Quotes of All Topics . Occasions . Authors
I seem to have a soft spot in my heart for Australia and Australian actors. After having worked with one in 'Cinderella' and a multitude of them in 'Cats,' I've wanted the opportunity to actually perform 'down under.'
I became involved in the Australian independent wrestling scene between the ages of 13 and 19. When I was 19, I left home on my own and moved to Calgary, Alberta, Canada, to train with my mentor and friend Lance Storm.
I did not want to put myself on the line, as an Australian playing Britain's greatest comic actor. The fans of Sellers are obsessive, possessive - and aggressive. I did not want to risk their anger - or my own reputation.
It's just so funny that when I was growing up, I was very much of an Australian. I just thought it was funny that there was this war, like, 'No, she's ours, she's practically a Miss Australia.' But I am a Miss Philippines.
Every impression that I do is just a terrible variation on an awful Bill Cosby impression. You're doing an Australian accent, but it's just Australian Bill Cosby; or that's just British Bill Cosby; that's Pirate Bill Cosby.
Australian genre films were a lot of fun because they were legitimate genre movies. They were real genre films, and they dealt, in a way like the Italians did, with the excess of genre, and that has been an influence on me.
I will always come back to do Australian films. I think it matters. I think we can make films that people go and see. And I don't think it's too much to ask that films in this country make a profit and that we embrace them.
Like 'Lost in Translation,' I worked on an advertisement where a Hollywood star was doing a commercial just for Japan. The star was Hugh Jackman. Since I'm Australian, they just assumed I knew him, and I didn't correct them.
When British or Australian actors perform American characters, we laud them and talk about how great it is they are able to do this other accent that is not their own. Americans have different relationships with other accents.
My father was a headmaster in England and then the dean of a college in Australia. We moved there when I was about five, so my education was in Australia, and I always felt I was Australian even though my passport was British.
I was lucky enough to grow up in Western Australia and know that the Australian Outback is vast and spell-binding and heart-stoppingly beautiful, and the characters that inhabit it are unique and hilarious and tough and cheeky.
I liked Pat Cash, and I loved Mats Wilander. I went to the Australian Open with my parents, and I used to watch Wilander being cheered on by the Swedish fans, and with his game style being like mine, I drew comparisons with him.
I do think Australians as a rule have a very good sensibility to them, and I think most people, if they were given the option, wouldn't choose to rip off a filmmaker or an artist - I don't think its part of the Australian psyche.
Some people say I sound Australian. I guess it's all down to Miss Matthews, who taught me English when I was growing up in Dar es Salaam. Nearly everyone in Denmark speaks English, and TV shows are only ever subtitled, not dubbed.
I ask every Australian to think about what the constitutional exclusion says to Aboriginal and Torres Strait Islander Australians, to see our vast and inspiring history in this land not mentioned in the official picture like that.
In 'A Few Best Men,' I play a lesbian character. I played the lesbian sister of the bride who ends up kissing a dude at the end, but she was, like, a full-on lesbian in that. And I beat out famous Australian lesbians for the role.
Media were never allowed into an Australian dressing room until I became skipper. I changed that and invited them in at the close of play each day, thereby confirming for many administrators they had appointed a madman as captain.
It is amazing to have the UFC to come here to Perth... it is great for Australian Mixed Martial Arts and great for the sport, and it is going to be great for Perth to have such a world-wide event, through pay-per-view, hosted here.
I always think the really unfortunate thing about the Australian film industry is its lack of momentum. And I don't mean this in a derogatory way. I'm always wanting it to pick up momentum, and I'm wondering if that's even possible.
The Australian way of affirmative action is setting goals and recognising discrimination and lack of opportunity and deciding to take action and setting some goals and targets. I guess I prefer that language to talking about quotas.
Not long ago, in an excruciatingly remote village in the Australian Outback, I was startled to see a bartender in a cowboy hat measuring out a classically proportioned French 75 - something he'd picked up on the Internet, he told me.
If you're a single Sheila and you're trying to find an Australian bloke, you duck off down there to Australia. You go to the Red Centre: you'll find there's a few shearers, a few stockmen, and there you will find an Australian bloke.
When you arrive in L.A. as an Englishman, you might as well be on the moon. People just don't understand you if you speak too fast, and most people there think you're Australian. Ordering was incredibly complicated. I was speechless.
Mum told me stories about her time in the Women's Royal Navy, and about her dad, who had died before I was born - he'd been sent to Australia as a child, then joined the Australian Army in the First World War and fought at Gallipoli.
I'm in kind of a strange position - I have a strong Australian career and a strong British career. Then there's the American career. For every movie I do here, I do two somewhere else. I bounce back and forth between the three places.
I started off in England and very few people knew I was Australian. I mean, the clues were in the poems, but they didn't read them very carefully, and so for years and years I was considered completely part of the English poetry scene.
They're strange, the Aussies. Because if they like you, they say, 'Oh, he's an Aussie.' And I keep saying, 'I'm not, I'm from Preston.' There's nothing Australian about me. Don't start claiming me just because I've got a job over here.
The newspapers were against me. They were telling me that the Australian dream was a home. But that dream became worse and worse as they had to live further away from the city. My dream became better as we could build higher and higher.
My food hero would be someone like Elizabeth David, because I think what she did for Britain was amazing. Also David Thompson, an Australian chef who does Thai food and really understands the basis of it, has always been very inspiring.
If you want to go and build a company that exists in Silicon Valley, then you should go and do it there. But if you want to build a company that is Australian, that represents your culture and your being, then you should do it in Sydney.
My family are observant Muslims, but I've come to the faith through an intellectual conviction, and that's something that they've taught me. It's never been forced upon me. They've given me a very strong identity as an Australian Muslim.
I still listen to a lot of the classics from Bob Dylan and John Martin, but I love electronic music as well. I'm a big fan of an Australian DJ and producer called Flume, who I think is incredible. He should be more successful in the U.K.!
I have travelled enough internationally to know and accept the reality that, overwhelmingly, people are well disposed to Australia but in truth know very little about it. In particular, people know hardly anything about Australian politics.
In 1958, Anne and I returned to Australia, where I got a very attractive research position at the Australian National University in Canberra. But soon I felt very isolated because at that time game theory was virtually unknown in Australia.
The Australian film industry is a small industry, so you have to really be flexible within working in different mediums. A lot of actors work in theater, film, and television, because there's not much opportunity in terms of employment there.
Well, Australians should speak for the national interests of Australia, and whatever role former Australian prime ministers may have, one of the things you do is speak frankly about the country as you see the country's best interests, you know?
I live in Australia, and I am Australian, and because I grew up in an era where we didn't have a film industry, and now we do, it's just really exciting for me to be able to say that I work in my own culture in a medium that I find fascinating.
The Botanischer Garten in Berlin has one of Europe's finer winter trails, leading in careful order from glasshouses devoted to African-American and Australian desert species, through a fine collection of tropical plants, and on to the orchid house.
It's a pleasure to land here and see Australia upholding its commitment to free speech and Western culture - something that may not be here for much longer if left-wing Australian politicians continue their pathological worship of multiculturalism.
I want to try and wear as many Australian designers as I can because I'd like to support my Australian colleagues in the industry as well as find things that are eco-friendly. I love the green concept of wearing more sustainable garments at events.
The Australian Government's decision to take on the dominant funding role for the entire public hospital system is designed to: end the blame game; eliminate waste; and to shoulder the funding burden of the rapidly rising health costs of the future.
I just wanted to do this all Australian film and we didn't want to give creative control to overseas 'cause whoever comes on my sets, whether you're sweeping the floor or an actor, it doesn't matter who comes up with the ideas, it's a collaboration.
There's something intrinsically Australian about a bunch of brothers and school friends getting together as a band at a very young age and all pulling together as a band at a very young age and all pulling together as mates to make something happen.
I accept you, and you get the same respect from me whether you are black, white, gay straight, Asian, bisexual, Australian, tall, fat, whatever it is. We are all people, and I look at the people of the world the same way, as my brothers and sisters.
There's definitely a couple of people I'll play stuff to when it's nearly finished just to see what they think; Mark, our producer, his wife is Australian and just listens to the radio - she's awesome - and, I guess, is quite a casual music listener.
Australians just don't see that many Australian films, but it's also our responsibility as filmmakers and the responsibility of the funding bodies to remember that audiences want to be entertained, and people are entertained in lots of different ways.
I live in a town called Beerwah, right in the middle of Australia Zoo. It's not hustle and bustle and busy, so that's helpful. We travel all over the world, but I've always been able to come home and run around in the middle of the Australian outback.
I think the Australian people are very conscientious. During the 1980s and 1990s we proved they will respond conscientiously to necessary reforms. They mightn't like them but they'll accept them. But reforms have to be presented in a digestible format.
Money is tighter now, with the advertising dollar spread a lot more thinly across a whole range of media because of the Internet. It means the television networks have less power to produce shows, and TV is where most Australian actors make their money.
I like to say that I do covers of my own songs. And I have about a dozen bands all over the world. That's no exaggeration. I have a South African band, an Australian band, Swedish bands, English bands, American bands. They're all notable musicians, too.