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I much prefer playing the bad guys. I think they are always the most interesting characters. I liken it to painting: if you're playing the good guy, you get three colors: red, white and blue. But if you're the bad guy, you get the whole palette.
When I see the hatred exacted at Mr. Obama - you know, he lowered your taxes, killed your number one bad guy and got your guys out of Iraq - I don't understand why he seems to inflame people so much. You know, unless, unless there's a race problem.
If you don't want to have to kill or capture every bad guy in the country, you have to reintegrate those who are willing to be reconciled and become part of the solution instead of a continued part of the problem. And then, above all, the resources.
If you see 'The Shining' with Jack Nicholson, you remember him not only because he is Jack Nicholson and because he does a wonderful job, but because he is a threat. The bad guy is someone people will have in their minds forever if it's a good bad guy.
As Faulkner says, all of us have the capacity in us for great good and for great evil, for love but also for hate. I wanted to write those kinds of complex character in a fantasy, and not just have all the good people get together to fight the bad guy.
There is something, yeah, I mean traditionally it's more fun to play bad guys than it is good guys and when you're playing a bad guy, yeah, the fun in it is to see how scary you can be, how horrible you can be. And it's surprising what you come up with.
Just in terms of when I got the script, the character I probably liked the least was Big Foster. Because even though he was central to the story and to that world, he was really written to be kind of a brute, a pig, a completely black-and-white bad guy.
The bad guy in any good storytelling is always, in some weird way, a mirror for your hero's journey and for the challenges that they are facing and is some weird physical externalization of that fear that the character is holding onto and has to overcome.
You know, the blond guy plays the good guy and I play the bad part, the bad guys. Which is a lot of fun. Playing the bad guy is great. And it's the whole British thing. You know, in so many films the bad guy is British. Gary Oldman makes a living doing that.
If I'm playing a bad guy, and I'm playing him evilly - I'm making him evil; I'm being evil because I want the audience to understand that he's bad - or if I have a line that's funny, I do it in a comedic way, that, to me, is a lie. It's dead when I watch it.
It's very true that you can be both selfless and selfish at the same time. What we tend towards, particularly in filmmaking, is this binary sort of, 'This is a good guy, this is a bad guy.' And I quite like the fact that life is a bit more complex than that.
Penetrating a company's security often starts with the bad guy obtaining some piece of information that seems so innocent, so everyday and unimportant, that most people in the organization don't see any reason why the item should be protected and restricted.
For Michael Wright and Frank Darabont to cast me as the ultimate good guy and Eddie Burns as the ultimate bad guy, and really switching roles from what we usually play, is pretty awesome. That generally doesn't happen, but TNT is a horse of a different color.
What makes 'The Wire' a beautiful story is how true to life it is. In other shows, you have a good guy and a bad guy. In 'The Wire,' bad guys are trying to be good, good guys are doing bad. You have real life. The people who do bad get bad things done to them.
Anyone can write a story based on the kind of horror where you see a guy in car and then there's the bad guy in the back seat. It's infantile to rely on that for telling a story. That's like going to bed and thinking there's a monster under your bed. It's silly.
I think we're so advanced when it comes to watching narrative material. I mean, it's all we do is consume content all day long. So when a character walks onscreen, you immediately start making connections for that character: Is that a good guy? Is that a bad guy?
If a police officer is looking for a criminal, he or she might stop a number of people in that particular area and ask to see their driver's license. No one bellyaches about civil rights or privacy issues. We're just happy the cops are trying to find the bad guy.
'The X-Files' was a hard sell because people didn't know what it was. The network didn't understand what it was that they were buying, and at the beginning, they wanted us to have closure. They wanted us to put the cuffs on the bad guy at the end of each episode.
In real life, I have mostly gone for nice guys. I definitely had a phase where I was like, "Oh, the bad guy is really cool." It's fun to be bad for a while, and then that ended really terribly - one piece of advice I'll give to people is your mom is always right.
A lot of action heroes, we're told they are heroic primarily because they commit violence upon the bad guy. It can be cathartic; it can be thrilling. But at some point, I think you want more from your heroes than just the ability and willingness to pummel someone.
When I watch myself, I see nothing but faults, like, 'This I need to do different, this I need to do different,' and so if there comes a point in time where I'm like, 'Man, this whole thing is just getting really stale,' I am not opposed to being the bad guy again.
I never try and play a bad guy to be bad and to be brutal and to be nasty and vicious, because I think you're going to be very cliche there. You know, you've got to find the truth in that character and what he believes in. It just happens that, you know, he's wrong.
'Sarfarosh' has made people realize that I can act. This film has made me grow as an actor. There was a general impression among the people that I can only play a bad guy without any dialogues. But this film has given me a break and I have proved myself as an actor.
One of the things that I like about 'Narcos' is that not only Pablo but with all the characters - this is not a black and white show. This is not a regular American cop show where two cool cops go to save a country from a bad guy. All the characters are very complex.
Cross the wrong state border with your gun, or wake up one morning to new legislation or a new presidential executive order, and suddenly you're the bad guy, not the good guy. No wonder some gun owners seem so touchy; they feel, at some level, like criminals in waiting.
Not to say that I saw myself in the Iron Sheik, but our whole family would gather around the TV on Saturday and watch the Iron Sheik wrestle. And he was the bad guy, so everyone else was booing him and cheering whoever he was fighting - it was the opposite in our house.
This ain't bad-guy talk, cos I'm not a bad guy. But people don't realise what fear can do. I've had situations where I've been so scared, where I can't sleep, I can't eat, and it's gone on for weeks and it's ruining my life. It makes you sick, it makes you mentally ill.
Torture is an impermissible evil. Except under two circumstances. The first is the ticking time bomb. An innocent's life is at stake. The bad guy you have captured possesses information that could save this life. He refuses to divulge. In such a case, the choice is easy.
I always look at films as real stories with real people in real situations. That's why I struggle with the whole notion of calling someone the 'good guy' or the 'bad guy', because I think we all have potential to do good things and all have the potential to do bad things.
Most big popcorn movies are 'bad guy does something to good guy, good guy gets revenge on bad guy, sets the world right, and moves on.' And 'Ender's Game' is just not that simple, so it's an exciting challenge. It's a little terrifying, and let's see how audiences respond.
You can have a wrestling idea, but you need to have these momentum-shifting moves. We had the Hulkamania movement, then it shifted to the beer-drinking, Stone Cold era, we reinvented the business with growing the black beard and becoming the bad guy, what's that next level.
I really, really, really love my job, so it's not like I'm trying to quit wrestling to do movies. They just all seemed like cool things to do. I mean, I'd love to be the bad guy in an action movie because then people would get to see another side of me they don't get to see.
The first act is the easiest to plot. The second act is always the hardest to plot. Generally a good, you know, sometimes the third act can be difficult because you can get into a rut in the third act - everybody runs to their Corvette, has a chase, and you catch the bad guy.
Kimbo Slice the man, you watch the YouTube videos of this guy in backyards, and they start fighting and you think this guy's a thug. You think he's a bad guy, you have this perception of him and then you meet him, it isn't true. It's the exact opposite. He's a really good guy.
I really like playing the bad guy. There are so many more objectives to play when you're mad or villainesque, or when there's some agenda that you have. That's drama, that's where the heart lives. I love playing the bad guy, but especially the bad guy who's still with the girl.
I think, very often, we're addicted to procedurals, those good guy/bad guy shows, and the 'problem' with procedurals is they all follow the same formula: The bad guy does his thing, the good guy goes after him, and in most cases, the good guy figures out who did it and catches him.
Because I'm a big guy, I was always playing the bad guy or whatever, but after I did 'The Blind Side,' where I played a father who's a really loving, likeable sort of person, a lot of those barriers were broken down. People saw me as something softer, not so much as a heavy anymore.
I had given thought to acting, but I never really had a good enough opportunity or a character who made sense and paralleled my life a little bit. I feel like I'm one of the poster boys for a bad guy in a movie. I feel like I'm a good person to play a bad guy in a movie. I can say that.
All the screen cowboys behaved like real gentlemen. They didn't drink, they didn't smoke. When they knocked the bad guy down, they always stood with their fists up, waiting for the heavy to get back on his feet. I decided I was going to drag the bad guy to his feet and keep hitting him.
When I used to wrestle professionally, I preferred being the bad guy known as 'The Heel;' you would get to 'work the crowd,' getting them to hate you and want to see you lose, while the good guy 'Babyface' would walk in, smile and shake hands with a few kids, and his acting job was done.
I'm the bad guy on the rest of Jennifer Love Hewitt's 'The Client List,' I'm the bad guy in Renny Harlin's 'Hercules 3D,' and I'm a movie star - finally - on Showtime's new series 'Ray Donovan.' But most importantly, I'm about to be a daddy, so I'm expecting some 'Dark Circles' for real.
No one ever has a chance to get to know the real me because I do play a bad guy, and sometimes it's hard to soak in the comments or the negativity because that's the response you want to elicit. I am a normal person, but that's part of the job. I'm playing a character, and that's my role.
I found that when I went to the ring as a bad guy, people hated that I took care of myself. That I went to the gym, that I had hair extensions, that I put makeup on. They hated that I was a girly-girl. I thought, OK, I'm going to crank that up to 110 percent and make people really annoyed.
You get Don King's point of view in what is almost a Shakespearean, classical technique. He comes across almost like a lovable rogue, like Iago in 'Othello' or Richard III. He's doing all these bad things, but I kind of like him. It's like 'Pulp Fiction': Everybody's a bad guy, yet you like them.
Being an actor is a lot more involved than many people realize; there are hundreds of ways to play any character. Even for a stylized bad guy, there are 4 or 5 different personalities I can play off the top of my head without thinking - better and more experienced actors can do dozens or hundreds.
It's basically taking a 911 call, bringing them on stage and dealing with it just like when I was a Chicago policeman for 12 years. I personally become involved. Where Jerry lets people tell their story and lets everything happen on stage, I kind of go after the bad guy and protect the little guy.
I think too often in films, people think endings are a summation of plot, and I don't like that. Because once you know where you're going as an audience member, then it's like a video game. You're just waiting for them to get through the levels and beat the bad guy. And I just think that's boring.
I was that 16-year-old who loved WWE, and I wanted to be a pro wrestler, but I didn't understand why I had to be the bad guy. I wanted to be like Jeff Hardy - I wanted to be like Rey Mysterio - but I was told I had to be the guy who screamed terrible things about America and attack people from behind.
When I am a good guy on TV, my character tends to be almost identical to how I am as a real person. However, as a bad guy, I get to be the opposite. I get to be a jerk. I get to talk trash, I get to say all the things that I'm thinking but have to restrain myself from saying out of respect or decency.
I don't want to paint myself as some villain - I was never a bad guy doing horrible things, but I got too caught up in wanting a very specific thing to happen to the band. Ultimately, I had to find the ability in myself to get over that and stop being so stringent and learn to laugh a little bit more.