I find it fascinating that sport has such a strong connection to success in business. Arguably, C-suite women are some of the most successful women, and more than half of them played at a more advanced level than just the general population of women in business that had sport in their background.

I've known a lot of religious people. My mother is very religious, but she also is very private about it. When I was growing up, she never went to church. She just prayed and read her Bible and kept it to herself. I'm not from a background of flamboyant believers. It's much more a personal issue.

In the the late seventies and early eighties, I played background roles in thirty movies... Woody Allen movies, Scorsese films, you name it. Whatever was being shot in New York, I was doing stand-in and background work because I wanted to be close to the camera; I wanted to see what was going on.

For me, I actually come from an electronic dance music background: house music, electro house, trance music, even. When I was coming out of school, basically, I discovered Brain Fever, Flying Lotus, J Dilla and all that. That was when I got excited about hip-hop and when the Flume project started.

Most people yearn to contribute, make the world a better place and have success.... all at the same time... Make sure to give your business a background, a mission and a story. That might be the most important step part of any venture. And remember, giving may be the best investment you ever make.

Imagine how foolish you'd look if, like one clever salesman who once pitched to me, you tried to license your product to a big industry player without knowing they just launched a competing product. With the right background research, he could have avoided that and other landmines - and so can you.

As far as favorite 'overall package' record of all time, I'd have to say 'My Girl' by The Temptations. I like everything about it, not only the composition - but the arrangement, the production, the lead vocals, the background vocals, the horns, the strings. That one I listen to over and over again.

I come from a real working class background, and I didn't know anyone sophisticated - except I saw Edie Sedgewick once at the Art Museum in Philly. She had these black leotards and little black pumps and this big ermine cape and all these white dogs and black sunglasses and black eyes. She was classy!

Ever since Woodward and Bernstein, there's sort of been an epidemic of confidential sources in Washington, in particular where people will actually - when you call them up on the phone, they'll say, 'This is off the record,' or, 'This is on background,' or they don't even wait for you to say anything.

Who among us is so certain of our identity? Who hasn't been asked, 'What's your background?' and hesitated, even for a split second, to answer their inquisitor. Howard Jacobson's 'The Finkler Question' forces us to ask that of ourselves, and that's why it's a must read, no matter what your background.

I once did an event with Ian Rankin where he said he didn't really need to do much background research because his books are set in the present, and I just thought: 'You lucky, lucky beast!' because as a historical novelist, I live constantly on the edge of wondering whether tissues had been invented.

I think it's a cool thing to have kids look up to me and to know that it doesn't matter, your background or your ethnic background. If you have goals and dreams, you can achieve them. I am extremely proud to be Tongan and Samoan, and to be the first on Tour and the first in the Masters is a cool thing.

I know in my own marriage I stayed in it to provide my son with what I thought was a stable background and to give him what I thought was the family life a child should have with two parents. But that isn't always the best way, and it took me taking my son to therapy after the divorce to really see it.

My father was - actually was an Episcopal priest as a young man. Became a psychotherapist, a psychologist. My mother is Jewish, so I grew up in a mixed background. But the common denominator was certainly music, and that was sort of emphasized in my household as music being sort of the spiritual force.

I got overwhelmed by the magnitude of the celebrity culture in America. My background is as a news journalist, and newsrooms in the US are shrinking - investigation teams are being terminated or shrunk on newspapers all around the country. The one aspect that's expanded is coverage of celebrity culture.

Because my musical background is so diverse, it lends me to have very much my own style and it helps me to relate to the music as I'm going to play it. I just write. And if it comes out country, it's a country song. The funny thing is, I write all across the board. I just write what hits me at the time.

I don't come from a film background. I haven't learned anything about films or film-making. But I have a thirst to know everything about my profession. I want to learn about cinematography, about editing, about music recordings, about post-production. So when people in the know talk, I willingly listen.

There is something about military history that fascinates me. You find that many battles have been lost by people with very good military background when they fought battles in a battleground they didn't understand. I have seen that in business, too. You have to look at a marketplace like a battle-ground.

Not having finished high school and having been fairly utilitarian in the way I went about college, I didn't have a deep liberal arts background. So we'd go to lunch and people would talk about their favorite seventeenth-century poets, and I'd be thinking, 'Could I even name five poets? From any century?'

Like many actors, I started off as a monkey. My first job ever was as an extra in Tim Burton's 'Planet of the Apes.' I'm the tiny little monkey in the background. I met Rick Baker doing that - then, because of my size and the fact I was older than 18, he figured I could double Daveigh Chase in 'The Ring.'

One day I was in Starbucks going through one of my books on accounting, and this beautiful young woman came up to me and said, 'My accounting book is different from yours.' Her name was Joyce, she had a background in finance and administration and ran a surgery center. Within a short time, we were married.

Because I've been so blessed with a background in nursing and spent so much time with patients at a really intimate, vulnerable time in their lives, the one lesson I've learned is that you never turn down a challenge where you can keep your creative integrity and your heart and soul and your sense of self.

In many ways I'm similar to Barack Obama, who also has a strange name but was raised by a white American mother. His background is far more complicated than his name would suggest. Furthermore, the fact that I was a child during the hostage crisis has caused me to equate being Iranian with being alienated.

When everything is stripped away in life, everybody is a human being that has problems, that has issues, has flaws, that isn't perfect. It doesn't make a difference what your sex is, what your sexual preference is, what your race is or what your background is. If you're a good person, you're OK in my book.

I come from an alcoholic Irish background - I know where I was going! But I met my wife and started to practise Buddhism, which is a levelling experience for me, and there hasn't been a day I've missed in 40 years. I apply it to everything - to my work and relationships. I try to be a compassionate person.

I couldn't believe it! I mean, I'd always dreamed of acting on the screen - my previous background was all theater - but I wasn't sure if the opportunity would ever present itself. Not only was this acting for the screen, this was acting in 'The Hunger Games!' I knew that I had to give this audition my all.

One of the nicest things about receiving the accolade of Australia is that, previously, the knighthood was historically for what was termed 'the establishment.' Now, this is an accolade for somebody who comes from a working-class background. Someone whose father was a truck driver and decided to buy a truck.

People think that I'm mean because I'm quiet, and I don't really go out places or because I don't really say too much. On the other hand, people think that I'm soft because I may not handle myself the way other people handle themselves. That's just not me. They don't know my background or none of that stuff.

I believe that this idea of story or myth or this thing that Joseph Campbell writes about is sort of an inter-connective spiritual force - like The Force in 'Star Wars' - where it doesn't matter where you were raised, or what your background is, there are certain elements of story that totally appeal to you.

It was a melting pot in Las Vegas. You got every age level, every ethnic background, every social aura - it was an absolute Americana audience... people who were there to celebrate occasions; people who were there to gamble; people who were there because they were awed by the whole Vegas operation. Tourists.

Once I wanted to get into films, I took my time about it because when I first got to Bombay, I gave my photos and CDs to all the production houses. But the roles that came my way were the 'typical white girl dancing in the background' kind of roles, which I was not too interested in, or it was advertisements.

My family was very notorious in the town that we lived in. Everyone would say, 'There goes those damn Sams.' I didn't want to paint that ill picture of me. I knew the good in my family. They didn't know our background and the adversity we had to endure. I wanted to succeed and be a beacon of hope in my family.

When a director narrates a character, I find it normal to ask questions about the character's background, mood swings, eccentricities, behaviour... I do this to make my performance relatable. Directors who don't know their characters well find it difficult to answer these questions and, hence, find me annoying.

I would say get to know somebody who isn't exactly like you and doesn't come from the same background as you, educate yourself and then just keep showing up. Finding ways to show up for people and your voice will come out of that relationship and out of your pursuit to seeing people who aren't exactly like you.

Personally (and I believe I can speak for my sisters on this), I am against any organization or individual who believes they are superior to and/or may wish harm upon another because of race, ethnic background, religion, or sexual orientation. We also believe in the potential unification of humanity as a whole.

If you go into a studio without a set effectively, you've got a blue screen. As a DP you have to light it of what you think it should look like. You don't have any reference of what the background looks like. You might have some concepts, but effectively you're lighting it as what you think it should look like.

I am much less autistic now, compared to when I was young. I remember some behaviors like picking carpet fuzz and watching spinning plates for hours. I didn't want to be touched. I couldn't shut out background noise. I didn't talk until I was about 4 years old. I screamed. I hummed. But as I grew up, I improved.

I am Jack Swagger. My background, it's there for the world to see, and you look at MMA today, you look at boxing today, you look at professional kickboxing today, you need that entertainment value. You want people to relate to you as a character, as a personality. Honestly, that's what they're going to remember.

I've figured out how to turn what's different about me and limitations - I'm new to this world, I'm a woman, I don't have a math background - and how I use that to my advantage. They're what make me unique. In poker you learn very quickly, if you play like everyone else, you'll be fine, but you'll never be great.

I went to film school so I have a writing and directing background, and I think a lot of the material I'm interested in writing and getting out there is stories about anti-heroes and people you should just not ordinarily root for - trying to figure out a way of appealing to people they wouldn't normally appeal to.

Twitch is a platform. Switch it on, and you'll find thousands of channels of pure gameplay rolling around with people talking in the background. Dig a little deeper, and you'll also find people talking on camera, with sets built like an actual talk show, and schedules of events posted at the bottom of the web page.

Breast cancer alone kills some 458,000 people each year, according to the World Health Organization, mainly in low- and middle-income countries. It has got to be a priority to ensure that more women can access gene testing and lifesaving preventive treatment, whatever their means and background, wherever they live.

We need commonsense measures, gun control measures, that save lives. I think that it is important that we keep the firearms out of the hands of the mentally ill and criminals and terrorists. And I also think, by strengthening our background check system and expanding mental health treatment, we can do that as well.

I think that people, despite my law enforcement background, view me as taking these consistently progressive stands, and I think that, philosophically, there is a desire to get at that person. But I think the stands I have taken are totally consistent with a person who is looking at things realistically, factually.

My background is that I've spent a lot of time marketing entertainment. One of the old saws in package goods is you can take something that is popular and you can make it more popular. But if you take something less popular, you can't automatically market it into the same success as something that's already popular.

You get a world-class athlete like Hershel Walker, who was a Heisman trophy winner and did some amazing things, but he had a martial arts background. He did kickboxing. He had a combat sports background. It was just rekindling that training and that martial arts workout ethic. He got back into it and did quite well.

These days when you say 'videogame', people think of immersive games that take over your life and require three thumbs to control. My goal is to create games that almost retreat into the background. I'm interested in bringing them back to their role as a social facilitator, the way party games help people to interact.

At the outset, I want to say that the suggestion that the struggle in South Africa is under the influence of foreigners or communists is wholly incorrect. I have done whatever I did because of my experience in South Africa and my own proudly felt African background, and not because of what any outsider might have said.

Poland is different from the other so-called socialist countries. We have a different background. Poland belongs to the West, not the East. We belong to the Mediterranean, Latin culture, not to the Byzantine, which is very different and which you find in Bulgaria and even parts of Czechoslovakia and, of course, Romania.

Practically everyone I know now is from a middle- or upper-middle-class background, and I no longer have the huge chip on my shoulder that I carried around for so many years. I'm not sure it comes out much in the work, but coming from this kind of background is absolutely central to my identity, to my sense of who I am.

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