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I'd really like to play bad guys or guys that have something a little bit off about them. And I get to do that periodically.
In film roles, I play a lot of heavies and a lot of bad guys, so I tend to be the jokester and the good-time Charlie on the set.
I was raised by two actors in a moment in time - the Seventies - when there was no judgment of characters, no heroes and bad guys.
In D&D, I love playing the first guy through the door - the guy with the battle-axe. 'Where are the bad guys? Just point me at 'em!'
I definitely have a little attraction to bad guys, but they have to be sweethearts underneath. After all, I like to be treated well.
We've got to clear some of the room out of the prisons so we can put the bad guys in there, like the pedophiles and the politicians.
I grew up pretty much prevented from knowing anything from Communist China except that they were the bad guys that stole our country.
I'd love to be a part of 'Star Wars.' I'd be a Sith, of course - I'm English! We've got the voice, and it's perfect for the bad guys.
The English are good at bad guys - the James Bond-style villain, cunning, slow-burning. The Americans are much more obvious about it.
I don't have an endgame. My game is to take on any bad guys I see out there. And do the best I can until they put me under the carpet.
But the thing about bad guys is that they have the biggest bosomed blond, they have great clothes and cars, and get great death scenes.
I'm a good guy. I love playing bad guys, but good guys that have a good thing going on, I like that, too. I don't like passive good guys.
Bad guys don't think they're bad guys. Hitler probably thought he was a wonderful guy doing some wonderful and righteous work for Germany.
I despise all those who fight for peace. It's only the bad guys and the troublemakers who create entertaining and history-changing events.
I couldn't get roles as bad guys. They could see John Travolta as a gangster but not me, really. But, you know, that's just how things are.
I don't enjoy any kind of danger or volatility. I don't have that kind of 'I love the bad guys' thing. No, no thank you. I like nice people.
I grew up on DC Comics, moral tales where the bad guys got their comeuppance. To me the gory panels or grotesque stuff just made me chuckle.
Only very rarely are foreigners or first-generation immigrants allowed to be nice people in American films. Those with an accent are bad guys.
You have to have faith and confidence in yourself, that you are better than the bad guys you're dealing with. You have to have a lot of patience.
In every thriller written about Washington, particularly after 9/11, there are good guys and there are bad guys, and there's no gray area at all.
Bad guys are complicated characters. It's always fun to play them. You get away with a lot more. You don't have a heroic code you have to live by.
In boxing, there are no bad guys or good guys. Just people trying to make a living and trying to live up to their pride and to try to become someone.
The mainstream media has chosen their candidates and their issues, and they're not the same as the GOP's. They are going to be painted as the bad guys.
I'm big and a lot of the stars are smaller so if you're big and mean looking, you play bad guys. After Blade Runner, I was the meanest guy in Hollywood.
We were living in a tumultuous time, when the world was upside down. Freeman produced a show that was black and white, the good guys versus the bad guys.
The bad guys I play don't want to be bad. It's the struggle between the part of them that's an animal and the part that's the intellect that's interesting.
The older I get the more I realize there's no real good guys or real bad guys, and I'm curious about how the good guys got good and how the bad guys got bad.
I've played a lot of bad guys, and I'm pretty good at leaving my work at the office. And I look at acting as having a certain sort of therapeutic nature to it.
To steal a term from one of my Twitter followers, 'Deathlok' is the 'anti-villain.' He's on the side of the bad guys, but he obviously doesn't want to be there.
I'm a very spontaneous person. If someone aggravates me, I'm going to go after them. I wake up every morning, and I say, 'What bad guys should I go after today?'
A boxing match is like a cowboy movie. There's got to be good guys and there's got to be bad guys. And that's what people pay for - to see the bad guys get beat.
National security always matters, obviously. But the reality is that if you have an open door in your software for the good guys, the bad guys get in there, too.
I like stories of the classic hero, of good versus evil, the ones in which the good guys wear white and the bad guys wear black... and I love a good sword fight.
I have Slavic fat pads that make me look like a chipmunk and arched predatory eyebrows. With that, you're not going to get funny. That's why I play so many bad guys.
The silliest, most frustrating national dialogue has been this chattering about waterboarding and slapping around bad guys in order to extract information from them.
I don't play bad guys. I think that's why I keep getting cast as bad guys: because I don't want to play bad guys. I want to play human beings that struggle with life.
I always watched movies and rooted for the bad guys, you know? I've always been that kind of guy. I still hold some respect for criminals that are good at their jobs.
My career had been split pretty evenly between good guys and bad guys until I finally grew into myself enough to play a decent antihero, where you can combine the two.
I definitely have a preference for writing anti-heroes and bad guys, especially when they have motivations that the average 'good' person can understand and get behind.
That image of a lawyer standing up in a criminal case and doing the right thing always stuck with me. I love the idea of building cases and really going after bad guys.
In 'Underground,' you have to write for everyone, even the bad guys. People need to laugh and love and have voices and do bad things. Even slave owners need to be people.
I've played a lot of bad guys in my time, especially in movies. It's delightful playing the villain. It's almost the most interesting and most complicated role in a film.
I'm more attracted to the bad guys. Why? Because in real life, I don't know any good guys. I know okay guys. I know polite guys. I know people who can control themselves.
The establishment thinks we're the bad guys, and we're the radicals, but what they don't realize is we're actually the last line of defense. After us, it's the pitchforks.
Well, I don't feel that I've played so many bad guys, and I'm rot really drawn to villains per se. I think a lot of people relate to some of my characters' inner struggles.
While short sellers probably will never be popular on Wall Street, they often are the ones wearing the white hats when it comes to looking for and identifying the bad guys!
I wanted to do pretty much a purely boy story, yes. The girls are kind of the bad guys in 'Marble Season', although that wasn't my intention. It's also a world without adults.
There have been people that suggest that we should have a back door. But the reality is if you put a back door in, that back door's for everybody - for good guys and bad guys.
I like to play characters, man. I almost don't even think of them as good guys or bad guys. I know that's a hard thing to realize, but I really just think of them as characters.
I tend to enjoy roles that I very closely identify with: fringe people and complicated characters, who might even be bad guys, or bad characters that have one redeeming quality.