Quotes of All Topics . Occasions . Authors
Music has its own emotional embodiment. It carries an emotion with it. When you associate a lyric with the music, it's much easier; but when you're standing there completely dry in front of the camera with no musical background, just a fine-tuned, get-this-emotional-story across, it's a very, very intense kind of focus.
Not coming from a film background, be it a teeny-weeny role or a big role, I have done it with a lot of dignity and fought my way through. But the only thing that kept me going is that I am the sort of person who doesn't take no for an answer. If someone rejects me, I will be out to prove that person wrong in my own way.
It's interesting because with a lot of people who I've met in comedy, it seems not to matter what your background is. In terms of formal schooling - I feel like that's a nineteenth century term - but in terms of where you went to high school or college, or wherever, all that really is irrelevant, I have found, in comedy.
I spend a great deal of time on research, on finding all the available accounts of a scene or incident, finding out all the background details and the biographies of the people involved there, and I try to run up all the accounts side by side to see where the contradictions are, and to look where things have gone missing.
Balancing my career between two industries has never been an issue. I started with a Telugu film and have a soft corner for the south industry, though I've grown up speaking Hindi. I don't think language can be a barrier when it comes to acting. And, since I come from a theatre background, I'm used to memorizing my lines.
I don't think the way I portray mother's and son's relationships has anything to do with my age or generation. It has to do with what I lived with my own mother and what it's transformed into and the point of view it has given me on mothers and women. The way I was brought up with women. It's all about personal background.
'2001' used a lot of what's called 'front projection.' You project an image onto this giant reflective screen, and the image bounces back and comes back to the lens and seems to be in the background behind the actors. The whole 'dawn of man' sequence in '2001' was projected eight-by-ten photographs of the African savannah.
Show business always tries to stereotype you, so that is something you have to fight against no matter who you are. A lot of actors who are of a minority background complain that they only get stereotyped roles, and they are 100 percent correct. However, it's also true that, no matter who you are, you get typecast as well.
Even when writing your own poems, you need to talk to people; you need to magpie around, getting words and things. I'm very against the celebrity culture that wants to say: 'this is a genius, this is one person who has done something brilliant.' There are always a hundred people in the background who have helped to make it.
We tend to become social core groups, whatever our similar interest and background where we came through. It tends to be a filter through which people see themselves. It can be all different ethnicities. They can see themselves as San Franciscans, or Warriors fans. You want to build a tribe of viral advocates for that team.
I am delighted that Jason Gardener will be taking over from me as President of U.K. Athletics. With his competitive background in the sport as an Olympic champion coupled with his engaging personality and his experience as a board member of U.K. Athletics, he possesses all the qualities required to be a successful president.
So maybe there are three parts in my life - earlier background living in exile in Xinjiang in a very political circumstance, then later the United States from 24 to 36 years old. I was quite equipped with liberal thinking. Then the Internet. If there is no Internet, of course, I cannot really exercise my opinion or my ideas.
Revolutionaries who come to power by force of arms usually have great crimes in their background. Leaders who survive campaigns by great powers to destroy them do not survive because they observe the niceties of law. Subversives who shape world events by covert action and violence work in shadows and detest the light of day.
My background is in largely in theatre and acting. I grew up in a town with a well-respected Shakespeare Festival, and I fell in with some kids whose parents worked there. We staged all-kid versions of 'Hamlet', 'Cymbeline', a few others. All the while, I was making short films; monster movies, slapstick comedies, claymation.
I did some background work for a movie called 'Bobby Jones: Stroke of Genius' in Atlanta and got bit by the bug. That was it. I saved a few thousand dollars and packed up my car. I had hoped that I would start working just doing some modeling stuff or something while I studied acting. I thought I could support myself that way.
Any active sportsman has to be very focused; you've got to be in the right frame of mind. If your energy is diverted in various directions, you do not achieve the results. I need to know when to switch on and switch off: and the rest of the things happen around that. Cricket is in the foreground, the rest is in the background.
Engineers love to optimize problems. Now I optimize logistical problems. I ask: 'What's the goal? What are our constraints? What is the optimal, elegant way to get to that goal within those constraints?' I break it down in terms of a data funnel: 'Where in the funnel are we inefficient?' That analytical background really helps.
Ronald Reagan was long thought to be the most conservative of Republicans. And by any standard today he is the most popular Republican in modern history. Yet he raised taxes 11 times, supported a ban on assault rifles and the Brady Bill, which mandated background checks, and established amnesty for 3 million undocumented workers.
I started in the club route. I did the alternative scene later on. When I lived in New York, I did the Luna Lounge and stuff, where Janeane Garofalo and David Cross and all those guys worked out of, but I came from a comedy club background. I'm proud of that background. I'm one of the people that really crossed over and did both.
I do a lot of urban fantasy, which is modern-day cities, but you've got magic, you've got fairies running around, or cryptozoological creatures running around, and I'm pulling very heavily on my background as a folklore major and having done some animation work and all of that, and I'm pulling from the modern fairy tale narrative.
The joy and happiness it gives you or the emotions you go through when you hold your child in your arms for the first time are indescribable! I really thought that there was going be this moment when a ray of light from heaven would come pouring in, background music would start playing with angels singing, but none of that happens!
You look at Superman, the story of an orphan coming to America, keeping his identity secret and even the names, Kal-El and Jor-El, you can trace lines to the background of the creators, Jerry Siegel and Joe Shuster, both Jewish. Overall, there was a remarkable confluence of events that led to the medium and the Jewish participation.
When I play games, I'll make up little stories for just anything. It's almost the game of making up background stories for people you see on the street. You know what I mean? I wasn't exactly the popular kid in school growing up, so I found myself really observing people, and watching how they interact, and how they react to things.
My problem with the wedding industry started when I studied in college and liked to have the television on in the background, and 'A Wedding Story' on TLC always came on, and I'd get irritated that the story of two people making a lifelong commitment to each other could be encapsulated in a half-hour show about the party they throw.
Kurt Angle, I knew he was from Pittsburgh and I knew his background very well and his amateur days and, of course, going to the Olympics and all that. When he went into professional wrestling, he was very good at adjusting and displaying a lot of great moves. It was something that the fans could look at a say, hey, that's wrestling.
We know that U.S. voters, and world leaders, allow Obama extraordinary leeway when it comes to deadly drone strikes, precisely because of his politics, character and background. (We are talking about a man, after all, who won the Nobel Peace Prize while ordering the automated killing of suspected Muslim terrorists around the world).
I think music is the greatest art form that exists, and I think people listen to music for different reasons, and it serves different purposes. Some of it is background music, and some of it is things that might affect a person's day, if not their life, or change an attitude. The best songs are the ones that make you feel something.
I want to challenge myself to see where my limit is and experiment with a lot of different films. A lot of artists from Asia focus too much on their Asian background. I don't want to let go of my background, but to be a success in the U.S., which is my goal, I realize I need to surround myself with American filmmakers and producers.
My father gave me one of those small, box-sized travel players when I was a kid and just a handful of records that he had. 'Zeppelin IV' was one. 'The Beatles at the Hollywood Bowl,' which is just about the worst record ever - you can't hear anything, just screaming in the background. I think there was maybe, like, an Animals record.
Africa shares with Asia a common background of colonialism, of exploitation, of discrimination, of oppression. At Bandung, African and Asian States dedicated themselves to the liberation of their two continents from foreign domination and affirmed the right of all nations to develop in their own way, free of any external interference.
In 'Gravity,' nearly everything is a metaphor for the main character. The way I tend to approach a film is that character and background are equally important; one informs the other. Here, Sandra Bullock is caught between Earth and the void of the universe, just floating there in between. We use the debris as a metaphor for adversity.
Just after I retired, Michael Vick came in. And just as background, I really thought the position had changed. I thought the dynamic pass-run, triple-threat quarterback was going to take over the league. And guys like Michael Vick and others would follow and that's what we'd do. But I learned the truth with Peyton Manning and Tom Brady.
My background is in arts education and we know, absolutely for a fact, that there is no better way for kids to learn critical thinking skills, communication skills, things like empathy and tolerance. This is true across every boundary, across cultural boundaries, across socioeconomic, it's a great leveler in terms of unifying our world.
Movements such as the Pan-Germanic, Pan-Islamic, or Pan-Negro justify themselves on the basis of their common language, or their common religion, or their color. But since the undefined masses involved in these movements lack the essential and real unity of background or community of purpose, they become a grave danger to general peace.
I bring my classical training - some of it, but not all of it - and also my background and culture, to spirituals. And I try to leave room for that unpredictable factor, where the feeling of the song is allowed to come through. The same ethos can be applied to singing Mozart, or Schubert, or Bach. It's not just about what's on the page.
I was once again looking for a book idea, and I remembered Holmes, but I specifically remembered that there was this World's Fair thing in the background. I thought, 'I'll read about the fair.' I had nothing better to do. I'd dismissed about a dozen ideas, and I was getting sort of antsy. I started reading, and that's where I got hooked.
I learned really early on that I had to treat it as if it were a real job. This might be my middle class background - the Irish work ethic, which isn't quite the same as the Protestant work ethic - but still, it's, 'Get a job and show up every day. Be there. And don't complain. Who do you think you are: you're nobody special; go to work.'
Ajax is a multicultural club, and we have found that many talented immigrant players quit when they reach puberty. So we wanted to tackle this problem with someone from the same background who had come through it. And that was Edgar Davids. During one of our fights, I pointed that out to him. But it had nothing to do with his skin colour.
When I was an actor in some movies a long time ago, I was so curious about all the camera movements - why is the camera placed here, and why does it move like this? And why the set and the background, the color? It's a lot of questions for me to ask, because I was so interested, not only in acting, but also the whole process of filmmaking.
Also, because people like to multitask, in a way if you've got a bit of music on in the background and the lyrical content is making you want to listen to it, then that would probably put you off the texting you wanted to do. I think people like things that just make that right kind of noise, but leave your brain free to do something else.
When I meet someone from the army background, there is an instant connection. We live in the best five-star hotels of the world, but outside my home I will be equally comfortable in any army cantonment or army guest house. Telling my friends that my father was in the army was like telling them that he is the second-richest man in the world.
When you fight something like cancer, you not dealing with a person that looks at where you come from or what's your background or what race you are or what ethnicity or whatever. Whatever your culture is, it doesn't care about that. It doesn't sleep - it doesn't get tired - so if you make it about yourself, you're going to fail every time.
There's no way I would have got to see so much of the world, with my humble background, without modelling. We were penniless and hungry for most of my youth. I washed the sheets in the bathtub in my bedroom and hung them out of the window on the clothes line, which in winter was difficult as the sheets would freeze and get stuck to the line.
As young West Point cadets, our motto was 'duty, honor, country.' But it was in the field, from the rice paddies of Southeast Asia to the sands of the Middle East, that I learned that motto's fullest meaning. There I saw gallant young Americans of every race, creed and background fight, and sometimes die, for 'duty, honor, and their country.'
I am quite international. My background, born in Turkey. My family is a Jewish family from Iran, so I went from Turkey to Iran to Israel, and then grew up in Italy and ended up in U.S. for graduate school. So I tend to look at things from an international perspective, and I think that gives you a little bit of a broader view of what's going on.
All the different nations in the world, despite their differences of appearance and religion and language and way of life, still have one thing in common, and that is what's inside of all of us. If we X-rayed the insides of different human beings, we wouldn't be able to tell from those X-rays what the person's language or background or race is.
As an MC, I come from a background where the onstage experience is freestyle-based: you never know who's going to join you on stage, or what you're gonna do, or how long you can stay on. You kind of lose that, once you get on to recording albums and going on tour. Doing Africa Express has brought me back to that excitement - for the unexpected.
'Chewing Gum' is a sitcom set on an estate in east London. Its central character is a girl from a Pentecostal background who decides to embark on a more worldly lifestyle - it's about adolescence 10 years too late. In my dreams, everybody is watching it, finding out about my world and realising it's not what they imagined. That it's not terrifying.
I see Americans of every party, every background, every faith who believe that we are stronger together: black, white, Latino, Asian, Native American; young, old; gay, straight; men, women, folks with disabilities, all pledging allegiance under the same proud flag to this big, bold country that we love. That's what I see. That's the America I know!