If you go for an audition, you have a character description, and for the women, it's always about being beautiful, sexy. And for the men it's more about the character than how he appears physically. That annoys me.

I'm not good at Disney acting. I'm really not. I never was on that audition list, which I don't mind. I don't know. I look back, and I'm kind of wiping my forehead at the thought of, 'What if I had gone that route?'

'Cheers' was great. They paired me up with Shelley Long on this tiny bar set for the final audition. That was my first really big one, and we just clicked instantly - I still think I got the part because of Shelley.

I was 16 and standing on Tottenham Court Road when this woman came over and asked me if I was an actress. She wanted me to audition for an online drama she was directing. I had time to kill, so I thought, 'Why not?'

I've had so many bad auditions! I tell people all the time, there's differences, what makes an audition good or what makes an audition bad. Sometimes you're just off, and there's not a whole lot you can do about it.

I was told once that I didn't play the Hollywood game, and that's why I wasn't a big star. What they meant when was that I don't go to parties, and when I go to an audition and I don't like the script, they know it.

I remember I went to audition for the first Daniel Craig Bond film, 'Casino Royale.' I was there in this Versace dress, and I remember looking in the mirror, and I couldn't have felt less like a Bond girl if I tried.

The last thing on my mind was to be an actor, but I had a crush on a cute girl in the drama department, so the best thing for me to do was audition, help out, do carpentry, whatever it took to get me on that project.

Sometimes you go into an audition and you'll do what you think the character is, and then if they agree, then it's awesome and you'll book it maybe, and you'll live happily ever after. But sometimes they don't agree.

I've certainly auditioned for big budget studio films. I don't know if it's because there's so much money involved, but a lot of times the pressure overwhelms me and engulfs me. I end up falling apart in the audition.

If you only live in the world of the actor, and if you only live in the world of auditions, etc., then you don't really have a whole lot to offer when it comes to playing the humans that you're trying to audition for.

'Red Robin' was just another audition, like a lot of other auditions. I just lucked out, and I got it. It's a great group of people I get to work with. Roger Craig Smith and Will Friedle and a bunch of guys. It's fun!

With WWE, I got this audition and thought there was no way that I was going to actually get the job. They were doing the WWE Diva Search at the time, and I didn't think I would get the job because I wasn't a wrestler.

I'm always nervous doing auditions - to be honest, I hate it. I always envy the actors who are so cool and cold-blooded when they go in for an audition, especially if it's for a part that you would really love to play.

I did this one scene in an episode of 'General Hospital', and that was my first job down in L.A. It was, like, my second audition, and I was like, 'Woo! This is easy! This is fun!' That was a really cool moment for me.

I was 14 years old. I did an audition for extra work as an actor, with two lines. Suddenly I was auditioning for a bigger role, and then got a part on a Portuguese TV series at age 15. My whole life changed completely.

What's comforting about coming from a family of actors is I don't have to explain the struggle. I can just sigh to my sister, 'I had a bad one,' and she'll know exactly the profound audition humiliation I am describing.

I've always loved movies, so I tried to get into an acting school. I saw an ad for the Oscar school on the back of 'The Irish Times,' and I went along for an audition, very pragmatically, to see if I could do it or not.

My mum sent me to an open audition for 'Notes On A Scandal' so I could see quite how many other girls wanted to do this. And I queued up, and I got the job. That was my first-ever audition, and my second was 'Atonement.'

When I started as an assistant at 'SNL,' I got my eyes on Kristen Wiig and was able to bring her for an audition for Lorne Michaels and the other producers. Turns out, Kristen Wiig can give you some street cred early on.

With acting, you do want to get every job, and you're trying to get every audition, but then you reach a certain stage where you start to kind of gravitate toward the stories and the people that have a similar heartbeat.

If I said to most of the people who auditioned, 'Good job, awesome, well done,' it would have made me actually look and feel ridiculous. It's quite obvious most of the people who turned up for this audition were hopeless.

I kind of slept through school. I wasn't engaged at all. My exercise books were empty at the end of the year. But I didn't sleep through drama, probably because there wasn't a desk, so my teacher sent me to this audition.

When I first looked at 'Travesties,' I thought, 'I don't know what to make of the first page of this, let alone 80 pages.' But I just thought, 'Well, I'll go along for the audition because I love all the people involved.'

My mom convinced me to audition for 'The X Factor.' And I just said, 'O.K., let me see what it's about. $5 million? Might as well try.' I tried out, and it worked out. I got through top seven out of 200,000, so I'm proud.

Even though I'm very fortunate and grateful to have played Aladdin, there were still four, five casting directors who never gave me a shot in Toronto. They didn't give me the time of day. I never got to audition for them.

My dad signed me up for some acting classes at a place in Honolulu, and there I got to audition for some L.A.-based talent agents. I got a few 'callbacks' and so my mom and I decided to fly to California and check it out!

It's weird, but I don't feel like think I deserve any of the attention. There's really nothing but one audition for a Disney Channel movie that separates me from 2,000 other brown-haired, blue-eyed guys in L.A., you know?

I want to do acting as much as I can. When you're on contract with a show, you can't really do other shows. It's hard to do film. I haven't had the opportunity to even audition much for films because I don't have an agent.

I was focused on either being a social worker or physiotherapist. That was the direction I was going until I met a girl who wanted to be an actress, and I wanted to be close to the girl, so I followed her into an audition.

When I came to Mumbai to audition for a dance reality show, I was in top 100. I doubted myself and did not get through. It was a lesson for me... After that day, whenever I used to go for auditions, I never doubted myself.

You go for an audition, and you meet a director, and you find that they don't want you. You have to have a pull with them: that they understand what you want to bring to it. That you don't want to be the pretty little thing.

I don't live in Los Angeles. I work in Los Angeles, and even that - I audition in Los Angeles; I very rarely film in Los Angeles. I don't hang out with producers on my off-hours, so I don't even know what that world is like.

For me, the audition process always starts with a few questions: Who am I? What am I trying to get across? Why am I trying to get that across? Where am I emotionally? It's a lot to do with my foundation, and I go from there.

If you put pressure on your kids to book every audition, they won't enjoy it anymore, and they won't book it, either. Also, if they don't want to go to an audition, they shouldn't be forced to go. They have to want to do it.

I came to New York when I was eighteen years old, and the first audition that I ever went to was this huge cattle call at the Equity building where I had gone two days earlier to sign up - I didn't have an agent or anything.

I got the pilot for 'Scrubs' sent to me, and in the margin for Dr. Cox, it said 'a John McGinley type.' So when I went in to audition, I said to Billy Lawrence, who's a dear friend of mine, I said, 'Well, I'm John McGinley.'

Like every audition I go on, I do my best, but after that, I let it go because, you know, the rejection rate is so great in Hollywood, and I can only control what I do in the audition, and after that it's up to somebody else.

I really loved to sing all the time, and I was constantly entertaining. Finally, my dad saw an article in the local newspaper in Phoenix, and it was for a children's theater, an audition for 'Snow White and the Seven Dwarves.'

In a perfect world we'd want gay people to play gay people, but I think that's a good rule of thumb: Whoever gives the best audition should get the part. My problem is getting anybody to hire me for anything other than queens.

I think our sense as actors of what we've just done - whether or not it be in an audition - is usually really not connected to any truth. I'm always asking for more takes and more goes. I think I just need to shut up and listen.

When my agent told me I had an audition for 'Friar Tuck,' I burst out laughing. It actually brought a bit of sunshine to my day. I was thinking: fat suit. I was thinking: shaving my head. It was so outlandish, such a crazy idea.

The first audition I ever went on, I was accompanied by my mother at the instruction of my father. 'You have to learn how to take rejection if you really want to be an actor,' he said. He had to eat his own words. I got the job.

But I certainly know a lot of people that existed at that level and are always kind of pining for more, always thinking that the next big break, the next opportunity, the big role are just around the corner of the next audition.

I went on an audition once for a show, and the feedback was to play an angry teen. My agent convinced me to try out. I was really bitter for a while, because it sucks when you don't get good scripts after working on good quality.

I guess in the independent market, I'd be getting offers, but in terms of big studio films, I still have to audition. I don't think my name is that well-known, I don't have much of a following to guarantee box office success yet.

When I was younger, I found it incredibly intimidating to audition for anything. As I've gotten older and had more experience and gained more confidence in myself, I'm able to quiet some of those demons a little more successfully.

I was trying to get an audition for 'Walker, Texas Ranger' and they wouldn't see me. And I was crestfallen, because I really needed money. And to be told you're not good enough to be seen by 'Walker, Texas Ranger' is a tough blow.

Regardless of the size of the budget or the name of the director, if the story is really interesting, then I can get on board with it. If it's not, then they're not gonna cast me anyway, because I'll just give a terrible audition.

I went to a performing arts school. I went to an audition for a musical, 'Les Miserables,' in the West End, and I got in, and my parents were like, 'Oh, you can sing?' So I kind of started singing properly when I was, like, seven.

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