Quotes of All Topics . Occasions . Authors
The Miz is someone who people are usually like, 'I can't believe how well he's doing. I can't believe this. I can't believe that.' But to me, he's someone who really always defined what it takes to becomes a successful public persona and in-ring entertainer, and to me, that's being authentic.
I see myself as life-sized, certainly not a supersized personality, and apparently after 30 years of television, that's what the audience thinks of me as well. I know this because for the first time in my career, I've just seen market research, and the thing I am known for is being authentic.
The blues scale was the first thing I learned. It's just a pentatonic scale with a flat seventh and a few notes that sound cool when you bend them. And because people have amalgamated the blues into this rock-blues scale, if you're using it, you better sound like a real authentic blues player.
With my own material, I like maintaining lyric integrity. I like having sophisticated lyrics, and maybe that's not down-the-middle Top 40 pop, but it reflects my style, my life, the way I speak, and the way I tell what's happening with my life emotionally, so in that way, it's authentic to me.
When 'Apollo 13' appeared as an opportunity and I began to tackle that in as authentic a way as I possibly could, I really became enthralled by the philosophical side of space travel and why we need to explore - what it means to us here on Earth - all of those things. I became a huge proponent.
I certainly want people to like my writing, but I know that if I write with the intention of trying to please people, the writing will not be good because it will not be authentic. So, ironically, I have to be willing to write something strange or unlovable in order to write anything truly good.
Being authentic can be a good thing in that often people who are fixated on that are also fixated on having very high standards, so they may maintain something they think has tremendous value. On the other hand, most of the kinds of music that I've been excited about are hybrid in their origins.
It was great, because as far as playing such an iconic character that Cinderella is from the Disney world, walking into such a raw and authentic environment - even though it's the real world, and it's Jacinda, it's still Cinderella that's being cursed, and now she's in the real world as Jacinda.
One of the first things I do when I step onto a set is I scan the set and try to take in every detail, because what I'm trying to find are tools that I can use to incorporate myself into the space and tools that I can use to make the performance authentic and to build on the authenticity of that.
You can't wake up one morning and say, 'Right, now I'm going to be a leader.' I think it is something that's in you, that you're born with, and which develops. Some people have that character, that personality and it comes naturally. You can't force it. It has to be authentic and natural. Innate.
I started my company with virtually no funds behind it - no big marketing budgets - and that worked in our favor with Millennials, who put us on the map. They can spot a paid endorsement a mile away and are completely turned off by it. Instead, they are heavily influenced by authentic experiences.
The women's movement burst forth when I was fifteen. That was when I began to believe that life might semi-work out after all. The cavalry had arrived. Women were starting to say that you got to tell the truth now, that you had to tell the truth if you were going to heal and have an authentic life.
If you are going to do something, you have to do it for yourself, and that's what I try to do. I try to be authentic and try to be original, so that's what I try to be. A lot of people try to build big brands but have received bad advice, and they don't try to be authentic and real with themselves.
In my eyes, I think it's important that if you're doing something you're proud of and that is genuine and authentic, you have a responsibility to bring that to as many people as possible, just for the sheer reason that there are musicians out there who are manufacturing emotions that aren't genuine.
When 'Red Tails' came along, all I knew was that they were the first African-American fighter pilots in the U.S. Air Force. I had no idea how deep the story went or about all their amazing achievements. There were a few Tuskegee Airmen on the set to make sure everything was as authentic as possible.
If there's any object in human experience that's a precedent for what a computer should be like, it's a musical instrument: a device where you can explore a huge range of possibilities through an interface that connects your mind and your body, allowing you to be emotionally authentic and expressive.
What I try to do often when I'm acting and what I like when I'm seeing good acting is how authentic it is. How true is this to what I know of the world that's been created for me? The ultimate test for me is, like, if I heard a clip of it on the radio, I'd like the audience not to know if I'm acting.
A lot of my honesty, and wanting to be as authentic as possible, came from coming out of bands like S Club 7 - things that felt glossy, you know? And with the rise of social media, there was an initial backlash against that glossiness, too. And then, I don't know, somehow it managed to get lost again.
I think people assume that because I talk the way that I talk that I grew up with money, and then I've had to say, 'No, I grew up poor.' And then I was like, 'Why do I have to play this game where the only black experience that's authentic is the one where you grew up in poverty?' I mean, it's ridiculous.
I try to make music with emotion and integrity. And authenticity. You can feel when something's authentic, and you can feel when it's not: you know when someone's trying to make the club record, or trying to make the girl record, or trying to make the thug record. It's none of that. It's just my emotions.
We all perform our lives in a way. And the actor is a perfect metaphor to get at that theme of 'how do we find our authentic selves?' And that we all - whether we're actors or not - perform ourselves. As a way of searching. As a way of fumbling around and trying to say, is this my voice? Is this who I am?
New York has influenced me a lot in terms of my own independence. I'm really struck by the idea of authenticity, and I think New York embodies that idea, even though people are like, 'I miss the old New York.' But at its core, it has this natural, authentic energy. L.A. lacks that idea; it's painted over.
I wake up and play a different person every day. Playing all these different characters and trying to figure out who your true authentic self is at the core of that as you're playing all these different roles, and man, that self-awareness starts to come into effect. And you start to see who you really are.
I don't know if it's changing already with 'Joanne,' but my intention is to bring people together that don't know each other and that would maybe feel awkward, but somehow be brought together by the music. That's what I wanted to do. Because that is pure and authentic to my family history and what I stand for.
When I run into a person or a kid that comes up and gives me the spiel about, 'Hey, I got your record at this time in my life, and it really helped me,' that stuff totally still rings true. If you're standing there talking to someone, it's really easy to tell if they're being authentic or not. And that's great.
After the success of 'Empire' and 'How to Get Away with Murder' and 'Scandal' and 'Power' and 'Black-ish', which all had characters that were genuine, authentic, and had the language of real people, I found myself coming into pilot season and every network just wanted to have their version of one of those shows.
We shoot with three cameras, try to shoot both sides of coverage if possible. That allows the actors to overlap and to find moments that feel more authentic and real than what you sometimes would normally get in a scripted drama that's shot more classically. And that's something in 'Parenthood' that has evolved.
In fact, I believe the first companies that make an effort to develop an authentic, transparent, and meaningful social contract with their fans and customers will turn out to be the ones that are the most successful in the future. While brands that refuse to make the effort will lose stature and customer loyalty.
Being interested in other fields and meeting experts outside entertainment - whether it's a two-hour conversation with John Nash that turns into 'A Beautiful Mind' or talking to people in architecture or fashion, CIA directors or Nobel laureates - has given me a better sense of which ideas feel authentic and new.
I did a great deal of research to write 'The Irish Duke.' Since all the people in this Lords of the Realm series are real historical characters, everything had to be authentic. I researched Woburn Abbey, where my heroine lived, and everything about Barons Court in Ireland, which was the ancestral home of Abercorn.
British culture is very cynical sometimes of overt displays of sentimentality, and I think that becomes almost a suspicion of emotion, or a suspicion of someone making a grand statement. It is always easier to be ironic, or 'meta', or coolly postmodern. But I think there is such a thing as authentic sentimentality.
Believe me, I love commerce as much as the rest of the readers of 'Businessweek.' But in art, you have to be true to yourself and your musical vision. People have known me well for a long time, so if I was chasing a trend and doing something that wasn't authentic to who I am, they would know it in just a few seconds.
A mountain of evidence shows that our bodies are pushing, shaping, even leading our thoughts, feelings, and behaviors. That the body affects the mind is, it's fair to say, incontestable. And it's doing so in ways that either facilitate or impede our ability to bring our authentic best selves to our biggest challenges.
I think our slow, humble beginnings in surf shops, ski shops, bike shops, and motorcycle shops have been extremely important for our success. GoPro is all about celebrating an active lifestyle and sharing that with other people. It's authentic. It's not a brand that we went out and bought a bunch of ads for to create.
Since the 1960s, mainstream media has searched out and co-opted the most authentic things it could find in youth culture, whether that was psychedelic culture, anti-war culture, blue jeans culture. Eventually heavy metal culture, rap culture, electronica - they'll look for it and then market it back to kids at the mall.
Don Cornelius was a genius. He created a show where he was breaking artists' songs. If you were on his show, he made the consumer want to go out and purchase your music. He will be greatly missed. If they ever try to recreate what he did, it has to been done right, authentic and real with soul! That's what Don displayed.
In this digital age, there is no place to hide behind public relations people. This digital age requires leaders to be visible and authentic and to be able to communicate the decisions they've made and why they've made them, to be able to acknowledge when they've made a mistake and to move forward, to engage in the debate.
There are artists or filmmakers or cinematographers who have had long careers who, maybe to reinvent themselves or just to stay in a secure place, layer it on or ham it up, if I can use that expression, or make grand choices that don't feel as authentic as what they did to make us fall in love with them in the first place.
Most people that derail as leaders in the corporate world, it's not because they couldn't do the math and calculate return on investment properly. The issues are communication and understanding. All of what typically would've been called the 'soft stuff.' You have to be authentic. You have to be dialed into the soft stuff.
We could not have launched Causes without Facebook Platform, providing real identity and real friends. Facebook Platform was created so that experiences that are inherently social in our off-line lives could be brought online as an authentic expression of who we are; Facebook did this best in revolutionizing photo sharing.
When I came out, it wasn't a big formal conversation like in the movies. I just started living as my true and authentic self and opened up my life to my parents - sharing who I was, and bringing a girlfriend when I came home for a visit. To my great surprise, my parents accepted me for who I was and have supported me since.
AdNectar was born out of a class project at the Stanford Graduate School of Business in January of 2008. The founders are all avid social network users and we wanted to see if we could discover the optimal way for advertisers to reach consumers in a way that felt authentic and organic, and yet was scalable to a mass audience.
Everything we do on 'Luck' is absolutely no different than if we'd had been doing it in a feature film. There's no short cuts. The specificity of what every single line might mean. Everything Dustin Hoffman does. Kevin Dunn is as authentic in the last scene of the last episode as he is in the first scene of the first episode.
I actually started singing country music at 4 years old, right when I started learning how to sing. I would cover a lot of Martina McBride, LeAnn Rimes, Trisha Yearwood, that kind of stuff, and it just feels very authentic to me. It's always been there through the years. Even when I was in my band, I still listened to country.
Being a survivor doesn't mean being strong - it's telling people when you need a meal or a ride, company, whatever. It's paying attention to heart wisdom, feelings, not living a role, but having a unique, authentic life, having something to contribute, finding time to love and laugh. All these things are qualities of survivors.
When you shop online, wouldn't you like to sample the bouquet of wines, the aroma of cigars, or the subtle fragrance of flowers before surrendering your credit card number? Surely more companies will want to aromatize their Web presence when they realize there's a device that can produce genuinely pleasing, authentic fragrances.
My platform for activism is my music, and the issue I am working to address is child marriage. Everyone can find an issue that they care about and their own authentic way of expressing and sharing their message and working for change. When you speak authentically about something that matters to you, your voice has even more power.
Other families who are poor do what they can to get out of it. My mother did not. She did not utilise her resources. She had a degree. There was something she could have done, but she actively, purposely refused that so we could have this absolutely authentic experience of the worst of capitalism: 'See? Look how bad capitalism is.'
In the name of feminism, we denied some essential aspects of our authentic selves. While feminism should have been nothing if not a celebration of our own unique characteristics, we insisted that we had no unique characteristics... that gender differences were hogwash, and a feminine woman was nothing more than a plaything for men.
What if the Soviet intervention was a blessing in disguise? It saved the myth that if the Soviets were not to intervene, there would have been some flowering authentic democratic socialism and so on. I'm a little bit more of a pessimist there. I think that the Soviets - it's a very sad lesson - by their intervention, saved the myth.