As for my band, well, my mentors were Duke Ellington, Benny Goodman, Jimmie Lunceford, and no one had a band more smartly dressed than Duke.

I love the idea of stepping out of the band situation into a solo world with no boundaries, no expectations, where nothing is out of bounds.

Festivals are great because you get to just walk around the corner and see a new band that you've heard but not had the chance to check out.

Fame and all that type of stuff is inevitable, but I'm very content having a good band with no negativity, and everyone is on the same page.

The band feels loose in all the right ways, and it's just so cool looking out and seeing all of these people that I haven't seen in a while.

I spent my life working before I started band. I worked construction, landscaping. I worked in kitchens, cleaned dishes. I worked demolition.

The Rolling Stones set the bar to where I look to as a band. But I don't envision myself touring in the way they do. My knees won't hold out.

I went to art school, and that's how I got the internship, and then I started a band. But I always missed comics, I always wanted to do them.

As a solo artist, I just felt cemented in front of the mike stand. There was very little time to play with the audience and be a band member.

One of the big things that broke the band up for me, which I've become much clearer on over the years, was that I had no desire to be famous.

I'm in a band, and I know exactly who those girls are. I know exactly what goes on backstage. I wish I had a little leash to walk him around.

I don't think it's inherently wrong when bands do certain things - sometimes I'm really excited when I see a band has taken a big ad or sync.

Well, my favorite band is Radiohead. But, you know, I am pretty fascinated in general with music. I love music. It is definitely an interest.

I was at the first Minor Threat show, and you could tell, 'This band is going to be the king of the town.' It was obvious. They were so good.

I think that there's always an assumption, when a band goes on hiatus or stops playing, that there's some acrimony brewing under the surface.

We really broke down some doors for women and for musicians in general. It was just go out and form a band and don't care what anyone thinks.

We pride ourselves on trying to put on the best show we can and we're not afraid to say that we happen to be the best live band in the world.

I however don't go to clubs to show off and to be seen, and certainly not to make statements. I just want to be able to quietly watch a band.

I started making music with my band in the 80s, so I am more product of post punk than classical music, and I have always carried on this way.

You know, I always root for the older athlete. I root for the second album. I root for solo careers after the rock star breaks the band apart.

I don't have anyone telling me to change things or giving me unwanted opinions. It's just me and my band making music. It's nice for a change.

I'm not a figurehead for anything. I was a single mom with two kids. What else was I going to do? It was either be in a band or be a waitress.

When I was a teenager in the '70s, I was really into those great bands like Led Zeppelin and Queen and Jethro Tull, Deep Purple, Alice Cooper.

I learned Neil Young songs, Bob Dylan songs and older songs. It wasn't until I moved to Philly that I had aspirations to maybe forming a band.

Well, a sort of epiphany: I was in a great band. And it's very cool to be at 53 and realise that when you were a kid you were in a great band.

It comes down to building your own world out here on the road. It's who you surround yourself with. My band and crew are really positive guys.

I listen to a lot of other cyber metal bands such as Fear Factory, Sybreed, and Mnemic to name a few, so it has certainly influenced my style.

I realized that calling yourself a feminist or not calling yourself a feminist, just by being in a band of all girls, it's all you talk about.

A band is like a marriage, and if you're in a marriage with someone, and you lose yourself in that marriage, the relationship is over, really.

Through the history of rock n' roll, you see lots of bands making the mistake of putting on the tights when they get to arenas. Don't do that.

Dinosaur Jr. in their live capacity are a band that put me in a state of such overwhelming rock that it often takes quite a while to come down.

The Beatles tried to do some tours and found it to be completely pointless and became a non-touring band after that, and with very good reason.

Of course, music is an art form, and it's not all that competitive. But we don't ever intend to be the second-best band on a stage at any show.

My world was a community ballet school, a marching band, my two sisters and my girlfriends. I played saxophone in the band and was a bit nerdy.

Right, those relationships with your parents and family are the hardest to figure out, and the same patterns get carried into a band situation.

The first jazz cruise that I was on was '91. I played with Maria Schneider and John Fedchock's band. Got to meet some amazing people that week.

We were bunched up with Southern bands, and there's nothing wrong with that at all. We just wanted to make it clear we weren't a Southern band.

It didn't even really matter how good the band was - if someone could keep a beat, then you were prepared to jump up and down and smash around.

I started making music with my band in the '80s, so I am more product of post punk than classical music, and I have always carried on this way.

I've always gravitated naturally towards a little bit of a heavier thing, having been in punk bands and metal bands before I ever got into pop.

I love Black Sabbath. They made an amazing contribution to music today. Almost every band that made it big in the Nineties owed a debt to them.

We weren't like mates who decided to form a band. The other three met me because they were interested in being in the band that I was starting.

I've never been in a band, but I've hung out with a lot of musicians and helped them with their shows. It's something that I'm really drawn to.

She let me in during her tour, in London. Her band members - especially Lenny Kaye - were shocked at the fact that I was filming Patti [Smith].

There's a whole apparatus for indie bands now, but back in the eighties it was just getting built. The early people really took it on the chin.

There's always gonna be rock n' roll bands, there's always gonna be kids that love rock n' roll records, and there will always be rock n' roll.

There's poetry in being the band that can sell out Wembley but also makes a record in a garage. I don't like doing what people expect me to do.

We definitely wanted to show we're a band that can be around, and we have something to say other than the lighter, 'pickup line' sort of songs.

I play basketball all the time. Me and my band play every week on the road. That's something that I've never really given up since high school.

I played guitar and bass. I didn't do much vocals, although I did have one band where I was the lead singer. But that was when I was in college.

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