Quotes of All Topics . Occasions . Authors
To be honest, I still feel like I haven't scratched the surface of where I want to be. If someone asked me for an autograph, I'd be like, 'Me? I haven't done anything yet !' I have much more to offer the world.
If kids see you on the street and they want an autograph, that's a big honour so I spend half an hour before I get in the ground and 40 minutes to an hour after the game with the Everton fans signing autographs.
I don't even think my children are aware of what I've done. When somebody will ask me for my autograph, Spenser-Margaret will say, 'You must watch 'Charlie's Angels.' You know, that's like all I've done to them.
The only autograph I ever got, which I do not have anymore, was Matthew Fox when he was on 'Party Of Five.' I was in high school, and he came to our local amusement park, and I stood in line and got an autograph.
A lost of people recognize me and maybe will ask for an autograph, but it's nothing like if Elvis would've done something like that, 'cause he's so popular, or maybe The Beatles 'cause they stirred up a lot of action.
I'm kind of well-known in Holland, which is nice. But in Holland, we're down to earth; there are no paparazzi in my garden and no autograph hunters at the door. We have 'Strictly Come Dancing,' but I've not been asked.
It's weird: people used to want your autograph; now what they want to do is to take your photograph with an iPhone. And sometimes they'll pop their arm around you to hold their iPhone; they're shaking when they take it.
It's incredible when I'm out in these towns. I have people telling me they were waiting for hours just to meet me and get my autograph. I feel so guilty. I always feel like I have to give them more than just Kato Kaelin.
I don't sign autographs when I'm out for a meal or out with my kids. I think that's rude and disrespectful. I would never ask anyone for an autograph while they were eating dinner; that's what I was taught by my parents.
It took Simone a long time to understand why people want Daddy's autograph. I'd tell her, and my wife would tell her, too, 'People see Daddy in the movies, and they are excited to meet him.' But she couldn't really grasp it.
When I'm introduced at invited lectures at other universities, the students place a Bobo doll by the lectern. From time to time, I have been asked to autograph one. The Bobo doll has achieved stardom in psychological circles.
Sometimes people will come up in the street and say: 'My daughter loves you, will you sign an autograph for her?' And some people send me stuff. I don't mind it at all: as a sportswoman, you owe them because they support you.
I love being around kids. When I see a kid that wants to talk to me or wants my autograph, I see myself in them. I just want to be a good example and be very approachable and want them to know that I'm just a regular guy, too.
It almost hurts me to walk down a road and have people grab my hand and ask for my autograph and not sit and talk. When I'm finished I'm not going to be on the front page, but I'm going to be just as happy without the publicity.
Suddenly you're surrounded by strangers who want something from you. The thing is, they don't know what they want, and you don't know what they want, unless it's an autograph, and you just sort of stand there grinning at one another.
My dad was always genuine with the fans and said, 'You must appreciate every single one of them,' and I always did. I always tried to make time for every autograph or every picture. What's an autograph? It's the simplest thing in the world.
I try to sign for as many kids as possible. Kids come first, and I'll always sign for a kid before an adult. It's funny, because I was never big into autographs as a kid. The only player who I ever wanted an autograph from was Dave Winfield.
I never became an actor for people to want to take pictures with me or wanting my autograph. I feel I am nothing more special than the next living soul, but I understand that I work in entertainment, and this attraction comes with the territory.
Unlike the LeBrons and A-Rods of the world, anointed as special from pre-K, Matt Leinart exudes an approachability rarely seen in superstars. It's why kids on the autograph line chat him up like a buddy with whom they could stay up late playing Xbox.
When kids want a picture or autograph, you reflect later on and realize you did something good. Then you see them come back five years later, they're all grown up, have their own lives and they tell you how much you inspired them. You're like, 'Whoa.'
People would ask me to autograph their bodies and then the next time I'd see them on tour they'd have my autograph tattooed. I decided I wouldn't write on people anymore, but I'd give them arms and legs and if they wanted those autographed I'd do that.
Anytime somebody shares a personal story with me during autograph signings and someone comes up to me and shakes my hand and says thank you and I'm just like, wow. The fact that I can have an influence over somebody; it is heartwarming, it is the goal.
I was shooting for 'Kahaani' and 'GOW' back to back. I was in a village on work, where a man extended a paper to me. For a minute I thought he wanted another actor's autograph. I looked back and forth, but there was no one. That was quite an experience.
Mickey Rourke's character in 'The Wrestler' - that was my dad, that was my uncles, that was so many members of my family. It was the only thing they knew. And then they would end up wrestling for a hundred bucks, go to autograph signings for two hundred bucks.
I don't know if I've ever had the autograph requests that I've had. It's hard to say no, especially when somebody's out there and they're asking. It would have been hard for me to hear no when I was a kid, so you try to make time and prepare for that, I guess.
That type of autograph, pictures and apparel thievery was not part of what I grew up with. I loved the artists and their music. I would be thrilled to meet them, but the thought of getting a scribble or stealing an article of clothing never occurred or appealed to me.
I've been so lucky with the people I've worked with, but I'm such a fan girl. When I moved to London at 16, I saw a man from a Dulux advert on the bus, and I asked for his autograph. I was so excited; you can imagine what I'm like now - I really need to control myself.
An Isaac Mizrahi fashion-show ticket signed by Steven Meisel. I rushed up to Meisel at the end of the show and asked him to autograph the card that had his name and seating assignment on it. It was an incredible moment when he shot the autumn/winter 2014 Moschino campaign.
When I was six, right before I started swimming, we went to a national competition here in Maryland and watched Michael Phelps swim, and I got to meet him afterwards, and I got his autograph. Fast forward nine years, and I'm at the Olympics with him, and it's like: 'Woah.'
New York was a fantastic place to disappear because no one cares who you are. No one bothers you. In my ten years living there I was never once asked for an autograph or stopped on the street. It was an absolute joy. I gave myself time and space to get to know myself more.
You know how kids will wait outside after a gig and try to get an autograph from the band? I would do that, but when I found the guitar player, I would say, 'What advice can you give me?' And a lot of my heroes would say, 'Have your own style.' I always kept that in my head.
If you see a gaggle of teenagers walking towards you, you tend not to make eye contact, because you know they're going to recognise you. You learn to adapt: 99.999 per cent of people aren't looking to be harmful or unpleasant; they just want something, a photograph or an autograph.
I love when I go to conventions, and often it'll be the younger kids who will refer to us by our character names - how can you not find that absolutely charming? I remember when I used to go to conventions when I was a kid when I would stand in long lines to get people's autograph.
In my ideal world, my next novel would have a first printing of, say, 2,500 hardcovers for reviewers, libraries, collectors, and autograph hounds. The publisher could print more copies if they get low. And simultaneously, or six weeks later, the book would be available in paperback.
The hardest thing is when you're in public, and you need to go to the toilet, and someone asks for a photo. And their phone is either flat, dead, or they've turned it off completely. You're trying to rush to the toilet, and they want your autograph - and I hate saying no, I feel so bad.
I was born Maurice Joseph Micklewhite. Imagine signing that autograph! You'd get a broken arm. So I changed my name to Michael Caine after Humphrey Bogart's 'The Caine Mutiny,' which was playing in the theater across from the telephone booth where I learned that I'd gotten my first TV job.
It's not that I lead this oblivious life where I think I've got such a great personality that people want to spend time with me. If someone has a poster of you or asks for your autograph, clearly you can't take them out on a date. It's not that interesting if someone is just interested in you.
This mum comes up, she's got a five-year-old kid and she says, 'Can he have your autograph, you are his favourite person in the whole world.' I thought, 'How cool is that? I've got five-year-old fans,' and as I'm signing this autograph, the mum goes, 'Yeah, yeah, you're by far the best Wiggle.'
I was at an autograph show, and there were a lot of people from TNA there doing meet and greets. One of the girls from TNA there asked me why I hadn't joined yet and I said I'd tried and it didn't work out. She asked me to give her a video and pictures, and a few days later I got asked to do a tryout.
When a kid smiles because you take an extra 30 seconds, minute, minute and a half to go over and ask them what their name is, give them the shirt you just wore to the ring, you just see them light up. We've all been kids before; we've all had our heroes, been fans of somebody and needed that autograph.
Part of me goes back to being 8 years old and going on the train 45 minutes to wait at a bank to get Ernie Banks' autograph. Or when I was a ball boy, becoming best buddies with some of the undrafted or late-drafted guys, them becoming like our big brothers, and then the pain of cut day and watching them get cut.
Being nice to everybody, saying hello to everyone in the room, signing every autograph; it was instilled in me at a very young age that this was what I was suppose to do. But I don't think it helps at all. I see more people who are rude or arrogant being rewarded - but, this way, I can put my head on the pillow at night.
Growing up, there wasn't an exact Hispanic role model that I had. I didn't realize how big a difference I was making, going to the Olympics and being Hispanic, until I would be in an autograph session, and parents would come up to me and say, 'You know, our family is so proud of you, you're really doing Hispanics proud.'
When I look back over my career, I just feel pleased that I'm still working and getting some good roles. It's been 30 years now, and a generation has grown up with me. There are kids who don't have a clue who I am, but they queue up and ask for my autograph and admit their mums love me! It's all good - I am having a ball.
Hopefully everybody in the audience thinks, 'That's cool. I could do that.' I don't like the thought that they say, 'I saw the Beastie Boys last night, and they're mega-stars.' I'm a lot happier when the kids who come backstage or to the hotel try to give us tapes of what they've done instead of just getting an autograph.
The part I hate is when we go out to eat. My youngest son, who's 11, doesn't like to eat in more fancy restaurants, so we often go out to places like Red Robin and such. Well, as you can imagine, in that kind of place I probably have to jump up about 10 times during a meal to take a picture with somebody or sign an autograph.
I experimented with different roles, but they didn't work, despite being fantastic films like 'Naa Autograph,' 'Sambo Siva Sambo,' 'Neninthe'... etc. I was very satisfied doing those roles. Had those films worked for me, I perhaps would not have tried anything different further. I like to experiment once in a while if it works.
When people visit me at autograph conventions and signings, they always say, 'You just don't know how you scared me!' These people are grown up. They say, 'When I was a kid, I just couldn't sleep at night.' Sometimes they will have babies with them. And they give me their babies, and they take pictures of me holding their baby.
I never set out to become 'famous.' I mean, when you're 14 you think 'I'm gonna become a writer and people will want my autograph and that'll be cool,' but you grow up and you learn that's just not how the world works. I resigned myself to the fact that I would probably never be published and if I did it probably wouldn't be a big deal.
There was a shop in Birmingham called Autographs, where I'm from in Birmingham. My uncles and dad used to shop there. They played professionally, too. When I started, I went to Autograph, and they had brands like Rick Owens. There are loads of brands, like my go-to brands that I will go to if I want to buy jeans, like DSquared or Balmain.