Quotes of All Topics . Occasions . Authors
I got roles from good production houses, though I wasn't keen on them, as I was asked to - and I won't - wear a bikini in a film. I'm not conservative, as I'd wear it on holidays, but definitely not in front of the camera. I have to think of my family.
Major league baseball has asked its players to stop tossing baseballs into the stands during games, because they say fans fight over them and they get hurt. In fact, the Florida Marlins said that's why they never hit any home runs. It's a safety issue.
I grew up in a very progressive family and with a great educational system, and I asked myself, 'Why doesn't everybody have these opportunities for a good education? So why not give back to these kids who didn't grow up with the same privileges I had?'
'Dear Mr. Henshaw' came about because two different boys from different parts of the country asked me to write a book about a boy whose parents were divorced, and so I wrote 'Dear Mr. Henshaw,' and it won the Newbery, and I was - it's been very popular.
But at a certain point, and I don't really know... people have asked me this. I don't know exactly what it was that pushed me towards directing, but I think it was a naive notion that if I directed I would be able to play all the roles. A kind of greed.
I always really enjoyed Edge's entrance theme. Also Stone Cold. WWE once asked me in an interview, if I had to change my entrance music, whose would I choose, and I said Edge. So they created a video of me using that song, and I was like, 'I'm in love.'
As a professional climber and photographer, I am asked to shoot in a lot of situations with a lot of different people. Sometimes I'm with the hardest, most seasoned alpinists in the world. Sometimes I'm hanging out with celebrities doing a benefit climb.
You don't pay the same price for a Ferrari as you do for a Honda Accord. But for some reason, for movie tickets, you're asked to pay the same price for 'Avatar' as you are for some $2 million movie, which is kind of a weird thing when you think about it.
I'm so proud to represent the people of South Florida. I was so honored when President Obama asked me to serve as chair of the Democratic Party. But there's one job I'm even more proud of, and that's being a mom to my three kids, Rebecca, Jake and Shelby.
In third grade, my teacher asked me to read in front of the class. I was so touched because that really was the first acting I had ever done, just reading in front of the class. And I was so amazed with the fulfillment I got from being in front of people.
My best has to be for Barcelona against Villarreal in 2006 - that is the one I am asked most about, and it is the one I am most proud of. Xavi chipped the ball to me, I chested it down, twisted and hit an overhead kick. It was the final goal in a 4-0 win.
People spend a lifetime thinking about how they would really like to live. I asked my friends and no one seems to know very clearly. To me it's very clear now. I wish my life could have been like the years when I was writing 'Love in the Time of Cholera.'
I first met Bev Shea while in Chicago when he was on Moody Radio. As a young man starting my ministry, I asked Bev if he would join me. He said yes, and for over 60 years we had the privilege of ministering together across the country and around the world.
We should've asked China to be a portion of the space station. We should've worked out ways that we can... just give away the technology that we have that puts things up into space, with cooperation up above the atmosphere that's needed to help each other.
I have often been asked what I think about at the moment of take-off. Of course, no pilot sits and feels his pulse as he flies. He has to be part of the machine. If he thinks of anything but the task in hand, then trouble is probably just around the corner.
When I was 17, I was at La Coupole brasserie, and Jean-Paul Sartre and Simone de Beauvoir asked me to join them at their table. They were fascinated that I'd watched their programme on existentialism back home and wanted to understand nothingness and being.
'Art or anti-art?' was the question I asked when I returned from Munich in 1912 and decided to abandon pure painting or painting for its own sake. I thought of introducing elements alien to painting as the only way out of a pictorial and chromatic dead end.
I usually stay out of politics, but people have asked me whether the American Healthcare Act (AHCA), if passed by the Senate, will affect me personally. I'm about music, not politics, but the fact is this one has me freaked out for poor and disabled people.
I've said no to 'Celebrity Big Brother,' 'Strictly,' and the American one, 'Dancing With The Stars.' I don't feel it's right for me. I've been asked to do reality TV a zillion times. No way. No way. Nobody's going to get into my living room and see me there.
Now that my wine has been served in the White House, why not me? Who could talk to farmers better than I? Somebody even asked me the other day if I had anything in my platform about taxes. 'Hell yes,' I said. 'Great state. But I wouldn't want to live there.'
I went there and helped him shuffle pictures of people, and one of the agents asked me if I was interested in acting. Of course, I was a little bit interested in it; I'm sure that's part of the reason I moved to L.A. even though I never admitted it to myself.
A few people have asked me about the women agenda on country radio. I can only speak for myself on this, and all I have to say is that I'm very grateful, and thankful, that country radio has been so automatically accepting, and supportive, of me and my music.
I am not writing to try and convert people to fundamental Christianity. I am just trying to share my experience, strength and hope, that someone who is as messed up and neurotic and scarred and scared can be fully accepted by our dear Lord, no questions asked.
I did not seek to sell U.S. secrets. I did not partner with any foreign government to guarantee my safety. Instead, I took what I knew to the public so what affects all of us can be discussed by all of us in the light of day, and I asked the world for justice.
We don't experience our lives as plots. If I asked you to tell me what your last week was like, you're not really gonna give me plot. You're gonna give me sort of linked narrative. And I wanted to see how do we bring that into fiction without losing the reader.
I think with motherhood and child-rearing in general, everyone's going to tell you how to do it and why. I've always said to other mothers and women when they've asked me, that you have to find your own way and find out what works for your family, at all costs.
If you had asked people in 1929, 'Here is what is about to happen. How much would you pay to avoid the Great Depression from occurring?' The answer is they would have paid a lot. They would have borrowed money if it could be used to prevent the Great Depression.
You look at the whole Human Rights questions, I happened to be there at just the right time when the country was awakening - this goes to the first question you asked - the whole country was awakening to a hundred years of injustice that hadn't been resolved yet.
If you had asked me growing up what a stylist does or what a magazine editor does, I would have had no clue - how do you research something like that when you are a first-born child of an immigrant who only grew up knowing doctor, engineer, and lawyer as careers?
The basic policy of the British Government was that since the majority of people in Northern Ireland wished to remain in the United Kingdom, that was that. We asked what would happen if the majority wanted something else, if the majority wanted to see Irish unity.
I've never been discriminated against, but I have witnessed discrimination. I was talking to a director and asked why one of my friends didn't get a particular part, and he specifically told me it was because she just had a baby and it was hard to see her as sexy.
Years ago, Barry Diller asked me to be a judge on a pilot for an inventor show on USA, and when it was over, the producer, Ken Mok, took me out to dinner and really got me talking. It was a long dinner. Afterward, he said, 'One day, I'm going to write your movie'.
I was at our beautiful home in Martha's Vineyard, near Boston, sitting on the porch looking at the ocean when I got a phone called and was asked, 'Would I like to do 'CSI'?' A week later, I'm at a coroner's office in Las Vegas, participating in a quadruple autopsy.
Since I have come to America, I am often asked whether my next novel will be set in America. I don't think it will. I think I will be living in America for some time to come, but while living in America, I would like to write about Japanese society from the outside.
There's many law changes, policy changes I can point to. But a lot of my work has also been to name the issue that no one else named - to spotlight it, to advocate for it. That's where all advocacy begins. I've asked different questions. I've raised different issues.
Since the 1970s, I have asked students if they would first try to save their drowning dog or a drowning stranger. And for 40 years I have received the same results: One third vote for their dog, one third for the stranger, and one third don't know what they would do.
When I first heard 'Pearly Gates' by Mobb Deep and 50 Cent growing up, the rapper Prodigy had a line about wanting to beat Jesus up. I wasn't religious, but I'd never been introduced to something like that. I was scared and mad, but then I asked why I felt like that.
This is me, a sinner on whom the Lord has turned his gaze. And this is what I said when they asked me if I would accept my election as pontiff. I am a sinner, but I trust in the infinite mercy and patience of our Lord Jesus Christ, and I accept in a spirit of penance.
When scientists are asked what they are working on, their response is seldom 'Finding the origin of the universe' or 'Seeking to cure cancer.' Usually, they will claim to be tackling a very specific problem - a small piece of the jigsaw that builds up the big picture.
As a female, you are often being asked by directors to be warmer, softer, flirt more, smile more etc... None of those things are bad, and obviously we are capable of a variety of human behavior, but it gets really old having to play into somebody's stereotype or ideal.
Twenty years ago, I wrote a book called 'It Takes a Village.' And a lot of people looked at the title and asked, 'What the heck do you mean by that?' This is what I mean. None of us can raise a family, build a business, heal a community or lift a country totally alone.
The discipline that ballet requires is obsessive. And only the ones who dedicate their whole lives are able to make it. Your toenails fall off and you peel them away and then you're asked to dance again and keep smiling. I wanted to become a professional ballet dancer.
I started ninth grade a week after everybody else had started, and I didn't know anybody. I was in a chorus class, and they asked me to bring my guitar to school one day, which I did, and all of a sudden, people knew me... in the halls, people would start saying hello.
I always thought 'chick lit' meant third-person contemporary funny novels, dealing with issues of the day. I mean, it's not the ideal term; when I'm asked to describe what I do, I say I write romantic comedies, cause that's what I feel they are. But I'm quite pragmatic.
A friend once asked me what comedy was. That floored me. What is comedy? I don't know. Does anybody? Can you define it? All I know is that I learned how to get laughs, and that's all I know about it. You have to learn what people will laugh at, then proceed accordingly.
I've made more with John Cena just by being John Cena that anyone else I've ever met. He works harder than anyone I've ever met, 30 hours a day, 500 days a year and will do anything and everything that is asked of him and couldn't possibly work harder. He is a mega draw.
I'm consistently asked how I keep a foot in two contrasting worlds - one in the entertainment industry, predicated on wealth and indulgence, and the other in humanitarian work. To me, it's less of a question of how can you do this, and more a question of how can you not?
It's very much like filmmaking always is-you're always asked to do something that you're not sure you know how to do. So you make an educated guess as to what you think will work and you hope between that and plan B, that you can end up with a product that's really good.
I sat with myself one day and asked, 'Who is in those prestigious literary circles? Do they represent me? Do they appreciate the topics I write about and the style in which I write? Do those gatekeepers let a demographic like mine through the door?' And the answer was no.
For the past 33 years, I have looked in the mirror every morning and asked myself: 'If today were the last day of my life, would I want to do what I am about to do today?' And whenever the answer has been 'No' for too many days in a row, I know I need to change something.