The reason I wanted to play guitar was because I saw Buddy Holly and then our own homegrown Shadows on TV in 1957 or '58. I wanted to learn to play guitar so I could do what they did and be in a band.

I'm definitely responsible for coming in with some basic chord changes, or ideas. Everybody in the band looks to me to come up with the basic seed, so it's not very productive to come in with nothing.

It's hard enough to make a good song and a good recording of that song. But to try to tailor it to some outside force is just like - It's never been a factor in what I've done or what the band's done.

One of the reasons I became a writer is that, unlike starting a band, directing movies, or acting in a theatrical production, you can do it alone. Your success and failure depend entirely on yourself.

I pretty much built a band out of the most incredible guys I could possibly find. I didn't really want a six-piece band, but it just ended up being a six-piece band because these guys are all awesome.

Disco is the first technology music. And what I mean is that 'disco' music is named after discs, because when technology grew to where they didn't need a band in the clubs, the DJ played it on a disc.

Our fans are made up of different groups of people: people who enjoy this Japanese idol scene, versus metal fans. The crowd is disorganised because everyone is reacting to the band in a different way.

Whitesnake more than most rock bands would get a very significant percentage of women in the audience and those were the ones I'd hear the voices because from where I am on stage is a pretty good spot.

I hadn't performed by myself in a while. It feels very natural to me, and I assume people come for the very same reasons as they do when I'm with the band: to be moved, for something to happen to them.

Yes, I always say that we're a National League band. What I mean is, if you play an instrument, you have to sing. So I always call our drummer up. Even the drummer has to take a turn on the microphone.

I mean, I think I liked every band I ever played in because each band was different, each band had a different concept, and each band leader was different... different personalities and musical tastes.

All I really wanted to do was make an album that was going to be just back to what I like to do... And it was a coincidence that these new bands, this new wave of bands, were doing Alice and Iggy rock.

You just have to work with your discomfort. ... It’s challenging, but you have to dance the dance that the band’s playing. You can’t say: “I came here to Cha Cha and they’re playing a Waltz, godammit!”

I have been lucky to experience a lot of the spoils that can happen in a rock band. But being with the three guys in this band from such a young age, we aren't going to let any of the spoils change us.

The band that I was I auditioning for, they were just all like, dreads and stuff, so I did look kind of out of place. But I had learned the material and it sounded cool as f**k when we were rehearsing.

My band is the best band in the world, period. So, I insist on every song being better than it is on the record. So by the end of the tour, we have to be playing the song better than how it's recorded.

I was producing demos for a band that was called Physical Ed. Out of production of demos I went and did a few jam sessions with then in Northern California clubs, but I never actually toured with them.

One night all the James Brown band was playing on stage and I look in the back and I could see Mick Jagger and Keith Richards trying to get in the club and they couldn't get in cause it was to crowded.

I was in every band class I could get in, like after school jazz band and marching band, and that's where I really learned to read music from elementary all the way through junior high and high school.

The drummer in my first band was killed in Vietnam. He kind of signed up and joined the marines. Bart Hanes was his name. He was one of those guys that was jokin' all the time, always playin' the clown.

After I moved with my mother to St. Louis, my older sister and I went to see Ike Turner, who was the hottest then. His music charged me. I was never attracted to him, but I wanted to sing with his band.

I shopped for body shapers for the first time in my life and I was horrified. They were thick - it was like wearing workout clothes and they all had a leg band on one side that showed through the pants.

Kiss is the number-one American band in gold-record sales. In the world, only the Beatles and the Stones are ahead of us. Every other band should be wiping my ass. The line forms over there to the left.

There are people hell-bent on the idea that we're a Christian band in disguise, and that we have some secret message. We have no spiritual affiliation with this music. It's simply about life experience.

I wasn't very good at studies but was into a lot of extra-curricular activities. I used to play the keyboard and bass guitar in my school band and went on to study keyboard from Trinity College, London.

I'm in a very successful band. We all love each other. It ain't ever breaking up. I also have a terrific hobby that became a full-time job. My only problem? There's not enough time to sleep in my world.

As much as being in a rock band can be really glamorous and exciting - and it can be a lot of things that people imagine it to be - if you just live that lifestyle, you're gonna burn out really quickly.

I've got quite a big gay following. I played a lesbian prostitute in the TV series 'Band Of Gold' but I think my following really grew when I played one in the film 'Imagine Me & You,' with Piper Perabo.

That's the funny thing - if there was a year and half or two years of us being a band like every other band and then getting signed, we would probably have made 'Pretty. Odd.' as our first album instead.

A band that we supported called Blackfish in Manchester, played the most insane gig I've ever been to. Everything was set on fire, and then they came on and played one of the coolest gigs I've ever seen.

I always wanted to play music, and always loved it. I saw a band come to school, when I was in elementary school, and wanted to play drums. I started playing drums at 11, and that's where it all started.

I always told the people at Cal Arts that if they wanted me to do Jazz studies, first of all, there couldn't be a big band within 500 miles and that I could do what I wanted to do. And they said I could.

When The Murderdolls started it was a really cool thing, especially for me because I had never done anything on that scale before. Even for our drummer and bass player it was their first really big band.

I know when I started I would have been happy to sound like the Beatles or Joe Tex or whoever. You want to sound like most bands, you want to sound like their records and that's how you learn your chops.

With the exception of Megadeth, I can't imagine any band we were hesitant about touring with. I mean we liked the original Megadeth, but I can't think of any band we toured with we weren't psyched about.

I was always told that I was too strange or that I was too cheesy by different groups of people, like the record companies said I was way too weird and the indie people wouldn't even let me in their band.

It's like that with what sort of ideas people outside of the band have of HIM. They all see it through a different lens as well which is beautiful. Hopefully, it makes it an endless topic of conversation.

The best slide solo I ever played was on... what's her name? That girl singer who used to be with that all-girl band? ... Belinda Carlisle of the Go-Go's! That's who it was. I played on one of her albums.

Whenever anyone sends me a link to a band, saying, 'These guys sound exactly like Soundgarden,' it's always some super simple sludge riff with a singer that sings high and screechy. And it's really awful.

I was always so jealous of a band like Fleetwood Mac, for instance, where Christine McVie would sing a whole bunch of songs even though Stevie was the obvious lead singer. It added variety to their shows.

There was a band in Australia named Midnight Oil, and they were a very, very political, and they literally hit you over the head with a hammer. U2 sometimes can hit you over the head with a rubber hammer.

The situation in America is when it starts moving there, all the bands from England move over to America and work from there, so that they're available all the time for everyone that wants them in person.

I found out about college radio and this whole noise genre blew me away. When I saw that guys could just get up there and have no traditional music ability and be in a band, it was really appealing to me.

I feel like that for the next album, we're going to know what we're doing for each song even more than what we did for this one, just because we'll have really fleshed them out as a band before recording.

I like being out front, doing what I do, but then I also like playing in a band too. I'd like to do stuff like I did with Deee-lite. I went out and played with them and they were the stars, that was cool.

I love rings, but I can't wear them. I mean, look at my knuckles. My fingers and joints are so swollen from years of playing. That means no wedding band, either. Luckily, I have a very understanding wife.

I'm a sucker for any band named after a work of literature. Los de Abajo take their name from Mariano Azuela's famous novel 'The Underdogs,' and that says a lot about who they are and the music they make.

If you listen to Semi-Precious Weapons' last single, 'Aviation High,' you can definitely hear that even in my old band, even in the songs I was writing then, the pop influence really started to take over.

I don't know where the money would come from, I don't have that answer, but I've been wanting to do something for music education for a long time as it's a big part of not only our band but my whole life.

Rock 'n' roll accepted me and paid me, even though I loved the big bands I went that way because I wanted a home of my own. I had a family. I had to raise them. Let's don't leave out the economics. No way.

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