Back when George W. Bush was identifying his Axis of Evil, it struck me that a longer and more instructive list could be compiled of the Axis of the Humiliated (or Insulted and Injured, to borrow from Dostoevsky).

I always refer back to the days of Frank Sinatra, Dean Martin, the Rat Pack. Back when everyone wore a suit because that's what it was to be an entertainer. You were stylish and you were fly, and it was an effortless fly.

I'm married now, but back when I had girlfriends, you were always wondering if they liked you, and if you liked them enough. You're together, but the smallest thing could make one of you go 'You know what? This isn't working!

I can walk into a room and create a good ambience. I was taught all about this back when I studied acting. One of the things they would teach you is how to send out positive signals when you enter a room. I am glad I learned this.

Back when I lived in Brooklyn, I'd sometimes take the Q train all the way out to Coney Island and back, and work on my laptop. There's something about pushy New Yorkers looking over your shoulder that really makes you produce sentences.

Back when we were more in the industrial vein, it was almost like I had to hide the fact that I could sing. Now, I've just sort of embraced the fact that I can sing and I'm not a screamer or hiding it behind any effects, this is just what I sound like.

I saw a Harry Reid statement saying, there's nothing in the Constitution that says the Senate has to act on any presidential nominee. Well, that was back when President Bush was president and vice versa. So this is not a pretty carrying-on at the moment.

I'm not a cinematic cinematic person. I go to the movies like I did back when I was a kid. I go to the movies and I sit down. If the music works, hmm. If it doesn't work, hmm. The whole concept of the thing, not as one piece here or there. For me, music is a large part.

Normally, you have all this knowledge from all the films that you've done that you've accumulated over the years, and you can constantly look back when you're in some sort of fix and say, "Well, on so-and-so film, we did this, and it worked out fine." You can point to these things, and you can have that assurance.

Zooming in, zooming out. I was shocked. I said, "Let's erase this right now, put the camera behind the stage and I'll do the performance just for the camera." He set up everything and I told him to go outside and smoke a cigarette. Come back when I finish. Don't touch the camera. This was the way how I've done most everything after that.

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