In the winter of 2012, as my fiftieth birthday approached, I began to write what turned into my autobiography, a look at my own life through the lens of food.

Autobiographies are only useful as the lives you read about and analyze may suggest to you something that you may find useful in your own journey through life.

There is an element of autobiography in all fiction in that pain or distress, or pleasure, is based on the author's own. But in my case that is as far as it goes.

I was doing a show in L.A. called 'Celebrity Autobiography,' where celebrities read excerpts from other celebrities' books and hang themselves with their own rope.

With fiction, the works of women are often over-interpreted as autobiography, especially when the main character is a woman, especially if she is seen as privileged.

Biographical data, even those recorded in the public registers, are the most private things one has, and to declare them openly is rather like facing a psychoanalyst.

I had to live and breathe Margaret Thatcher for a few months. I totally engulfed myself in her life. I read her autobiography and a biography, 'The Grocer's Daughter.'

'Off With Their Heads' by Frances Marion. I love a showbusiness autobiography - and this one resonates because it's written by one of the great Hollywood screenwriters.

An autobiography is not about pictures; it's about the stories; it's about honesty and as much truth as you can tell without coming too close to other people's privacy.

In 1994, to motivate me to complete my pilot's license, my good friend, Gregg Maryniak, gave me Charles Lindbergh's autobiography of his solo flight across the Atlantic.

I don't really think of my essays as being about myself. I know it sounds insane, but I just don't think of them as a memoir. They're essays; they're not an autobiography.

I got out of autobiography because my story is, I was famous, it was hard for me, I got into therapy. I had trouble with food, I got a nutritionist. There's no story there.

The problem is that even as you reveal the mysteries in your past, you are accumulating them in the present; complete honesty is the stuff of post-mortem, not autobiography.

If everything in my career has to be made into an autobiography, then there will be people who might think that I am trying to make a statement. But I don't want to do that.

This sounds like my autobiography, but I thought this would be a good time to sound off about myself, as I think that I have been silent too long about my views and opinions.

It was a big thing for me to read black writers. 'Fences,' by August Wilson. James Baldwin's 'Amen Corner.' 'The Fire Next Time.' 'The Autobiography of Malcolm X,' of course.

I write fiction and I'm told it's autobiography, I write autobiography and I'm told it's fiction, so since I'm so dim and they're so smart, let them decide what it is or it isn't.

It means that no matter what you write, be it a biography, an autobiography, a detective novel, or a conversation on the street, it all becomes fiction as soon as you write it down.

I was working on a book about health and wellness, and nobody was interested in that from me. Thankfully, my cowriters reached out and sold me on the idea of doing an autobiography.

Once I read autobiography as what the writer thought about his or her life. Now I think, 'This is what they thought at that time'. An interim report - that is what an autobiography is.

I've been working on my autobiography, just pecking away in longhand. The more you write, the more you remember. The more you remember, the more detail you recall. It's not all pleasant!

I think every artist's next work will reflect a new chapter in their autobiography. Each album tells a story about where they were at during a particular period and how they have evolved.

A good autobiography is like a document: a mirror of the age on which people can 'depend.' In a novel, by contrast, it's not the facts that matter, but precisely what you add to the facts.

The only book by a modern president that bears serious comparison with Obama's 'Dreams From My Father' is Jimmy Carter's short campaign autobiography, 'Why Not the Best?,' published in 1975.

I employed my wife for three years to sit in the attic and type up my autobiography, 700 pages, organise everywhere I go. I'm paying the normal rate of tax on the money I take out for myself.

A great danger, or at least a great temptation, for many writers is to become too autobiographical in their approach to their fiction. A little autobiography and a lot of imagination are best.

I always call 'Billy Elliot' a fantasy autobiography because I never wanted to be a dancer, but I got a lot of stick from the other kids about wanting to be a writer and being interested in drama.

The difference between memoir and autobiography, as far as I see it, is that a memoir is there primarily to tell one particular story, whereas an autobiography tries to be a full account of a life.

After reading Eminem's autobiography, which I did because I'm so interested in him as an artist, I respect him a lot. Even though he seems angry and mad, he's had to fight so many demons in his life.

When I was writing my autobiography, these songs came up from time to time which were important to me, and I realized that what they really represented was, they'd come from this age of shared music.

So many people had been asking me to write an autobiography, or threatening to write my biography without any input from me, that I thought I'd better tell my story before other people told it for me.

More and more I'm finding that I'm reading history, I'm reading biography, I'm reading autobiography for a sense of people who've been able to provide leadership. I don't read leadership books anymore.

Christopher Hitchens's autobiography, 'Hitch 22', is a poignant read and very interesting because I have a very poor knowledge of recent political history - or, for that matter, distant political history.

I wanted to emulate music from America - young punks playing rock n' roll is what it was. I read part of Keith Richards' autobiography, and it was totally parallel with me, learning from American records.

I was 12. Our, teacher made us write an autobiography and I realised that I wasn't very interesting. I began to make things up, and that's when I thought maybe I was a writer, or at least a fiction writer.

Memoirs are - memory is - rarely 100 percent accurate. Any autobiography is a construct, ballpark, even unnatural. Private diaries, too, can be unreliable - a detail that matters only if the diary is read.

Most people write a lot of autobiography, but when I came to write autobiography I discovered that nothing interesting had ever happened to me. So I had to take the situation and invent stories to go with it.

My approach to the work is the same, whether I had the lead or a supporting role. I consider myself a character actor in the true sense of the word. Unless I'm doing my autobiography, I'm playing a character.

So an autobiography about death should include, in my case, an account of European Jewry and of Russian and Jewish events - pogroms and flights and murders and the revolution that drove my mother to come here.

For a book publisher, there is hardly a more dangerous category than that of celebrity autobiography. Forget who it's by, most books of this kind not only fail but fail big, since they are invariably expensive.

'Masquerade' is the autobiography of Wyclef Jean. A lot of people know me through my work with Carlos Santana or Destiny's Child, winning all those Grammy Awards, but you do not know what is going on inside me.

I've been asked to write an autobiography, and I've started it a couple of times, on different angles, and maybe one day I will, but you know what? There's time for that because I'd like to have the whole story.

At 31, I decided to learn how to read and, at 32, read my first book: Lee Iacocca's autobiography. Ten years later, with my friend Larry 'Smokey' Genta, I wrote my first book, which was my proudest accomplishment.

The reason why I began making quilts is because I wrote my autobiography in 1980 and couldn't get it published because I wanted to tell my story, and my story didn't appear to be appropriate for African-American women.

Well, in fact everybody - everybody - in the entire nation has enough stuff in their life to write about that's interesting that they could write their autobiography. And in the end that's why I find people interesting.

There is a tendency to presume autobiography in fiction by women or minorities. Guys named Jonathan write universal stories, while there's this sense that everyone else is just fictionalizing their own small experiences.

My mom was big on education, big on reading, so she was always pushing books on me: 'The Autobiography of Malcolm X,' like, 'Read these books.' And it was like, man, I'm learning stuff that I just can't get anywhere else.

A complete autobiography would indeed be a picture of the outer and inner universe photographed upon one little life's consciousness. For does not the whole world, seen and unseen, go to the making up of every human being?

I feel autobiographies should be written when you're retiring and there's so much to talk about as you've been working for so many years then. It becomes more interesting and there's more material to go in the autobiography.

I love biographies. I read Patti Smith's 'Just Kids.' I'm into that time frame in New York, the '70s and '80s. In art school, I read 'Close to the Knives,' the autobiography of the artist and AIDS activist David Wojnarowicz.

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