Quotes of All Topics . Occasions . Authors
I think audiences can relate to the guys I'm playing, those large-and-in-charge idiots. Or maybe I just make them feel better about who they are, or who they're dating.
I'm always looking for bigger audiences and bigger stages. Really, however I can reach my fans is what will make me happy - well, I'll actually probably never be happy.
I've realised that if I aim for a successful record, I probably won't have any success. But if I keep making weird things, then hopefully the audiences will come to us.
I now have two different audiences. There's the one that has been watching my action films for 20 years, and the American family audience. American jokes, less fighting.
I don't think you can really make television based on what you think audiences want. You can only make stories that you like, because you have to watch it so many times.
We'd go to studios with ideas to do movie musicals and they'd literally kick us out. They said, 'Audiences aren't interested in movie musicals. You're wasting our time.'
If I hear a lie in my life with my children, with my wife, my work, my audiences, I want to annihilate myself, vaporize myself and wipe myself off the face of the earth.
One of the things that's clear to me from interviews that I've read is that the more popular successful jazz musicians had audiences above and beyond the music community.
The problem with comedy audiences - it's like the Coliseum - when they see someone struggling, they don't feel altruistic towards them. They feel slightly repulsed by it.
Consumers online expect dialogue, so pairing your brand with relevant and passion-driven topics is one of the best ways to ensure that you are engaged with key audiences.
I always remember what my dad told me when I decided to turn into an actor. He was emphatic that whatever I do, I should get accepted by the audiences who watch my films.
I've also shot plenty of films with very small audiences - 'The Sun Also Rises.' I love that film, but I didn't capture the imagination of the audience. I don't know why.
Getting onstage and trying out all of my material and what works well with audiences and what doesn't, what works well in different atmospheres, has been the best training.
'Guardians Of The Galaxy' was, as 'Ant-Man' was, just fun, in terms of expanding this universe. We always say, how can we keep audiences surprise at what an MCU film can be?
Given the kind of filmmaker I am, the kind of experiences I've been trying to give audiences, I was drawn to the potential of VR before I even tried watching anything in VR.
Comedy club audiences pay up to $25 per person and another fistful of cash to cover a two-drink minimum, so when they don't like something, they let you know - with silence.
The matinee audiences are different because they're mostly kids, a great percentage kids. So they respond to everything differently, but I understand what they do respond to.
It doesn't matter how big the film is - if the story is not good, it will not be accepted. Stardom can maybe pull audiences to theatres but beyond that it is all about content.
I felt audiences are happier to take comedy people who play darker people because there's a link between the psychosis of comedy and the psychosis of being a twisted character.
We have anticipated releasing the trailer for 'Do You Believe?' to audiences, as so many have been looking forward to this project as the follow up release to 'God's Not Dead.'
There's a crazy, false notion that audiences are not patient or will not watch a story, that you have to put in a scare every ten minutes. But I always thought that was insane.
With the fragmentation of television audiences and the advent of cable and on-demand services, the prestige of being an anchor is not what it was in the days of Walter Cronkite.
I honestly didn't know how well Bin Roye would fare with audiences. I couldn't be indifferent while watching it. I kept seeing tiny nuances that I could have changed with my role.
I directed Bebe Neuwirth in 'Here Lies Jenny' at the Post Street Theatre. I was gobsmacked - the audiences were extremely knowledgeable, affectionate, interested, and not cynical.
I don't know why, but audiences are often sympathetic to thieves. Sometimes they are more sympathetic to thieves then they are to earnest people. What does that say about society?
It was great about the sizes of the audiences we were getting in America, but sometimes you feel like telling some of the men that you're not on stage to have your body looked at.
'Zoo' further demonstrates our commitment to high-quality, year-round programming and to high-concept series that play to summer audiences in the U.S. as well as on a global scale.
Then if your movie clicks with real audiences, you'll be sucked into some sort of Hollywood orbit. It's a devil of a place where the only religion that really counts is box office.
I think feature film can be quite conservative, because you have to now get audiences to come out, and it's quite a hard thing to do. Of course, television can be conservative too.
I worked at NBC and MTV for two years, and it was very interesting to see the comparisons of audiences and the way that I would have to present a story to the two different places.
There's no better feeling as a writer than to see your piece going beyond what you can have ever imagined. And a wonderful way for that to happen is for new audiences to discover it.
The sound is the key; audiences will accept visual discontinuity much more easily than they'll accept jumps in the sound. If the track makes sense, you can do almost anything visually.
I've been actively trying to extend my reach beyond WWE. I wanted to do some non-action related projects, stuff that will resonate with different audiences who might not know who I am.
Artificial Intelligence leaves no doubt that it wants its audiences to enter a realm of pure fantasy when it identifies one of the last remaining islands of civilization as New Jersey.
It seems to me there is a change in what audiences want to see. I can only hope that's correct, because there's an awful lot of people of my age around now and we outnumber the others.
I would never inflict my bassoon on anybody really other than the long suffering audiences that come to the concerts of The Really Terrible Orchestra; which actually is really terrible.
If you want to do a talk show on network television, you're probably going to wind up having a desk and a band, wearing a suit, and having a sidekick. Audiences want to feel comfortable.
What turns me on is to walk into a sold-out venue. The audiences are so much the same as they were in the '60s. It's just an amazing thing. I can't explain it, but I hope it never stops.
I was really surprised to see how critical the Malayali audiences are. It is really overwhelming that people genuinely want good scripts and do not miss a chance to applaud good scripts.
Young readers are the most challenging, demanding, and rewarding of audiences. Adults often ask why I write for the younger set. My reply: 'I can't think of anyone I'd rather write for.'
Suddenly, the screens were dominated by American entertainment to the extent of something like 95 percent. As a result, audiences turned away from the kinds of films that we used to make.
We were tremendously encouraged by the testing of Analyze That. Audiences loved it. They were telling us that they liked it as much as the original. We recorded the laughs in the theater.
I really like reaching out and seeing the audience - they're potential audiences! And on occasion I can make them excited about going to the theater again, if they've ceased or gone less.
I think American audiences are quite interesting in that they can handle almost any amount of violence, but the moment the violence becomes sexual violence it immediately becomes an issue.
We remain committed to inspiring and compelling social change to the world's most pressing problems through the power of great stories and engaging our audiences to take meaningful action.
Online is such an important platform... it's all one giant melting pot of talents. The times are changing. It's just art now. You can share your audiences with everyone, and it's exciting.
Creating a television property means we'll be able to move fans from laptops to living rooms and engage completely new audiences while building backstories and expanding on Doc's universe.
When I have to compete with John Coltrane and Miles Davis and Louie Armstrong on iTunes, which I'm doing now, that's a problem. That means that jazz is not being heard by younger audiences.
I'm not yet fortunate enough to take only the scripts that capture my fancy, but each one has to be a new experience, to put me in a light that audiences haven't necessarily seen me before.
I went on all over the States, ranting poems to enthusiastic audiences that, the week before, had been equally enthusiastic about lectures on Railway Development or the Modern Turkish Essay.