Quotes of All Topics . Occasions . Authors
There are lots of different parts of movie-making that I participate in, but my favorite part is the making of it. I'm scared, every day. I keep thinking someone's going to throw me the ball and I'm going to go, "Oh, wow. Oh, god. I just messed that up."
I don’t know if Barcelona have ever gone to a place like the Britannia Stadium and suffered the kind of onslaught from Tony Pulis’ team of long throws and free-kicks or been up to a place like Blackburn and been beaten up by their long ball into the box.
Jazz is all about improvisation and it's about the moment in time, doing it this way now, and you'll never do it this way twice. I've studied the masters. Why would I want to play ball after the guys who sit on a bench? I want to play like Michael Jordan.
Nothing is wrong with Tom Brady. When you look at the New England Patriots, they are going to have to readjust how they evaluate talent…You have to bring in some heavy hitters to protect Tom Brady at 37 years old and help him get the ball out of his hands.
In various talk th' instructive hours they past, Who gave the ball, or paid the visit last; One speaks the glory of the British queen, And one describes a charming Indian screen; A third interprets motions, looks, and eyes; At every word a reputation dies.
I sometimes like to do plyometric work which hits my core and the rest of my body at the same time: things like jumping to catch balls, box jumps, hurdling over cricket stumps, bounds, hops, or combined exercises like three jumps in a row followed by a sprint.
Next time you see a yardful of sprouting dandelions, note that they look remarkably like things we call "flowers." And later, when the flowers turn into fluff balls, look closely at one of those fluff balls and ask yourself whether it's really so unattractive.
Health care historically has been a very siloed field that's organized around medical specialties - urology, cardiac surgery, and so forth - and around the supply of these specialty services. The patient is the ping-pong ball that moves from service to service.
I am not against being pragmatic, because it is pragmatic to make a good pass, not a bad one. If I have the ball, what do I do with it? Could anybody argue that a bad solution like just kicking it away is pragmatic just because, sometimes, it works by accident?
To act with a tennis ball and imagine it's a tentacle, or if you're in some kind of wilderness film and you go, 'Okay, we can't have a grizzly bear here, but imagine when you step over the rock there there's a grizzly bear.' I don't know. They're tough moments.
You know, I still love the innocent parts of the game. I love hitting tennis balls. I love seeing the young guys do well. I'll still have a lot of friends to watch. I'll miss the relationships probably the most. As time passes, I'll probably miss the tennis more.
At the age of five or six I just used to kick the ball with both feet. I wasn't very good to start with but I practised and practised. Once I finally got it, it was an unbelievable sensation. It was then that I realised that if you work at something, it pays off.
I played in front of every conceivable audience you could face: an all-black audience, all-white, firemen's fairs, policemen's balls, in front of supermarkets, bar mitzvahs, weddings, drive-in theaters. I'd seen it all before I ever walked into a recording studio.
I've never recommended anybody go into coaching, 'cause if they have enough on the ball, if they can do without coaching, they should do without it. If they put as much work into it and spend as much time, the rewards are going to be much better in something else.
Hey, Ethan." "Yeah?" "Remember the Twinkie on the bus? The one I gave you in second grade, the day we met?" "The one you found on the floor and gave me without telling me? Nice." He grinned and shot the ball. "It never really fell on the floor. I made that part up.
A lot of people think international relations is like a game of chess. But it's not a game of chess, where people sit quietly, thinking out their strategy, taking their time between moves. It's more like a game of billiards, with a bunch of balls clustered together.
I am not Superwoman. The reality of my daily life is that I'm juggling a lot of balls in the air trying to be a good wife and mother, trying to be the prime-ministerial consort at home and abroad, barrister and charity worker, and sometimes one of the balls gets dropped.
I patterned myself after Reggie Jackson. I wanted to have that same swing and hit some homeruns. When I was down in A-ball, I was trying to be Reggie Jackson and I was striking out all the time. And I was like, 'This isn't the way Reggie is doing it, so I got to change.'
I wasn't brought up as a society girl to go to balls and be a debutante and marry the social set and money and go to parties. No one in my family lived like that. And I never wanted to live like that. I was brought up to believe in work. I always wanted a career. Always.
What I say about actors is you always want to find an actor you can play ball with. You throw the ball at them and you want them to throw it back. Your ball playing is a lot better when you play with good ballplayers, like any sport. Every actor I know feels the same way.
After 3 years, I left the army at the ripe old age of 20, but I'd like to think some of the skills are still with me. I'm great at physical movement; I can still remember Morse code, and perhaps most importantly, I can fold my socks up into little balls with smiley faces.
The gap is not between knowing it and living it, it's between knowing it and living it consistently. You know, we've all had moments when we got it right. Most of us have moments when we get it right every day. The trouble is getting it right when a curve-ball comes at us.
Things on a very small scale behave like nothing that you have any direct experience about. They do not behave like waves, they do not behave like particles, they do not behave like clouds, or billiard balls, or weights on springs, or like anything that you have ever seen.
Small miseries, like small debts, hit us in so many places, and meet us at so many turns and corners, that what they want in weight, they make up in number, and render it less hazardous to stand the fire of one cannon ball, than a volley composed of such a shower of bullets.
I think I've thrown enough balls and put it on tape where I don't think arm strength is an issue. I wouldn't be a starting quarterback if my arm strength was such an issue. People are making it seem like I can't throw the ball 30 yards. People are getting out of hand with it.
There's a difference [between taking a charge and flopping]. We all know what flopping is when we see it. The stuff that you see is where guys aren't really getting hit at all and are just flailing around like a fish out of water. That's kind of like, where are your balls at?
There are a number of writers who believe it is their duty to throw as many curve balls at the reader as possible. To twist and twist again. These are the Chubby Checkers of crime fiction and, while I admire the craft, I think that it can actually work against genuine suspense.
So, regarding the time frame, I'm only too willing to admit that my crystal ball, like everybody else's, is cracked. If I could predict precisely, I would have started predicting the stock market and would now be living with a bunch of young women on Bora Bora, having bought it.
I'm in total celebrity denial in general, but there's awareness that probably if somebody has met you, they might go and tell somebody. I just would rather have the word on the street stay at a neutral, not like, "She shows up in a ball gown," but "She seemed nice." That's fine.
Unlike leftover pasta, leftover risotto is viewed by Italians as a gift. Cooks shape it into balls or stuff it with a pinch of stewed meat or cheese. Then they bread and deep-fry the fritters until golden brown, yielding arancini, the indulgent 'little oranges' I can never resist.
I try to hit the ball along the ground, especially against fast bowlers. I also like the bat to come down in the right position and check if my body position is correct. If I'm really watching the ball carefully, then automatically I'm in a good position to hit it down the ground.
But the hobbledehoy, though he blushes when women address him, and is uneasy even when he is near them, though he is not master ofhis limbs in a ball-room, and is hardly master of his tongue at any time, is the most eloquent of beings, and especially eloquent among beautiful women.
I seem to get a general reaction at just, like, 'Oh! A mustache!' but mostly people are fine with it. But I don't actually do it for the ladies. It's more a guy thing, an appreciation. All the dudes want to do it, but they don't have the balls to do it, so they just give me the nod.
My game is really played above time. I don't say that like I'm saying I'm ahead of my time. I'm saying, like, if I'm on the court and I throw a pass, the ball that I've thrown will lead my teammate right where he needs to go, before he even knows that that's the right place to go to.
I have traveled down this path before - 'List of Seven' and 'Twin Peaks' both have thematic similarities - but 'Paladin' took me much deeper into the intuitive underground. Always bearing in mind Joseph Campbell's Rule No. 1: When entering a labyrinth, don't forget your ball of twine.
If you do smart things and use leverage and do one wrong thing along the way, it could wipe you out, because anything times zero is zero. But it's reinforcing when the people around you are doing it successfully, you're doing it successfully, and it's a lot like Cinderella at the ball.
With a tennis racket strapped tightly to her hiking pack, Martina Navratilova began her ascent of Mount Kilimanjaro. The tennis legend had visions of celebrating at the summit of Africa's highest peak by hitting a couple balls to see how far they might fly in the thin air at 19,341 feet.
The best have the courage and I say this all the time. The courage to take the ball all the time, the courage to make sure that they are not going to be intimidated by their opponents, and the courage to express themselves at all times and I think that all the great players have got that.
I saw this thing years ago, where somebody filled a gymnasium with ping-pong balls and mousetraps. And then somebody threw just one more ping-pong ball in there, and literally, in five seconds, the room was popping. And then it was dead. And that's how it was with 'Dallas.' Just... 'boom!'
If you took the entire internet and laid it end to end, it would weigh more than the other thing. It would weigh more than it would if it wasn't laid end to end. Like, if it was a ball of rolled up internet it would weigh less. I'm pretty sure. It depends on the size of the scale, I think.
I lived in a town called New Canaan, which is just outside of Connecticut, where they are far too snobby to even mention celebrities. Many American towns are famous for things like, "See the World's Largest Ball of String!" I think my town's would probably have to be "Most Pretentious People".
It's one of those things when you're down in the red area, a lot of teams double me. Two-man, guys sit underneath me, so I can't really slant. They have a safety kind of cheated out, as far as the fade balls and things like that. But when we get our opportunities, we've got to make people pay.
I wanted to swallow myself by opening my mouth very wide and turning it over my head so that it would take in my whole body, and then the Universe, until all that would remain of me would be a ball of eaten thing which little by little would be annihilated: that is how I see the end of the world.
I still believe in the old-school show thing no frills, no fancy equipment just a guitar and some amps and some drums, and throw it out there and do it the best you can in a live sense, because it's easy to make records. But the live show is where you really show if you've got the balls to do it.
David Michôd changed my life, quite literally, along with the chaps at Sony Pictures Classics. That's what set me on my way. I thought we did good work and had a good film, but when it was so praised at Sundance that year that's what really started the ball rolling. We all paid our own way to Sundance.
I don't have a crystal ball, but if you can ever put yourself in a situation where you are indispensable - where you aren't part of what looks like a fad, but you actually are a company, a brand that people trust and go to - at this point, you could put some of the mainstays of tech on anything, right?
The fiction writer has a lot of balls to juggle. Setting, pacing, dialogue, and so on. And let's not forget: plot. That was always a hard one for me. And I always had this spastic tendency to wrap up a story before I'd seen it the whole way through, a sort of writer's pre-ejaculatory tendency: "The End!"
I founded an educational software company called Knowledge Revolution. We had the first fully animated physics lab on the computer. You could take ropes, pulleys, balls and anything else you'd use in your physics textbook and the program would allow you to build anything you can think of in a physics lab.
There is no substitute to taking a lot of a catches as a youngster if you want to do slip catching - you've got to catch, catch, catch. And more than doing the normal stuff, you have to vary your catching - you've got to take some catches with the tennis ball, you got to take some closer, some further away.
The goals we get against are not really that people outplay us. I think it's the mistakes we make. It's when we have the ball at the back, we lose a few balls sometimes - that's also the risk with the way we play. It's not like they created the chance. We make two mistakes, and then we get the goals against.