What I find cool about being a banned author is this: I'm writing books that evoke a reaction, books that, if dropped in a lake, go down not with a whimper but a splash.

I want to be engaged and moved by theatre, there's nothing more disappointing than being left cold. After 'The Author,' I felt wrung out emotionally, like a used tissue.

I think that every so-called history book and film biography should be prefaced by the statement that what follows is the author's rendition of events and circumstances.

The ideological distance between Jim Webb and Bertrand Russell can be measured in light years. An author who reaches both of them exerts something like universal appeal.

Shakespeare is the true multicultural author. He exists in all languages. He is put on the stage everywhere. Everyone feels that they are represented by him on the stage.

An author needs to be in the market. He or she needs to come out with a new book every year. That keeps you alive in the public mind and gives a push to your older books.

All the best performers bring to their role something more, something different than what the author put on paper. That's what makes theatre live. That's why it persists.

Woody Allen's 'The Complete Prose' - It's just the best selection of comic writing by one author. You know it's good comedy when you get quite demoralised about yourself.

Look at 'Marienbad' honestly. What is it? It is just another talking radio show with pictures. Nobody acts. People stand around while the author talks about the woodwork.

Writing a song is much like being an author. Yes, we all have tools to write (everyone has a brain I hope!), but that doesn't all of a sudden make us best selling authors.

Anita Shreve is an author I adore. I rip through her meaty books and get off on the robust romance immensely - especially if I am feeling less than robust in my real life.

I may not remember the name of a book's author, but let it be clear, what I will not forget is the violence, the poverty and the desperation that Mexico is living through.

If the work is poor, the public taste will soon do it justice. And the author, reaping neither glory nor fortune, will learn by hard experience how to correct his mistakes.

When I look back at my career as an author, I don't look at the first book that was ever published as to where my career began - I look to the first book that I ever wrote.

Obviously there's a lot more to a TV show than just a book... I think adaptations are a bit tricky for the screenwriters because they're worried about upsetting the author.

I did about 2000 covers altogether, for all sorts of books - from Shakespeare to James Bond - and I always had the idea that I must give 100%, no matter who the author was.

Here was buried Thomas Jefferson Author of the Declaration of American Independence Of the Statute of Virginia for religious freedom & Father of the University of Virginia.

It appears a bold thing to say so when one sees how much many a modern author who knows how to make a skilful use of the Book of Chronicles has to tell about the tabernacle.

There is one Quality, which has somewhat so heavenly in it; that by so much the more we are possess'd of it, by so much the more we draw nearer to the Great Author of Nature.

It's really a misconception to identify the writer with the main character, given that the author creates all the characters in the book. In certain ways, I'm every character.

For pity's sake, if you don't take a shine to a novel, there are loads more in the world; read something else. Continue suffering, and it's not the author's fault. It's yours.

One of the interesting things about quoting in an artwork is that there is a repeated confusion about who is speaking - one essentially becomes the author of a quote one uses.

When the characters are really alive before their author, the latter does nothing but follow them in their action, in their words, in the situations which they suggest to him.

God keeps me grounded as well as my husband, Keith Douglas, who is such an inspiration to me. He's an author, speaker, and businessman. He's just a great husband and blessing.

I'd heard stories about business managers who lost their client's money. My feeling was that if I made any money, I wanted to lose it myself, to be the author of my own demise.

'Lonesome Dove' by Larry McMurtry and 'The Poisonwood Bible' by Barbara Kingsolver have stuck with me throughout my life, and I think that says a lot about an author's writing.

When I was young, I loved a series of books by an author called Maud Hart Lovelace and the series, which is still around, I'm happy to say, is - they're the 'Betsy-Tacy' books.

You have plausible deniability, as they say in politics, as an author with movies. Because if the movie is terrible, you simply say they failed to catch the genius of the book.

The author takes the position that the consumer pays the tax, and as such every individual of the social order should be given unlimited opportunity to make the most of himself.

I always make a point of keeping the most pleasant-sounding name for the murderer. As he or she is bound to come to an unpleasant end, it seems the very least the author can do.

Like the philosopher, the author views his task as one of establishing a clear connection between life and history, and of making the past bear fruit for the present and future.

I have always wondered why the movie industry was so firmly persuaded that the original author could be of no possible help in the case of a remake or any other change in a work.

I decided to become an author when my grandmother taught me to write, when I was six. I can still recall the sensation of being able to turn words into stories. It was a miracle.

For a memoir to really succeed, the author has to do such hard work before they come to the page. They have to do a brutal self-examination of everything they believe to be true.

Everything is different - except for publishing itself: getting hold of an amazing author, working to make his or her book the best and best-looking it can be, telling the world.

I'm better suited to be a director, I think. I see myself as the general author. I hate the word 'auteur,' because it sounds so solitary when filmmaking is anything but solitary.

As a children's author, reviewers are generally very nice to you. I only ever wrote one adult book and received such a kicking for it that I was in trauma for the next six months.

Our life is a book that writes itself and whose principal themes sometimes escape us. We are like characters in a novel who do not always understand what the author wants of them.

Someone putting down $25 of his or her hard-earned money to buy my product, then doing it again because they felt the payoff was worth it. That's as good as it gets for an author.

The thing about being a mystery writer, what marks a mystery writer out from a chick lit author or historical fiction writer, is that you always find a mystery in every situation.

In America the majority raises formidable barriers around the liberty of opinion; within these barriers an author may write what he pleases, but woe to him if he goes beyond them.

With each book, you get better as a writer. There is no back door to the industry. Read in the genre you want to write, as the more you read, the better you will get as an author.

When I was 13 or 14, I took this speed-reading course. A lot of the things you do in speed reading you shouldn't do to a good author, but I've been reading really fast ever since.

Sit down and put down everything that comes into your head and then you're a writer. But an author is one who can judge his own stuff's worth, without pity, and destroy most of it.

Any book on empire will omit, by necessity, vast tracts of the imperial experience, and so critics can easily find facts and details to contradict an author's bold generalisations.

Before, it was always, 'Oh, no, here comes Clancy, that insurance agent.' Now it's, 'Oh, here comes Tom Clancy, bestselling author.' But I'm still the same basic middle-class slob.

I need it all: in-depth characterization, fantastic/warped world building, a plot that could out-race Secretariat, and a 'voice.' I need to hear a uniqueness in the author's voice.

Well I think any author or musician is anxious to have legitimate sales of their products, partly so they're rewarded for their success, partly so they can go on and do new things.

The public figure of the writer, the writer-character, the 'personality-cult' of the author, are all becoming for me more and more intolerable in others, and consequently in myself.

There's no such thing as a perfect person, so it makes no sense to write a perfect person. I don't know any author who'd try. And we write characters, not representations of groups.

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