And, you know, you try and preach to them there's more to this game than just walking up to home plate, swinging the bat, fielding a ground ball. There's some dedication in it, some love you've got to put into this work.

You can't sit on a lead and run a few plays into the line and just kill the clock. You've got to throw the ball over the damn plate and five the other man his chance. That's why baseball is the greatest game of them all.

I actually ran in junior high school a little bit, you know, like most kids do in track and things. Then I got out of it and just trained for football and played ball for so many years - high school, college and the NFL.

But I don't really care for directors flaring up and trying to humble some actor, which they would do to try and make an example out of them so everybody else would stay on the ball - and David wasn't anything like that.

In 1962, my injury wasn't because of violence; I just kicked the ball and it happened. And that was OK because Brazil won; I didn't have any difficulty in accepting that. I still got a medal because I'd played two games.

I will fall in love with any golf course that you have to drive the ball straight. You understand what I'm saying? That's my advantage. My advantage wasn't putting. In fact, I wasn't even a great putter or a good putter.

The biggest threat to McDonald's lies within - and that is us as a company becoming complacent. There are a lot of companies that get fat, dumb and happy and take their eye off the ball and forget about serving customers.

I've been to the Met Ball and the Tonys, but Cannes is particularly huge. Every time at these big events, it's just - whoa. Because at the end of the day, I'm a guy from Devonshire who grew up on a farm who loves his dog.

I think the first team I ever played for was a YMCA team, probably around when I was seven years old. And really I have vague memories of it. I think, at that age, you're just trying to make sure the ball stays in bounds.

When I was a little kid I used to play with guys twice my age, so, I was the last one picked, so if I picked I knew that I had to get the ball to the scorer if I wanted to stay on the court, so that was pretty much my job.

As Lucasfilm is developing IP and we're working on our projects, we should be using those films to advance the ball further down the field and to make things better for the rest of the company and the rest of the industry.

We used to look at each other and say, 'We play the same game with the same rules, the same bat, the same ball, the same field. What the hell does color have to do with it? You don't play with color. You play with talent.'

I read the last Harry Potter, and I cried for at least the last 70 pages. Awful! I was curled into a ball and I just kept sobbing. It was embarrassing. I was loud, and I just kept wiping tears away so I could see the page.

Of course, Sol is a big ball of hot gas, but one that - thanks to its endlessly boiling innards - shakes and vibrates. By studying patterns on the Sun's surface, astronomers can learn much about Sol's internal construction.

All I'm after is a few square metres to be myself. A space where I can continue to profess my creed: take the ball, give it to a team-mate, my team-mate scores. It's called an assist, and it's my way of spreading happiness.

I'm always playing someone grumpy or sad or grieving or downtrodden or stoic. As people get to know me within the industry, they know it's completely the opposite of what I'm like because I am a hyperactive, energetic ball.

It pumps me up - the whole idea of the bowler marking his run-up, popping at the crease, the crowd chanting, nerves building up. It's a very good feeling. Right from the first ball, I know I have to be at the top of my game.

I am happy with the way I hit the ball. There is a certain element of power into it but not completely. It is like 80 per cent timing and 20 per cent power. Why do I need power hitting when I can clear the ropes with timing?

His ball technique is superb, but most importantly, he can react to how the game develops. At the last possible moment in any situation, he can find the ideal solution. There are a lot of ways that Messi can finish an attack.

I'm busy working on every aspect of my game - defense, shooting, rebounding - but I really want to become a better overall team player. Help my teammates become better players out on the court in order to win more ball games.

But just maybe sometimes being even more patient. Even though I thought I did that much better this year, and sometimes, you know, make my opponents play that one extra ball, and just knowing how to play the big points better.

Since I first got my iPhone and 'Super Monkey Ball' came out, I was like, 'Oh my gosh, this is great.' I'm always searching for the nirvana of mobile gaming, whether that's from a Game Boy or a Vita or a PSP or now the Switch.

When our positioning and ball game and passing is not that good, then my game is struggling as well. I can score from set pieces and so on, but I have to be involved in the combinations, make my runs without the ball, go deep.

I've taken my boys to the house I grew up in. Taken them to the site of Ebbets Field, where the Dodgers used to play. They go to all the Dodger games, and they play Little League ball. I have infused them with New York spirit.

The game itself, I think, plays into the strength of my game, which has always been tee to green, hitting the ball consistently in play and managing my game. Putting has always been the one thing that's been a bit more erratic.

The speed you have, you can't practice it. You have to be fast from your birth on. There are other things you can practice, like flexibility or the little steps needed to stand good to the ball, but to be fast is a gift you get.

The way to work with a bully is to take the ball and go home. First time, every time. When there's no ball, there's no game. Bullies hate that. So they'll either behave so they can play with you or they'll go bully someone else.

I didn't like the way I shot the ball in Milwaukee, so I worked really hard on my shooting - threes off the move and off the catch. And also continued to work on my ball-handling and my in-between game - my runners and floaters.

The first thing is to be patient, which is probably the hardest thing to do. Don't worry if blokes are whacking you out of the park because you still have the opportunity to get him out next ball, even if it's not the same ball.

I believe that my impact is being a threat on the field, being a versatile player on the field that you have to counter, whether it be running the ball, catching the ball out of the backfield, special teams, line up in the slot.

I grew up playing on unprepared surfaces where your wicket depended on quickly adapting to the bounce. As a kid, I could never differentiate off-spin from leg-spin. All I looked to do was to try to hit the ball before it pitched.

When I look at myself, I'm not a big man - I'm a guard. I can do everything on the basketball court. You can name it - pass, post up, shoot the ball, bring the ball up, being a playmaker - so I'm excited to break that stereotype.

My fingers are too short to enable me to get grip enough on the ball to pitch a deep curve, so that I have been compelled to depend more on drops, straight balls and the different artifices known to pitchers to deceive the batter.

When I left 'Downton Abbey,' it hadn't yet taken off and become the phenomenon that it is, to this day. That all happened after I left. But, it was fabulous to be a part of it and to be a part of the cast. We had an absolute ball!

It's difficult losing, but it's even more difficult when you didn't make a shot. I could see the ball just didn't go your way on an out-of-bounds play or something like that, but when you're just not making them, it's frustrating.

I really like the story of Bardock, Goku's father. It's quite dramatic and the kind of story I absolutely wouldn't draw if it were me. It was like watching a different kind of 'Dragon Ball' in a good way, so I thought it was nice.

Sometimes I have to shut off the omnipresent disco ball and flashing lights that are always in my head. It's a part of maturing, I guess - just learning that it's not just always about a quick, easy fix of getting people to dance.

If Washington continues to fumble issues like taking care of the debt, getting the troops home, and rebuilding our economy, my wife and I may sit down and say, 'These are critical things and maybe we need to get back in the ball.'

I used to be followed by a moon shadow. Now I'm followed by all these misconceptions, and they're like a ball and chain. I just want to write music from my heart and give people a message of hope and the search for a better place.

First I got a yo-yo. I got good and then I got bored. Next I got one of those wooden paddles with a rubber ball at the end of an elastic band. I got good and then I got bored. Then I tried bubbles. I got good but I never got bored.

The task of an American writer is not to describe the misgivings of a woman taken in adultery as she looks out of a window at the rain but to describe four hundred people under the lights reaching for a foul ball. This is ceremony.

In the head of the moment after losing a game, I lost the control of my emotions and hit the ball with an intention of hitting out of the court. Unfortunately and absolutely unintentionally I hit Mr. Arnaud Gabas, the chair umpire.

I see children now, and many things surprise me: they ask me about my boots and why I don't dye my hair. I wonder, 'Why don't you talk to me about how to cross the ball, control it, the position of the body when I strike the ball?'

Our style of play is increasingly based on possession of the ball. It suits me as a forward. We've got an attacking approach, and that means that I get a lot of chances; otherwise, I would have not been able to score so many goals.

Tennis players need to be very focused and very intense, and I can show tennis players are not just hitting the little yellow ball and moving in between the white lines. I'm always trying to show my personality outside of the court.

I love being in a city that's playing October baseball, where you can just feel everyone captivated by the ball club, everyone walking around tired from staying up late, prioritizing baseball above all else. It's a great phenomenon.

The fundamentals, what I want, which is to take the ball, try to play as offensive as possible and dominate the game through the ball, is the same. I grew up with that; I was a player with that idea, and I am a coach with that idea.

I get a daily master class in Jenifer Lewis, and that's been so special to me. If I haven't prepared for something, she'll ball up the script and throw it at me. She'll say, 'You're not ready for this! Go downstairs and work on it.'

I have climbed every step of the football ladder, from kicking a ball about in Munich's Olympic Park to becoming a junior at Bayern, signing professional terms, establishing myself in the first team and taking the captain's armband.

Once you've published a few books, you drag around this ball and chain of a back list. All the evidence of how few you've sold is there. I think a lot of writers my age have this strange experience of going from would-be to has-been.

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