In a post-9/11 world, 'Batman' is less about scaring bad people into the shadows than he is about bringing good people out into the light.

My favourite superhero? I have a soft spot for Batman, because he doesn't have any super powers - he's just a person. And he's pretty dark.

As much as I enjoy seeing other guys do the superhero approach to the Batman universe, personally my own vision falls a bit left of center.

Michelle Pfeiffer in Tim Burton's 'Batman' was one of the most inspiring - I saw that and I was like, 'I want to be her, I want to do that.'

I look at the Christian Bale movies, the 'Batman' films, and that shows you that superhero movies don't just have to be about men in tights.

I don't believe in superheroes but I love Batman movies. There's a part of every person that is entertained by the idealistic, the fantastic.

In every story I've written with Batman, there's an element of justice - you never want to have the story end on a defeatist or a cynical note.

I am a huge fan of 'Batman'. As a kid watching it, there are certain things that I'm not going to latch onto as much as when I've gotten older.

I guess my inspiration is this - I like to pretend that every story that ever happened to 'Batman' was real and is part of this one guy's life.

I kind of stumbled into comics in a roundabout way. One of the first films my father introduced me to was the 1989 'Batman,' the Tim Burton one.

Batman is the ultimate in white people problems. It's like, 'Oh, I'm so rich and handsome, and women like me, and... something about my parents!'

The great thing about Batman and Superman, in truth, is that they are literally transcendent. They are better than most of the stories they are in.

Deathstroke is the dark-mirror version of Batman, basically. He is every bit as resourceful, every bit as ruthless, every bit as powerful as Batman.

I always think it's absurd when people go, 'How can you have a show about Batman without Batman?' 'Gotham' is plenty fascinating, 'Chinatown' style.

I read pretty much every graphic novel I could lay my hands on. Not only 'Batman' or 'Daredevil,' but random ones like 'Black AF' and '100 Bullets.'

I think about it, and I realize there's been some version of a Batman or Spiderman or Superman franchise since I was a boy, since before I was a boy.

I'm a Christopher Nolan fiend. I love 'Inception,' 'Interstellar,' 'The Prestige,' 'Memento' and of course the Batman trilogy. I love all his movies.

People fantasize about being a hero and helping someone in trouble. Batman is that fantasy realized - not just for Bruce Wayne, but for the audience.

When I was a teenager, I did one animated series back when I was on 'General Hospital.' It was 1971 or '72. Then I didn't do animation until 'Batman.'

I guess my journey with comics began with stuff like Spider-Man and Batman. I started off with mainstream superhero stuff, which I've never abandoned.

To some degree, I don't think 'Batman' works in a completely modern city; I think Gotham has be reflective of his personality and those of his enemies.

I wouldn't want to be Superman. Batman would be cool. But the one I've always wanted to play is the Joker. There is a maniacal and dangerous side to me.

I'll always stand by the first 'Batman'. Even for its imperfections, people will never know how hard that movie was to do. A lot of that still holds up.

There's a million jokes about what's going on with Batman and Robin. It's a classic thing to call out the homoerotic nature of the men's adventure show.

I started with superhero stuff - 'X-Men' and 'Spider-Man' and 'Batman' and 'Hellboy' - but I wasn't familiar with 'The Strain' until I started the show.

If you compare it to 'Batman' and 'Superman,' the world of 'Green Lantern' is way bigger and potentially way more interesting in a lot of ways, I think.

The thing is, the Superman comics have been around a long time, and so have the movies. They've done a lot of Superman movies, as they have with Batman.

It's hard to find a unique look for a Batman villain. Everything like a scar on the face, or a skin condition, there are so many unique signifiers taken.

I think that Batman loses his efficacy and mythology if he's got too many people around him. That's what the Justice League is for, you know what I mean?

I made 'Batman' the way I made every other film, and I've done it to my own satisfaction - because the film, truly, is exactly the way I wanted it to be.

We can't do a modern Batman continually beating up thugs in zoot suits with tommy guns in violin cases. The game has to move on. It has to feel relevant.

I grew up as a huge comic fan and a huge Batman & Robin fan. I watched all the TV shows, went to all the movies - I even had the lunch box; man, I was in!

If you ever want to get the facts straight about me or the Batman, please write to the original source, myself, for the truth, instead of second guessing.

Whereas Superman is a godlike guy from another planet and Batman is this mysterious, unknowable billionaire, everyone in 'Spider-Man' is human and flawed.

Batman's got this whole cloaked 'man of mystery' thing around him and represents a wish fulfillment. He's more driven than Superman yet is also very human.

In honesty, there are probably a lot of stories that can be told with Batman. I like the idea of him growing older and he can't quite do it as much anymore.

My book is very wild. But you know during the period of BATMAN, that there were thousands of Batman and Robin costumes sold and these weren't just for kids.

As much as everyone says that Superman is good, a lot of other people might say that that's why they find him boring... A lot of Batman fans might say that.

You can't tell a Batman story without the Joker, and you can't tell a Joker story without Batman. They're just the symbols of the best and worst of humanity.

Our characters were antiseptic but we weren't. And if you remember what we did on BATMAN, as the scripts were written very funny, we played them very straight.

In South Africa, we've been watching these movies all our lives - 'Batman,' 'Superman,' 'Captain America' - and every time the mask comes off it's a white man.

What makes Batman and what makes other superheroes work is the myth that when life is at its lowest, and when you need a hero, a hero swings down and helps you.

I mean, like, I can go in a room and say, look, 'Watchmen' should be at least 15 minutes longer than 'Batman.' I mean, that's, like, any geek will tell you that.

Chris Nolan is great, but I've never seen any of the 'Batman' movies all the way through. I know they're good. I just have zero interest in those kinds of movies.

There have been many times when you spend a number of months and the finished product is not what you wanted to see. And 'Batman Begins' was what I wanted to see.

I'm obsessed with the form of a toolbox. The idea of a portable kit that has everything you might need ignites something inside me. It's like Batman's utility belt.

Rather like Batman, I embody the themes of the movie which are the values of family, courage and compassion and a sense of right and wrong, good and bad and justice.

I have immense respect for Christopher Nolan for taking a character called 'Batman' - taking a comic book - and making people believe in him in a real world context.

Wonder Woman isn't Spider-man or Batman. She doesn't have a town, she has a world. That was more interesting to me than a kind of contained, rote superhero franchise.

Look at every action movie in Hollywood. Every leading man from Spider-Man to Batman to James Bond, 'Bourne Identity', every one of them possesses martial arts skills.

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