It's interesting playing something that the audience doesn't fully know.

Audience boredom is usually a content failure, not a decoration failure.

It's cool that people like what I do, but I don't work for the audience.

My objective is to satisfy [my] audience so they come back the next day.

Every time I reach a new audience, that means I'm doing something right.

When you tour, you regain the music and the connection with the audience.

I don't know what an audience wants to see but I know what I like to see.

When you're working in front of an audience, you have incentive to excel.

I've developed an audience over the years and I don't want to loose them.

I ultimately have faith though, that good films will find their audience.

[Doogal] wasn't even animated. It was still and the audience had to move.

When you're playing to an audience that isn't your own, it's quite scary.

I always intended to be light and open. I misjudged the American audience.

It isn't kind to cultivate a friendship just so one will have an audience.

In theatre, the main objective is to make the art happy, not the audience!

An audience is always warming but it must never be necessary to your work.

There's no reason music should be difficult for an audience to understand.

I work hard for the audience. It's entertainment. I don't need validation.

My ultimate aim would be to captivate an audience, even just for a second.

Make your goal to do a tremendous amount to improve your audience's lives.

If you can mix glamor and gags, then you can catch the audience twice over.

Luckily for me, I genuinely like my audience. They really are a good bunch.

Today's audience knows more about what's on television than what's in life.

It's always hard to explain why an audience ultimately responds to a movie.

Stereotypically speaking feminists can't take a joke. ::audience boo:: See?

I like to really respect the audience and let them come through on answers.

An audience's or individual's reaction to my work is simply their reaction.

You lose your energy, you lose that excitement and it gets the audience up.

The audience rejects the movies when it feels a little bit more of the same.

You have to make an audience experience with the ears as well as their eyes.

I'm really not a fan of letting the audience live vicariously through stuff.

On the stage, you have to find truth, even if you have to lose the audience.

You can make an audience see nearly anything, if you yourself believe in it.

If you can handle a nightclub audience successfully, you can handle anything

I never want to feel constrained by writing a novel for a specific audience.

Not every movie has to serve as every audience member's need for completion.

The audience seems hazy to me, shrouded in a veil through which I can't see.

I've always been the audience that I wanted to reach, so I write for myself.

Like every filmmaker, I make my films to reach the widest audience possible.

If you can connect with the audience emotionally, that's potent storytelling.

When I'm onstage, I'm more in the audience in my head than I am on the stage.

I'm very pro presenting the best music I can to the widest audience possible.

If you can handle a nightclub audience successfully, you can handle anything.

We get paid in flesh. Our audiences are sluts and whores, each and every one.

I love the theater because the theater is alive. The audience is right there.

The audience doesn't care that most of happened. They just want a good movie.

I like risky parts - abrasive characters the audience won't necessarily like.

My movies are, more or less, very short. I'm terrified of boring an audience.

The films I like to watch are when they make it relatable to human audiences.

I think audiences are quite comfortable watching something coming into being.

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