My own interest in Kafka's letter came about when I was writing an article on Peter Ginz, the boy novelist held in Terezin, not far from Prague, and exterminated in Auschwitz by the Nazis. The Ginz family were from more or less the same milieu as the Kafkas.

We cannot get by Auschwitz. We should not even try, as great as the temptation is, because Auschwitz belongs to us, is branded into our history, and - to our benefit! - has made possible an insight that could be summarized as, 'Now we finally know ourselves.'

When we write about Auschwitz, we must know that Auschwitz, in a certain sense at least, suspended literature. One can only write a black novel about Auschwitz or - you should excuse the expression - a cheap serial, which begins in Auschwitz and is still not over.

I was interned in Auschwitz for one year. I didn't bring back anything, except for a few jokes, and that filled me with shame. Then again, I didn't know what to do with this fresh experience. For this experience was no literary awakening, no occasion for professional or artistic introspection.

And if the imam and the Muslim leadership in that community is so intent on building bridges, then they should voluntarily move the mosque away from ground zero and move it whether it's uptown or somewhere else, but move it away from that area, the same as the pope directed the Carmelite nuns to move a convent away from Auschwitz.

The Holocaust survivor who knows Auschwitz through the experience of suffering observes it all from the perspective assigned to him. He keeps silent or gives interviews to the Spielberg Foundation, he accepts the compensation payments promised him after a fifty-year delay, or, if he is prominent, he makes a speech in the Swedish Academy.

My father's mother was a secular Jew who died in Auschwitz. I only found out as an adult because my father never talked about it. He was a secularist and never defined himself in ethnic terms - partly, I think, because he was scared; partly out of the habit of not talking of such things; partly because he didn't like being defined by other people.

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