I never see things I make in the same way that the audience does. You can never do that.

When I play live, I feel how the audience is going and follow and lead at the same time.

Fortunately, I got critic and audience acceptance much earlier than industry acceptance.

I love music and love a good audience and still have to make a living. Why would I quit?

I don't think today's younger audience... would even know what 1920s musicals were like.

I'm a believer in that you can't really choose your audience, your audience chooses you.

An audience is so important. I would never have had the guts to dub in that big a laugh.

I never failed to convince an audience that the best thing they could do was to go away.

If you sing of beauty though alone in the heart of the desert you will have an audience.

Audiences like to be challenged and to be actively involved and try to guess an outcome.

The thing I love about YouTube is it's almost like having an instant audience for improv.

If I live to be 90, and I'm planning to, I'll always love performing for a live audience.

Behind the proscenium arch, you can't always hear what people in the audience are saying.

I would not have had anything to eat if it wasn't for the stuff the audience threw at me.

The creative process for me doesn't work as well without an image of an audience in mind.

I've always made sequels, even when I was making Super 8 movies if the audience liked it.

It's the adrenaline rush you only get from being in front of an audience. It's addictive.

You can't fool an audience with lots of bits and pieces. You have to lead them somewhere.

I will not do festivals. The thought of an audience that big frightens the life out of me.

I'm quite certain that the audience that I've got for my stuff don't listen to the lyrics.

I do have a large audience overseas, and I want to continue to be an international artist.

I learned a lot about my audience and about myself as a performer, what I like to do live.

It seems like movies that have heart to them always do well, and they find their audience.

I think all writers write for an audience. There is no such thing as writing for yourself.

I'm not Ang Lee who knows so much about western market and the taste of western audiences.

A procession is a participants' journey, while a parade is a performance with an audience.

The audience likes their emotions to be touched. They want to laugh and cry and feel good.

Audiences are quite happy to be astonished, and they don't care who does that astonishing.

I misdirect the audience, so they have no idea where they are or who they're listening to.

In comedy, though, it's good to get feedback from the audience about what they find funny.

If you don't pick your audience, you're lost because you're not really talking to anybody.

I wish to continue to essay roles that will help me find my place in the audience's hearts.

My music was never considered cool, but I've always felt that connection with the audience.

Stage is about imperfections and working with them, whether it be from you or the audience.

We have audiences that seem to be embracing whether they've heard of the characters or not.

TV has the most reach among the audience. Movies are watched only by those who like cinema.

In the world of music, the audience is not just fans of music; they're fans of many things.

I usually say I write for the smartest, cleverest, wittiest audience I know, and that's me.

All I know is that as an audience member, I am less and less inclined to go to the theater.

Chennai audience is musically-inclined. They understand and enjoy different genres of music.

When something is moving you get that intake of breath and that stillness from the audience.

Of course I talk to myself. I like a good speaker, and I appreciate an intelligent audience.

I wish I could create an IMAX film that would make my work accessible to a broader audience.

I always work on the theory that the audience will believe you best if you believe yourself.

I would like to play for audiences who are not using my music to stimulate their sex organs.

The music's job is to get the audience so involved that they forget how the movie turns out.

I'm looking for the truth. The audience doesn't come to see you, they come to see themselves.

I always felt like, if I started feeling stale, my audience is probably feeling it before me.

It doesn't matter how many times the audience has heard it before. If it's funny, it's funny.

A movie is made for an audience and a film is made for both the audience and the film-makers.

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