Quotes of All Topics . Occasions . Authors
Phil has always been a fighter. He was getting in fights all the time. I told him that if he ever hit me then I would leave the band. He wanted to find out if I was telling him the truth. He hit me so I left and that is how UFO split up.
I don't have to come back, because I am still here! And I'm not an '80s thing. I already worked with my first band back in East Germany and that was soooo '70s, young man. I'm a '70s thing. If I'm a thing at all... and an exciting thing.
Every job has its downside. For example, being in a band; the travel part of it - getting picked up from your house in a car, going to the airport, getting on a plane, going from the airplane to a van, then going from the van to a hotel.
The wild thing is that when I'm in the band, I can control my destiny with four other guys. As a composer sitting in the audience, you can throw good vibes at everybody, but you can't control anybody's destiny, so it's really unsettling.
Sleater-Kinney is a band that we hold close to our hearts as well; it's not something that we're cynical or jaded about. We only feel gratefulness and appreciation for other people's enthusiasm about it. We would never be annoyed by that.
Bun E.'s a member of the band, but he's not touring, and he's not recording... We've had our differences, but we're all settled up now, and hopefully we can forget about that era. These decisions that Cheap Trick makes, Bun E. is part of.
Band members have a special bond. A great band is more than just some people working together. It's like a highly specialized army unit, or a winning sports team. A unique combination of elements that becomes stronger together than apart.
At my high school, there were always kids carrying acoustic guitars around, which is why I named my band the Mountain Goats. I didn't want to seem like one of those guys who brought his guitar to the party whether you asked him to or not.
My parents went out of their way for me ever since I left school. When I was 15, I said to Mum, 'I'm leaving school,' and she was like, 'Okay.' I joined a cover band and played three nights a week, and they were really supportive of that.
And I came back and it was great, 'cuz George had set up all these flowers all over the studio saying welcome home. So then we got it together again. I always felt it was better on the White one for me. We were more like a band, you know.
It is important to emphasize that guerrilla warfare is a war of the masses, a war of the people. The guerrilla band is an armed nucleus, the fighting vanguard of the people. It draws its great force from the mass of the people themselves.
Obviously everybody knows that I'm an original songwriter and I got my band. And the guys in 'Sugar Money,' no matter what, are part of my family and they always got something to do with me, and I don't care if they just hang out with me.
Patrick and Joe were so young when we started the band. As slow as it was, with all the touring and crappy clubs we played, we still never had time to stop and reflect. When we took a break, it finally gave us time to reflect and grow up.
To me, the band is like one of my homes, in fact. It's not like, 'I've got to get out of this band. I've got to go home.' This band is home in a lot of ways. It's my closest friends; it's a place where I really feel comfortable and happy.
Well, we didn't have our original drummer on our last record. And most of that album was not played as a band in the studio. It was mostly the world of computers and overdubs. There was very few things played live or worked out as a band.
I was playing surf music with my band when a girlfriend of mine who had come from Los Angeles took me to a James Brown concert. That show really changed my whole outlook and thought processes, especially about music and different cultures.
[Paul McCartney] never, at the time, was going back to leaning back on the roots of his old band. He always built upon where he was, which was in London. And he didn't overuse synthesizers. He used them just enough. It's such a cool sound.
Later in high school, I met Hillel Slovak, who was the original guitar player of the Chili Peppers, and we became really close. We had a band, and we didn't like the bass player, so I started playing bass, and I got a bass two weeks later.
A radiometer is a device for measuring the intensity of radiation. A microwave radiometer consists of a filter to select a desired band of frequencies followed by a detector which produces an output voltage proportional to its input power.
You can put the Beatles and the Rolling Stones in the same category, but the types of music, the colors each band evokes, are completely different. It's the same with Mozart and Beethoven - they express two very different aspects of music.
Around the time that Girls Aloud was at its biggest, I was offered some huge acting roles in America. I decided to stay loyal to the band rather than take those other opportunities. Sometimes I wonder whether I should have just taken them.
I feel like I have been able to notice throughout the incremental march of history during the course of my own lifetime patterns emerging, and there's a sort of a rubber band effect that happens where social growth and change is concerned.
It was R.E.M. who showed other Eighties bands how to get away with ignoring the rules - they lived in some weird town nobody never heard of, they didn't play power chords, they probably couldn't even spell 'spandex.' All they had was songs.
I think we got started like all bands. We wanted to make some noise, hang out, and have some fun. Remember, we're from Buffalo - there isn't really that much to do. When we started we were a cover band and slowly developed our own material.
I like something simple and traditional, like dinner and a movie. The best way to get to know someone is to have a conversation over dinner. And steak houses have a nice atmosphere - the lights are dim, and they usually have a band playing.
But I also enjoy music outside the band. I've been doing production for other people, including Robert Wyatt. Check him out. The album we did together, 'Rock Bottom,' I think it's really lasted well. It's a 35-year-old album, but it worked.
What I liked about doing a soundtrack is that it's almost the opposite of any kind of normal recording that a band does, because it's very much a restricted, narrow... And I kind of like that, I find it exciting to work within these things.
The band would play on the night off for the local hotel bands and we'd back all the different acts. So I'd been advised by good friends of mine to come back to Hawaii. Oh, I loved Honolulu, playing at a place right on the beach at Waikiki!
When Dad stopped playing in a rock band and was done chasing that dream, he devoted himself to his family. I would love to do the same thing - just without driving a 1991 Suburban and wearing sweatpants, a fanny pack, and six-year-old Pumas.
After a while, you start to believe that your opinions are more valid than everyone else's. It can be hard to be humble about making really good music; you really believe that you're a savior to music. That's why bands don't like each other.
My first big break was with the Ted Fio Rito band. Fio Rito had a bunch of record hits in the 1930s and did a lot of radio work back then. When he came to my home town in early 1942, I sat in with the band. Ted liked me and offered me a job.
And I saw the sax line-up that he had behind him and I thought, I'm going to learn the saxophone. When I grow up, I'm going to play in his band. So I sort of persuaded my dad to get me a kind of a plastic saxophone on the hire purchase plan.
When you're on tour with the band, it's a different mentality. You don't sightsee because you're making sure you can do the show. But in musicals, I don't have to sing or play: I just have to use my brain, and the rest of the time, I'm free.
I grew up with the Woodstock generation. I went to Woodstock, and like everybody in my school, I wanted to be in a rock-and-roll band, and most of us were. But I also grew up with a lot of piano lessons and a lot of classical music training.
When it comes to grunge or even just Seattle, I think there was one band that made the definitive music of the time. It wasn't us or Nirvana, but Mudhoney. Nirvana delivered it to the world, but Mudhoney were the band of that time and sound.
I don't love playing new songs in a festival environment. Because when it comes to a festival a lot of people probably won't know your band really well at all so playing more familiar songs is a little more conducive in having a better show.
I wrote poetry, which got me into lyrics. Stevie Wonder, Carole King, Elton John pulled me into pop. I started singing with a band - just for fun - when I was 17. And pretty soon, I was thinking I could sing pop in English as well as Spanish.
Our country, the United States of America, may be the world's largest economy and the world's only superpower, but we stretch ourselves dangerously thin by taking on commitments like Iraq with only a motley band of allies to share the burden.
I can build a house with my bare hands. In my late teens I was in a band with my friend Henrik, and his builder father thought we needed something to fall back on, so he taught us carpentry and bricklaying and we built a house over two years.
I loved Fugazi, the D.C. hardcore band, because they always did everything themselves. They had their own label, and the CDs always cost nine dollars, the T-shirts always cost eight dollars, the shows always cost five dollars, no major label.
One of the things that I loved about listening to Miles Davis is that Miles always had an instinct for which musicians were great for what situations. He could always pick a band, and that was the thing that separated him from everybody else.
I'm not an endings person. I don't do endings. There may have been people in the band who wanted this to be an ending from time to time, but me and Amy don't really do endings. You cannot escape from us. Once we're friends with you, that's it.
I used to soak my mitts in a bucket of water for about two days. Then I'd put a couple of baseballs in the pocket and wrap it up with a rubber band. Today you don't have to do that, because catchers' mitts are more like first baseman's gloves.
At fourteen or fifteen, I decided to earn my living when I grew up playing drums made from wooden beer kegs and leading a group called Keg Brando and His Kegliners. We organized a little band, but it didn't last long and didn't make any money.
I am very grateful to punk because I was a girl, and I felt like if I got in a band, I'd be kind of a novelty act, but punk was all about non-discrimination. No one cared because it was punk, so, you know, anyone could do anything they wanted.
the Press has no band of critics who go the round of the churches and chapels, and are on the watch for a slip or defect in the preacher, to make a 'feature' in their article: the clergy are, practically, the most irresponsible of all talkers.
My dad is a singer, so it was always either music or acting with me. All the way up through college I was doing both, and even after college I was in a reggae band. Then the acting really started taking off, so the music had to become a hobby.
I've never got on with the British press because they've always given me such a hard time. Once they build a band up they just want to do people down. They shouldn't concentrate on the colour of someone's shirt they should listen to the music.
I used to be a drummer in a band, and I really loved playing the drums, so I look forward to the right opportunity to do that at some point. Maybe even on TV. Every single live performance I'm doing on TV, I want it to be different and unique.
I'd make a White Stripes record right now. I'd be in the White Stripes for the rest of my life. That band is the most challenging, important, fulfilling thing ever to happen to me. I wish it was still here. It's something I really, really miss.