Quotes of All Topics . Occasions . Authors
That's what I do in my stand-up. I work hard and hone the material and after a while audiences expect what I do to be good.
It is rare for an artist to get acceptance by the north as well as the south audiences, and I have thankfully managed that.
I love audiences. They are my oxygen. I only breathe with audience. When I'm alone, I am normally a miserable you-know-what.
Black audiences are hard. They always think they're better than you. So you got to come with a little extra to satisfy them.
I'm interested in the theater because I'm interested in communication with audiences. Otherwise I would be in concert music.
Language should not be a barrier for an actor; I want the world to see my work and not limit it to Hindi-speaking audiences.
It's not about just diversity; it's about authenticity. Audiences are really excited to see more of themselves on the screen.
Together with MAC, I am excited to invite and empower more audiences as we both have individuality and diversity at our core.
That's realism: a fact that if the audiences don't move out and watch good films at the theatre, people will stop making them.
I did a fantastic emotional film, 'Autograph.' But the audiences rejected me in it. They like to see me laughing and fighting.
Just as actors are afraid of child audiences because they're so honest, I would be scared stiff of going before the big folks.
With every film, I try and give the audiences a little more than the previous film in terms of comedy, action, drama and so on.
I have spoken to expert audiences occasionally, but then no audience is expert over the whole range of things I want to explore.
Telugu audiences love cinema. They won't let a good film down, and they've proved this with the way they accepted 'Srimanthudu.'
I think the perception of audiences that love folk and country is they're perceived to be more closed-minded than they really are.
The audiences are there as a result of my history with the band but also as a result of my being able to reach people with a tune.
During my career I've enjoyed re-invigorating and contextualizing classic characters that are relatable to contemporary audiences.
Audiences want to watch heroine-oriented films, and even writers are writing scripts for women. I am very happy to see this change.
Everybody that you could name would join in our audiences from, Laguardia on down. Everybody came. Everybody came to the Cotton Club.
I think that what appeals to me in my work is having the opportunity to inhabit different genres and so to reach different audiences.
After watching me in a larger-than-life character in 'Magadheera,' the audiences didn't accept me as a college-going boy in 'Orange.'
During the Great Depression, when people laughed their worries disappeared. Audiences loved these funny men. I decided to become one.
I can't do the terrible mistake of thinking audiences are dumb and will accept anything I do. I want to be cautious about my choices.
It is important that alongside the blockbusters there are stories that can inspire and audiences can experience together in the cinema.
Chennai is the birthplace of a new language in cinema. The audiences here are the most evolved moviegoers to be found anywhere in India.
Our function as playwrights to some extent is to make audiences see with their ears, because films make us see with our eyes much better.
Audiences are shifting. Platforms are shifting. Ages are shifting. It's better to be in charge of change than to have to react to change.
I don't know if there are too many other trilogies with stories that have continued to captivate audiences like 'Back to the Future' has.
We try to keep audiences coming back in greater numbers by doing the unexpected and not simply following a pattern or a mold or a formula.
Both 'Oz' and 'Homicide,' they're critically admired, so it's not like they're really neglected, but I wish they'd found bigger audiences.
Theater will never, and never has, gotten audiences like film. But theater goes to work on society in a different and more subversive way.
We've ignored audiences all these years. We've just amused ourselves and hoped enough people would want to eavesdrop to make it all viable.
I have performed all over the world to packed audiences. I don't have to be a trained musician to prove my singing abilities to my critics.
Plays by people like Martin McDonagh and Brian Friel attract huge audiences, not because they're Irish, but because they're brilliant plays.
I don't make films for critics, and I'm not particularly interested in what they have to say, and they don't have a bearing on my audiences.
In my acting, I have tried to do this - to present to audiences a living creature in whom they can recognise themselves or someone they know.
Audiences in every medium are becoming far more savvy. No one goes to watch a Tom Cruise movie any more just because it's starring Tom Cruise.
And lot of Asian audiences and reporters don't like me to act as a bad guy. But I think I want to become an actor, I want to try different way.
I think audiences have hit the wall with CGI and special effects. They have seen so many over-the-top events that they can't suspend disbelief.
I still have that South Indian accent. But I am working on it. Hindi audiences should feel that I am speaking like them and should relate to me.
After our life history was shown on the silver screen and much appreciated by the audiences, I have more of a responsibility on my shoulders now.
I think audiences crave something new. I don't think audiences want the same old thing, no matter how much conventional Hollywood tells you that.
My philosophy was simple: audiences shouldn't say that I just came, stood, and copied another comedy star. They should say 'Senthil acted in this.
The success of 'Deadpool' and 'Logan' have bolstered our confidence to make edgy, more daring, provocative bold movies that audiences will embrace.
I don't consider myself an image-driven actor. I believe audiences come to watch my films because they are entertaining and not because of my image.
There's a joy in having the molecule of an idea, then testing it in front of audiences at secret shows that people only know about the night before.
I want people to listen to my music and everyone to feel included, and I think it's kind of working because all my audiences are always so colorful.
What's interesting is the show allows for the awkward pauses to be captured, which makes it stylistically unique, especially for American audiences.
I have full confidence in the ability of Foo Fighters' audiences to distinguish between questioning HIV and the obvious value of safe-sex practices.
Each time I have performed in Utah, I had a great time, and the audiences seem to enjoy what I do. The audiences are very warm and very appreciative.