Quotes of All Topics . Occasions . Authors
Now, Venus is an extremely hostile environment, and as such presents a lot of challenges for a science fiction author who wants to create life there. However, as I began to research it more thoroughly, I found myself intrigued by the possibilities the world offers.
A children's author on a soapbox is not a pleasant sight but I have become drawn into issues, slightly unwillingly, relating to young people, literacy and youth justice: just look at the number of young people we have locked up in prison, and the uselessness of it.
One thing I have noticed is that when you're a younger editor, you're more intense about it. As you go along, you relax a little. More and more, I feel that the book is the author's. You give the author your thoughts, and it's up to him or her to decide what to do.
The best critics do not worry about what the author might think. That would be like a detective worrying about what a suspect might think. Instead, they treat the reader as an intelligent friend, and describe the book as honestly, and as entertainingly, as possible.
It seems like every few years a big name author will holler something about how evil, heinous, and morally wrong fan fiction and fan fiction writers are, and then the Internet gets all upset and shocked, and then the author is shocked that people could get so upset.
I believe that it's an author's job to cast his imagination into the far spaces. Your life should - and I think it's inescapable that it will - inform your work. I'm all for using anything that can make your art better, but your intuition should be an equal partner.
The life of a play begins and ends in the moment of performance. This is where author, actors, and directors express all they have to say. If the event has a future, this can only lie in the memories of those who were present and who retained a trace in their hearts.
A memoir is not an autobiography. It's a true story told as a novel, using techniques of novelization. The author is allowed to compress events, combine characters, change names, change the sequence of events, just as if he's writing a novel. But it's got to be true.
If you're writing a scene for a character with whom you disagree in every way, you still need to show how that character is absolutely justified in his or her own mind, or the scene will come across as being about the author's views rather than about the character's.
I used to say, read as much as you can. Now I say, read the best that you can, the stories that resonate with you, the books that are important to you. Try to read, not only as a reader, but also as a writer, to deconstruct how the author is telling his or her story.
I like to read novels where the author seems knowledgeable, like someone you know you could walk calmly next to through a complicated situation, and he or she would be alive to its meaning and ironies. And you wouldn't even have to mention them out loud to each other.
A good column is one that sells paper. It doesn't matter how beautifully it is written and how much you admire the author... if it doesn't sell any papers, it's not a good column. It's a terrible yardstick to use, but in the newspaper business, that's the whole thing.
Somebody will be able to crack ebook files in the same way that people cracked music files a decade ago. An author could have worked for three years on his book, have someone buy it for their Kindle for £6.99 and then see it shared with everyone in the world for free.
Shakespeare's naturalness is attested to by the strange fact that he is the only classical author who remains popular. The critical termites are massed and eating away at the foundations, trying to topple him. Whether they will succeed will be a test of his robustness.
There is no evidence that the author of the Book of Revelation, John of Patmos, read anything that we think of as a New Testament book. I don't see any evidence that he knew what was in the Gospels, or the letters of Paul, which I don't think he would have liked at all.
I'm an author who likes assignments, who needs suggestions, ideas I would never have thought of otherwise - then something happens inside my alien head. Other people have to decide whether or not I'm a good writer, but I do have the ability to write in different styles.
I can say, 'Well, I'm a male. I'm a male human. I'm a medical doctor. I'm an author...' If I go to a religious point of view, I will say, 'I am a soul. I am a spirit.' If I go into science, I will say, 'I am energy. I am light.' But the truth is I have no idea what I am.
George V. Higgins's 'The Friends of Eddie Coyle' (1970) added an extra literary layer to the con novel; James Crumley's 'The Last Good Kiss' (1978) influenced countless writers and will be remembered forever for its opening line, quoted often in obituaries of the author.
An author's ability to bring a marketing synopsis to the table - along with a great manuscript - makes a difference in what books get picked up. This is true for both fiction and nonfiction titles. You need to show your publisher what you've got in your marketing arsenal.
I never dreamt I could be an author when I grew up. It just didn't occur to me, because I thought you had to be a) academic, so go to university, things like that, and I didn't think I was clever, or b) dead because I just assumed all the authors in the library were dead.
If you feel that there's the author and then the character, then the book is not working. People have a habit of identifying the author with the narrator, and you can't, obviously, be all of the narrators in all of your books, or else you'd be a very strange person indeed.
When you talk to an author - to any artist, really - you learn something about how they do what they do. I've never come away from that kind of experience feeling disillusioned, as if the magician had explained his tricks. I always find a greater appreciation for the form.
When an author creates a town in her novels, she spends a great deal of time visualizing the streets and buildings, landmarks and topography. And while the town becomes real in her imagination, it's rare for an author to see the place she's created actually spring to life.
The bottom line is that this author, a practicing neurologist dealing with Alzheimer's disease on a daily basis, believes we need to expand the public awareness that modifiable lifestyle factors have a profound role to play in determining who will or won't get this disease.
The bestseller charts, a sure indicator of public taste, tell us with relentless frequency that Marian Keyes or Jeffrey Archer is a better author, by some dizzying six-figure sum, both in numbers of copies and money, than, say, J. M. Coetzee or Patrick White. Are they right?
Maurice Sendak never - I remember he said something that was very striking because it's something I never thought about. I always loved his work, and he said, 'I don't really view myself as a children's book author. I just try and write about childhood as honestly as I can.'
I was a big reader as a child. My father is a great book lover and a librarian, but he forbid me to read bad literature. I was not allowed to read Nancy Drew or books like that. I often say to him that me becoming a crime author is both a way of pleasing him and annoying him.
Whenever I've had to tamper with history for plot purposes, I make sure to mention that in my author's note, and I try to keep such tampering to a bare minimum. I also attempt to keep my characters true to their historical counterparts. This is not always possible, of course.
In the past I have declined to comment on my own work: because, it seems to me, a poem is what it is; because a poem is itself a definition, and to try to redefine it is to be apt to falsify it; and because the author is the person least able to consider his work objectively.
The turning point was when I hit my 30th birthday. I thought, if really want to write, it's time to start. I picked up the book How to Write a Novel in 90 Days. The author said to just write three pages a day, and I figured, I can do this. I never got past Page 3 of that book.
My view, as one who taught it, is that the whole purpose of a literary education should be to tell people that these things exist. I don't think any teacher should try to 'teach an author,' but rather simply describe what the author has written. And this is what I tried to do.
When the happy era shall arrive for the emancipation of nations, hastened on as it will be by the example of America, shall they not resort to the Declaration of our Independence as the charter of their rights, and will not its author be hailed as the benefactor of the redeemed?
When you haven't met someone, regardless of whether they're an author or not, when you're taking their work, and you are in some way filtering it or interpreting it, of course there's potential for them to feel that you have, in some way, not lived up to what it could have been.
It's a lot harder for an author that's unpublished to say, 'Hey, here's a new book.' There's nothing of theirs to read, so you don't know what it's going to be like. Kickstarter is great, but you also have to put your work out there whenever you can so you can build a reputation.
The one thing I've always done as an author is talk to my publicists. Because they have all the best stories - and they have all the dirt on other, more famous and important writers. They're not supposed to talk about it, but sometimes you can get awesome little tidbits from them.
It's been a while since I checked in with Malcolm Gladwell's 'Revisionist History' podcast. The episode 'The King of Tears' suggests the author is raising the bar. His argument is that country music is the genre that makes us cry because, unlike rock, it's not afraid of specifics.
Part of the job of a children's author is to write books that will be remembered, definitely, but if I might go out on a limb, I will say that the other part, the more important part, is to build books that will help children fall in love with reading. That, to me, is the real job.
Aleta St. James is an internationally renowned energy healer, life coach, best selling author, and more. Aleta does private sessions to release old resistance and shift out of anxiety, depression, low self-esteem, trauma, addictions, infertility, and insecurity at a cellular level.
The terms of copyright last far too long: either the life of the author plus 70 years after death for a personal work or 95 years for a corporate work. That length doesn't encourage more authorship - it merely limits the speakers who could share powerful speeches, books, and films.
My job as an author - at least the way I think of it - is to make a story that is coded and puzzling enough to entice conversation and interpretation, but also to do the opposite: to make some things clear so that it is meaningful in some way, not just a random assemblage of ideas.
I'm a science fiction author at heart, and what I like about the Cthulhu Mythos setting is that, at its core, it is horror science fiction. I can take ideas from modern theoretical science, manipulate them in truly bizarre and weird ways, and remain true to the Cthulhu Mythos vision.
My grandmother was a kind of Scarsdale, New York, society woman, best known in her day as the author of the 1959 book 'Growing Your Own Way: An Informal Guide for Teen-Agers' - this despite being a person whose parenting style made Joan Crawford's wire hangers look like pool noodles.
As a child, I amused myself by making up stories. I'd lie in bed when I was supposed to be sleeping and imagine other lands where people were doing fascinating things. By fifth grade, I knew I wanted to be a writer, but it took several more decades to really find my way as an author.
If you're chained to a computer all day, you're not using up much energy, even if you drag yourself to the gym a couple of days a week. And to make matters worse for me, I've had a secondary career right along with my romance writing - cookbook author, under my real name, Ruth Glick.
My son, Wolf, was born when I was past 40 and the author of a best-selling novel. That means he has grown up a middle-class child - one who sometimes asks me for stories of my childhood but knows nothing of what it means to grow up poor and afraid. I have worked to make sure of that.
All nonmimetic fiction is a balancing act between 'reality' and the obviously unreal, with no attempt by the author to make the latter seem like the former. Sometimes it's not an easy tightrope to walk. But when it succeeds, such fiction can brilliantly illuminate the human condition.
There was a time when Stefan Zweig was the most widely read author in the world. He was lionized everywhere, translated into every language. For the first four decades of the 20th century, his novellas and biographies were devoured by rich and poor, young and old, well read or less so.
I get up in the morning. I usually do a radio interview early in the morning. I usually do a book signing, because I'm also a cookbook author, so I'm at some store, at a Walmart or a Williams Sonoma, for three hours, standing up, signing autographs, and taking pictures for three hours.
The problem is that in order to publish a book in mainland China, you have to agree to be subject to censorship. That's the nature of the system. I don't challenge that system on its face. It's their system. But as an author, I have a choice to make whether I'll participate or I won't.
I fought as an infantry Marine on one of the Vietnam War's harshest battlefields. After leaving the Marine Corps, I studied law and found a fulfilling career as an author and journalist. But again and again, I came back to the personal fulfillment that can only come from public service.