature. There are grandparents out there who speak Klingon, who are quite capable of holding down a job. No one would think twice now about a parallel universe.

I'm very good at compartmentalising my life. I did motor-racing for a while, stopped, didn't miss it. I did power-boat racing for a while, stopped, didn't miss it. I had such a good run at the BBC. I had a hell of a CV with arguably the greatest broadcasting organisation in the world. But I've never missed it since.

I worked on 'Blue Peter' and 'Tonight' and lots of TV plays, filmed people like Rudolf Nureyev and Ted Heath, and ended up a senior cameraman with my own crew. I'd had my first short story published in 1947, and when my writing really started to take off I decided to go freelance, and eventually left the BBC in 1965.

I was doing commentary for the BBC and had exhibition work but if you're not winning you are not earning as much. And when you're seen as a successful sportsman, people assume you're earning a good living. There was pressure on me to have the newest car, a more expensive holiday. It was all about keeping up appearances.

My personal experience has been that in my 25 years of writing, I have not been asked to do more than four or five commercial one-shot scripts. These were performed on major national hook-ups but produced for me no immediate additional jobs or requests. One script for BBC was done around the world with an all-star cast.

In the summer of 2004, Malem Jan was sitting with Sirajuddin Haqqani, the second son of Jalaluddin, in their Pakistani base in the North Waziristan town of Miram Shah when they heard their names on the BBC. The Americans were offering $250,000 and $200,000, respectively, as rewards for information leading to their capture.

Somewhat naively, I entered the BBC's 'New Talent Competition,' believing it was for people who had never tried comedy before. I remember sitting in the dressing room before the show and hearing the other acts - who all knew one another - talking to Rhod Gilbert about how he must be about ready to go 'full-time' as a comic.

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