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From the outside-in, Atlanta is kind of perceived as like popcorn. People don't respect it as having artists such as myself and EarthGang and other lyrical talents and album-worthy artists.
Atlanta was a welcoming presence for a lot of artists; they called it 'the Mecca of the South.' I got to see the Negro Ensemble Company, Cicely Tyson, Geraldine Page, Ruby Dee, all onstage.
Phil Niekro and his brother were pitching against each other in Atlanta. Their parents were sitting right behind home plate. I saw their folks more that day than they did the whole weekend.
I grew up kind of in the country, in western Georgia. And then I moved a lot closer to Atlanta, and I started doing plays, and when I started doing film, I think I really started to love it.
I don't know... Philly's a little different. It's a little bit more competitive. Everybody's got something to prove. In Atlanta, you see stars every day walking down the street; it's normal.
I'm based in Atlanta so there weren't a lot of people to talk to about fashion because no one was really doing it on the scale that I wanted to do it. I had to do a lot of research on my own.
The people in Atlanta, they're not really up on the blogs. A few people are, but it's not super crazy. In Atlanta it's still very much radio. When they hear it on the radio, that's what it is.
When I go back home now, when I go back to Nigeria now, I get off the plane in Lagos and I just don't think of race. I get on the plane and arrive in Atlanta, and immediately I'm aware of race.
Aqua Teen Hunger Force is one of the funniest shows on TV and I was a little intimidated working with those guys 'cause you're in a sound booth by yourself and they're all in a room in Atlanta.
My father was a promoter of Fresh Fest, and they needed an opening act. He got me a slot as a dancer. We tried it out the first time in Atlanta and the crowd went crazy. I was the opening clown.
I am happy with what I do. I'd love to be the manager of the Atlanta Braves, but they hired somebody this week. So I'll just have to be inordinately happy with one of the best jobs on the planet.
To be honest, I've been back to Atlanta a couple of times, I can't remember what for. One for a big conference, a radio conference. I feel like it's a vibrant place. It has a vibrant music scene.
There are sad moments - lonely moments - when you're sitting up in your room all by yourself, shooting on location in Atlanta or Vancouver or L.A., and your family's back home. You can miss home.
When I wasn't wrestling, I got back into school a little bit. In Dallas, there was VIP Wrestling, and in Atlanta, AR Fox has a great school, so it's good to get back in there and continue to learn.
I'm 19 years old from Atlanta, then a year later I go to New Jersey. I'm there for a couple months then the next thing I'm traded across the country to a place I've never been before. It was tough.
The first time I was homeless was when I went to Atlanta. I was in a homeless shelter, then when I got a job I used to miss the curfew for the shelter. So I ended up sleeping outside in the streets.
I was a young man working in Omaha, Nebraska, in the mid-1960s when I received a call, and I was summoned to Atlanta to work at WSB. It was, for me, the beginning of a real education about the South.
I'm not in the clubs; I'm a homebody. I go out when I feel I have to for work or if there's a special function. You might catch me at the grocery store, but you won't see me out and about in Atlanta.
I'm proud to be a member of the creative class, particularly here in Atlanta where the entertainment and creative industries form such an integral part of our economy, our culture, and our community.
I live in Atlanta because Ludacris lives in Atlanta. And because T.I. lives in Atlanta and because Lil Wayne comes to Atlanta to hang out all the time and because Rick Ross' engineers are in Atlanta.
'Stomp the Yard' was a great film. It was a great film, great opportunity. It's the reason I live in Atlanta to this day, that film. But as far as acting goes, it wasn't very challenging. I played me.
Politicians have responsibility to act if the public opinion changes. Flooding, storms, droughts are all getting people talking about climate change. I wonder if someday Atlanta will run out of water?
Timing is everything in this league, and I was just in the wrong place at the wrong time. But I never lost my confidence. Atlanta was changing coaches and systems. I knew they'd make personnel changes.
I worked out with a lot of guys with NBA experience around Atlanta, guys like Dwight Howard or Dion Glover sometimes or Josh Smith sometimes. They just tell me to keep working hard and it will pay off.
There are three or four places in the country where people think of fashion: One is L.A., obviously. Another is New York. And I think Atlanta has to be in the top five cities where fashion is very big.
I began working on stage in Atlanta when I was 3, doing a dance act with the Ragamuffins of Rhythm. Later I became a juvenile straight man for the older comedians. After that I worked out a stand-up act.
Mind you, I live in an area of Atlanta that is nearly 88% black. But in six days in and around Melbourne, I saw maybe three people of African origin and maybe one easily identifiable Australian aborigine.
It sounds pretentious to say I 'divide' my time, but when I am home, that usually means my house in Atlanta or my cabin in the North Georgia Mountains. The latter is where I do the majority of my writing.
You don't need Tom Wolfe to tell you that the Buckhead section of Atlanta is the jewel of the city, an area of gracious homes, elegant hotels and shopping centers, as well as some of the best restaurants.
I first met Jim Valvano in the 1980s when he was a frequent guest on our CNN 'Coaches Corner' show based in Atlanta, as he was always in the area recruiting the next North Carolina State basketball phenom.
Often times, while filming 'WAGS Atlanta' with 3 male producers, we were told to dress 'WAGGY' for scenes, not realizing that WAG style isn't universal! WAG style can encompass a myriad of different looks.
I was part of the Atlanta Boy Choir probably like fourth and fifth grade. I personally didn't enjoy the type of music that we were doing. I was more into like whatever was on Disney Channel and Nickelodeon.
When I actually first moved to Atlanta, I was cutting hair. I was making beats and making music out in the Bay Area. But I came here to make - you know, I had to get my barber license, so I was cutting hair.
Atlanta is unique to me. You got poor black people, but I also saw this: I saw black doctors, lawyers, educators. All you gotta do is want to be it to see it, and once you see something, it can be a reality.
If it wasn't for Al Kooper, there might not be a Lynyrd Skynyrd. He's the one who found us at Pinocchio's in Atlanta, Georgia, and signed us to Sounds Of The South through MCA, brought the band to attention.
We are looking at live pictures at this moment of a protest that is happening in Atlanta, Georgia, I believe, that has been assembled by the NAACP in protest, of course, of the shooting of Keith Lamont Scott.
Billy Barnes signed me and got me my first role in an interracial love story filmed in Atlanta called 'Together For Days' with Clifton Davis. My mother thinks it was my best work. You cannot find a copy of it.
I think that in Atlanta I was hoping that things would have worked out. Once I saw that things weren't going to work out, I saw what was going to be the best situation for me to try to win an NBA championship.
'Welcome to Atlanta' was a song I wanted to do on my first album. The idea was for me and Outkast to do it, but I could never come up with a beat for us to do it. Outkast beats and my beats were very different.
I started writing songs with my best friend Eden Rice when were in our early teens. We performed together at local coffee shops in suburban Atlanta as Kemp and Eden, until fate intervened and we were separated.
There's not much to do in Atlanta, so the cast went to the gym together, went shopping together, and dinner was always a group thing. It's that whole summer-camp experience that making movies tends to be anyway.
The 'trap' sound is a sound from the city. We've always liked music with bass. We've always liked old schools with big speakers in the trunks. We like our music loud. We've always had a nightlife scene in Atlanta.
I pointed out that the Atlanta Olympic bomber - as well as Timothy McVeigh and the people who protest against gay rights at military funerals - are Christians but we journalists don't identify them by their religion.
The best food I've had was actually in catering at 'Single Ladies.' It's insane. I can't live in Atlanta. In fact, even if I'm offered, I'm not sure I could come back for another six months, because I'll just be fat.
Every artist that I got with me is really from the hood and really from Atlanta and really in the streets of Atlanta. Lotto Savage, Mookie Madri Gra, Freaky D$MG, that who I bring with me; that's all sides of Atlanta.
That's an economic development program in the metropolitan area. If they don't see that, and you don't get these things done, then you're competing with Texas and California and Atlanta; then you really have problems.
Atlanta Journal-Constitution columnist Colin Campbell says that every member of the Georgia General Assembly with an IQ above 85 should be required to wear a crash helmet. That should take about ... oh, say 15 helmets?
Atlanta and Zone 6 - they produce amazing artists: not just the club bangers but people who go on to become international. There's an extra sense of pride that comes with being from Atlanta and coming from the East Side.
As I get older, I'm starting to find myself liking clean, fitted outfits, so I like a button-down. I'm seeing supermodels and what fashion is really like in real life. There's more than just Atlanta with the saggy pants.
In 2006, I made the decision to go after my dream. I was living in Atlanta and had a promising career in marketing, but I took a leap of faith and decided to move to New York, enroll in graduate school, and pursue acting.