My dream is to be able to make something in Baltimore that's just there. Make a movie or make a show there. I only left because there wasn't any opportunity except being an extra in Barry Levinson or John Waters movies.

Here are the five guys I learned the business from: Barry Windham, Ricky Steamboat, Arn Anderson, Larry Zbyszko, and Bobby Eaton. Those guys taught me how to do everything in the ring. I learned so much from each of them.

I get tips from Bob Gaudio. And one of my songs somehow caught the attention of one of my idols, Marty Panzer, who wrote big hits for Barry Manilow. So two guys who inspired me to write lyrics are now teaching me to write.

The ur-conservatives of the 1950s - William F. Buckley Jr., Barry Goldwater, Ronald Reagan and all the rest - were revolting not against a liberal administration but against the moderate conservatism of Dwight D. Eisenhower.

In 1964, I tried to convince my grandfather, who was active in the New York City firefighters union, to vote for Barry Goldwater over Lyndon Johnson because at the time I thought his approach to limited government was right on.

Southern Republicans are guided by the Bible. Western Republicans read the Constitution. Seen in historical terms, it's the difference between a movement descended from George Wallace and one that harks back to Barry Goldwater.

Barry White, Smokey Robinson and Curtis Mayfield are big influences for me. But I'm also a metal head. I was in a bunch of punk rock bands. The Bee Gees, hip-hop and the Beach Boys are just as much of an influence on me as Smokey.

As far as my memory being reliable, at the risk of sounding like some sort of gorgeous two-headed monster with the voices of Dave Barry and Erma Bombeck, I do think that women, like elephants, remember everything and love peanuts.

When I read interviews with people like Kevin Barry or Colin Barrett, who I hugely admire, they don't really seem to come up against the question of likeability even though their characters, in some instances, are really horrible.

I remember watching Barry Sanders highlights as a kid, and the Lions always being a fun team. I, personally, really never had a real negative connotation with the team. And I didn't really listen to those who did after I was drafted.

The best incarnation of The Four Horsemen was undoubtedly the unit comprised of Ric Flair, Barry Windham, Arn Anderson and Tully Blanchard, along with talented manager JJ Dillon, which will be inducted into the WWE Hall of Fame in 2012.

It was really inspiring to be in West London in the late 1980s and early 1990s, especially in Mark Lebon's Crunch Studios, where I met people like Ray Petri, Neneh Cherry, Judy Blame, Nick and Barry Kamen, Zoe Bedeaux, and Venetia Scott.

I highly recommend ClassPass. I spend a fortune on Barry's Bootcamp, Cycle House, SoulCycle, Flywheel, Ballet Barre, SLT Pilates, YogaWorks... I do everything, and I'm always trying different workouts, and I was like, 'Finally, 99 bucks!'

For 30 years I wrote for newspapers and magazines, wrote books on the Dallas Cowboys' dynasties of the '70s and '90s, wrote about Michael Jordan in Chicago and Barry Bonds in the Bay Area, even wrote columns for ESPN.com from 2004 to 2006.

In the beginning, Barry and I couldn't decide if we were going got go forward with the name of the Bee Gees or just as Barry and Robin. Now we've decided to continue as the Bee Gees because we feel we can, and Maurice would have wanted it.

I don't want to play forever. I want to give everything I can now and then walk away knowing I gave everything. The example I think of is Barry Sanders. He was such a great player, and he left when he was still on top. I want that to be me.

I haven't seen a player in this game, as long as I've been in it, that can't be pitched to... Barry is an outstanding ballplayer. I respect him an awful lot. I also have confidence in my pitchers that they can pitch to Barry Bonds and get him out.

Do I want a shot at the belt? Yes, of course I do. Put it this way: I am Barry Sanders on the Detroit Lions. You love to watch me, but you'll never see me play in the Super Bowl. It's just one of those things. It's about politics. It's not about fighting.

I've seen few things more depressing than the end-of-season Giants-Padres series in 2001 in which Barry Bonds hit his 68th homer of the year while a .227-hitting, rapidly fossilizing Rickey Henderson staggered like a delirious marathoner toward 3,000 hits.

During my life, I have had a few nightmares which happened to me while I was wide awake. One of them was the National Republican Convention in San Francisco, which produced the greatest disaster the Republican Party has ever known - Nominee Barry Goldwater.

One of the dominant styles of the decade following the Second World War was that of Dan Barry. He flourished in the years during which comic books were expanding into new categories - realistic adventure, true crime, romance, Western, sophisticated fantasy.

I work with a stylist called Devon Nuszer and a makeup artist called Aaron Barry, and between those two, I trust them implicitly. I have the things I do over and over again and that I feel safe with, but they inspire me to take risks, and I trust them so much.

Years ago, Barry Diller asked me to be a judge on a pilot for an inventor show on USA, and when it was over, the producer, Ken Mok, took me out to dinner and really got me talking. It was a long dinner. Afterward, he said, 'One day, I'm going to write your movie'.

I was into theatre in school and college with theatre personality Barry John, who has also trained Shah Rukh Khan. Then I joined the Elite modeling agency - they have different courses including grooming, modeling and theatre workshop. I was selected for modeling.

Once the religious right got their beachhead in the Republican Party in 1980, they expanded it. Even Barry Goldwater was extremely hostile to the religious right, but Reagan catered to them. The religious right then expanded their base and that drove the moderates out.

I did the pilot, and when they came through and said they were going to put it on the air, I had already some dates in the book with my band and so on. So Barry did the first one, he may have done a few more than the first one in the series, and I took it up from then.

I could never understand why they did that to Barry Sanders in Detroit. I know that's one of the reasons why he retired, because they took him out on third down and let someone else catch the ball. I thought they must be out of their mind because Barry is such a threat.

My first-ever job was when I was 14 or 15 in Washington, D.C., a job that I got through Marion Barry's summer-youth-employment program. It was working in the locker room of a public swimming pool, deep inside Anacostia in Southeast D.C., about five to 10 minutes from my house.

My voice is rather quirky. It's abysmally low. People often think I'm putting it on at first. Think drunk Darth Vader. Or Barry White singing country. It suits my dark material. When I do readings, I really play it up and go subterranean. I can make the phone book sound terrifying.

So my character on 'Tyrant' is a chap called Barry Al Fayeed, and he is the second son of a fictional Middle Eastern dictator. But, he has grown up since he was young in America. He's trained as a doctor. He's married a beautiful American girl, had two kids, so he's very much an American.

I love that Barry Seal is working for the CIA, and he's an awful liar. It just goes to how honest this character is at the end of the day, even as he rips off the country and the world to the tune of becoming one of the wealthiest men in America. There's an innate honesty, a purity to him.

I do get recognised, but if I'm in a restaurant, I'll get one person noticing me, not the whole place. It is uncomfortable when people try and sneak a picture; sometimes, I don't feel like being seen. But I don't stop myself doing stuff. I go to Barry's Bootcamp and yoga just like anyone else.

I try to do a variety of physical activities. I spin, take classes at Barry's Boot Camp, go to the gym, use home DVD's of ChaLEAN Extreme workouts, which I think are brilliant, and I run around after my three girls. Also, let's be honest. The amount of laundry I do is an exercise in and of itself!

I came to think that nobody from England could draw American comic books, because they were clearly all done by this sort of Mafia, all these guys with Italian and Irish names who had the whole thing sewn up. It was actually seeing a comic book drawn by Barry Smith, who was about my age, and English.

I read some Marvel, but I was more of a DC guy. Particularly the Flash, Barry Allen. I latched on to him because I felt like him. You thought to yourself, 'Well, you can't really be Superman.' You couldn't really be Batman - Batman was a really dark figure. I identified with Barry Allen's hopefulness.

Batman and the Flash have a whole lot in common behind the mask. They've both experienced loss, know forensic science, and are both a bit introverted. In 'Flashpoint,' Thomas Wayne thinks Barry is crazy, but Barry thinks Thomas is crazy. It'll be really fun seeing those two trying to figure things out.

My first husband, John Barry, was a composer. I couldn't believe that this sophisticated, talented genius chose me and not any of the other girls. I was so flattered, so excited, so in love with him. Of course, my parents were horrified, as he'd been married once and had a daughter with the au pair girl.

Nobody I ever broke bread with - and I see players all the time - talked about using their head running the football. I've seen Barry Sanders and Eric Dickerson and Marcus Allen and Franco Harris, and we've all been together - we were all together at the Super Bowl - and no one talked about using their head.

I'll never forget my interview with Barry Humphries - one of the oddest I've ever done. He insisted that for half the time he appeared as Dame Edna. So I interviewed the real Barry Humphries in a suit and tie, and then I interviewed Edna in full fig in her dressing room, where she criticised Barry mercilessly.

Sports-entertainment has provided me with many blessings, but nothing was ever more unpredictable and fun than hanging with Ric Flair, Barry Windham, Arn Anderson and Tully Blanchard, who, in my opinion, are the greatest incarnation of The Four Horsemen and the most important faction to ever step into the ring.

In the 'Revelation Space' books, the spaceships are a bit old and rusty, and things go wrong, and they don't work quite how they're meant to. And people asked why I did it this way, and groping around for an explanation, I said that I grew up in Barry, this post-industrial sea town full of rusting infrastructure.

When I was working with Barry Sonnenfeld, I'd watch him set up a shot and talk to him about what he was seeing and what it was to shoot comedy. He told me that a lot of times with comedy, it's not just about getting the joke, but getting a reaction to the joke. That's the laugh - it's somebody's else's reaction to the joke.

I have favorite authors from a lifetime of reading, so there are some I'll automatically read every time they have a new novel. Included in them: Robert Goddard, Jeffery Deaver, Sophie Kinsella, Katherine Neville, Greg Isle, Laurie King, Lee Child, Lisa Tucker, Susan Howatch, Paul Auster. Barry Eisler, David Hewson, Tracy Chevalier.

It feels blessed to me. Because I go to comic cons, and people come up and they say, 'You're the reason I ride a motorcycle. You're the reason I became a mechanic.' And there are people who love 'Scream' and 'The Waterboy,' 'Royal Pains,' 'Parks & Rec,' 'Arrested Development.' And now 'Barry.' And then there are kids who only know me as an author.

Share This Page