You've got to do features with the right artists that you can take some of their fans, and their fans start doing their homework and see what you're doing, if they like what you're doing.

As artists we have an extraordinary and rare privilege to tell the stories of our people, our land, our culture. They grip us, tear us apart, and put us back together. We are our stories.

I have to tell you, you can't have an ego when you're an actor. A lot of actors have them, but in reality most of those people are just sensitive artists dying for a hug and a compliment.

My mother had this huge binder of CDs from everyone she loved, like progressive gospel artists. You know, she loved like how Yolanda Adams was kind of R&B, but it was, like, still gospel.

I've always seen it as the role of an artist to drag his inside out, give the audience all you've got. Writers, actors, singers, all good artists do the same. It isn't supposed to be easy.

The frustrating part of being an artist is that I can do a whole interview, and all most people are going to see is the headlines. As artists, we should be able to write our own headlines.

There is more to representing art than selling art. The life of the gallery is dependent on the renewal and refreshment of its artists and dealers. When that stops happening, it's the end.

We wanted to interview people on the show, do variety, get the artists, the guests involved with us in our group. They wanted to keep the four guys together. We wanted to change the format.

From the outside-in, Atlanta is kind of perceived as like popcorn. People don't respect it as having artists such as myself and EarthGang and other lyrical talents and album-worthy artists.

The Southern Baptist Church is a specific culture in itself. So, I had to study, talk to people, watch tape and go to performances to see how Gospel artists move compared to secular artists.

I'd been so heavily influenced by Em, but artists that don't grow out of that don't go anywhere. Ultimately, I came to understand that what Eminem stood for above all else was 'be yourself.'

I was raised in Topanga Canyon. It's an eclectic community up in the Santa Monica mountains. A lot of musicians lived there - Joni Mitchell, Neil Young - as well as artists and craftspeople.

If anything, Twitter helps me read about perspectives outside of mainstream media and learn about new authors, artists, and ideas that I don't always get exposed to in my regular media diet.

I don't just write hits for myself, or for other artists, or to just be writing it. I write it because I was born to do this. I was given this gift, and I'm making the most of my opportunity.

I grew up loving artists like the Spice Girls and Britney Spears - artists who seemed to live this fantasy lifestyle, and I remember always wanting to join these fantasy people in that world.

I think that sometimes, as producers, we just service the artists who's really just the main front or person. You know, our roles are really just to help them get where they're supposed to go.

I'm an advocate of all mediums - it's a larger canvas for us as artists - but we have to keep in mind that celluloid film is what created this wonderful art form, and we have to keep it alive.

Artists are those people who sit at the intersection between the known and unknown, the rational and irrational, coming to terms with some of the confusing histories we, as artists, deal with.

The work I did with Artists Collective led me to a scholarship at Uconn… It led to me getting a scholarship at the Eugene O'Neill Theater Center and a scholarship at Trinity Rep in Providence.

I've noticed a lot of younger artists have less fear of doing different sorts of things, whether it's various types of music, or gallery artists moving between video and sculpture and drawing.

Artists can be the most powerful people in the world because they can use their voice for good. Politicians should be the most powerful people in the world but they aren't going to do anything.

I think an online presence is super important. I find new artists and songs I like on socials or Spotify. It's really how people find you. I don't take posting on socials very seriously though.

Learning to fly an airplane taught me a way of thinking, an approach to problem-solving that was applicable and effective. Pilots are very methodical and meticulous, and artists tend not to be.

Prog didn't really go away. Just took a catnap in the late Seventies. A new generation of fans discovered it, and a whole new array of bands and solo artists took it on into the new millennium.

Chinese artists have been subversive over thousands of years, taking what they think of the government and embedding it in their art. There might be censorship of not going as far as they might.

There's a lot of variety of musicians in Korea. I cannot say they are the best in the world, but I can say that Korean artists are really dynamic artists, so I am going to show that from now on.

When I write music, I know a lot of artists like Taylor Swift or Ed Sheeran tend to write from personal experience. I write from personal experience, of course, but I don't limit myself to that.

Jay-Z ain't a manager; he owns a management company. He been through this; he been through the game for a long time, so he knows tactics in taking artists in certain directions we need to go in.

Aretha Franklin was as important to the civil-rights movement as Malcolm X and Medgar Evers. Artists can choose to take on the tremendous amount of responsibility we have, or choose to ignore it.

I feel like it took artists like Pimp C and Andre 3000 with 'International Players Anthem' - I feel like it took the Memphis sound to a certain peak but it never really broke into the mainstream.

In this music industry, you'll find the differences with artists. You get some people who really love music... and you get people who do this because they want to have money or want to be famous.

In your twenties, if you have any amount of complexity in your childhood, or any trauma that you haven't dealt with, it comes out. That's why you have a lot of artists that don't make it through.

Artists need support, time and money to develop their ideas, and if people rip stuff off, you don't have to be that brilliant to figure out that you're ultimately going to affect the end product.

We travel so much as touring musicians and artists that sometimes, when you hear a great song that you really think could be on your project, you go ahead and record it instead of try to write it.

The exchange rate of the Rand against the dollar, pound or euro makes South Africa an attractive location. The positive side of this is it gives our artists and technicians an opportunity to work.

Artists are taught to be humble about their impact, especially in folk music. It's so ingrained that I have a hard time even thinking I had any impact other than what a normal hit song would have.

All songs, all pieces of art, reflect the world that they were made in and the values of those artists and the hopes and aspirations of the people who listen to that music and who made that music.

All good art is seditious, but the people in authority can never recognise it. I think when you mention sedition, artists are the ones whose eyes light up thinking, 'Oh, yes, I want some of that!'

A chart that weighs some ad-supported streams the same as a pay stream... encourages artists to promote free tiers to have a No. 1 record. That's great for the tech companies, but not for artists.

Things like 'mad as a hatter' or 'grinning like a Cheshire cat', are so powerful that music and songs incorporate the imagery. Writers, artists, illustrators, a lot of them have incorporated that.

I work hard. I focus on myself and putting food on my dinner table before anything else. I don't worry about other artists. Worrying about the next person in a negative way is the wrong way to be.

I don't know why so many artists talk about the mainstream's problems from the fringe. I think, unfortunately, it's almost like our education makes us too safe and terrified to step into the world.

Even in modern art, artists have used methods based on calculation, inasmuch as these elements, alongside those of a more personal and emotional nature, give balance and harmony to any work of art.

Artists need some kind of stimulating experience a lot of times, which crystallizes when you sing about it or paint it or sculpt it. You literally mold the experience the way you want. It's therapy.

I don't have any other skills. Some artists say that to mean that their embodied passion for art gave them no choice. I say it, very specifically, to say that I really didn't have any other options.

Man, me and Biggie were the biggest artists in New York. When he passed, I was so messed up. My attitude was messed up about him dying. There was an East-West thing back then, and I was in war mode.

An entire generation of talented people - engineers, artists, scriptwriters, musicians, programmers - have been busy creating a whole new art form for us. The name of this new game is interactivity.

I was raised in South Carolina; I wasn't aware of any art in South Carolina. There was a minor museum in Charleston, which had nothing of interest in it. It showed local artists, paintings of birds.

If you look at reggae and dancehall artists in general, there isn't really a big success story. A Shabba Ranks or a Yellowman might have a hit, but there's never a follow up. There's no consistency.

I'm listening to Tame Impala, Mac DeMarco, Frank Ocean, Childish Gambino. I'm just trying to just get as many different inspirations as I can. I love artists that can adapt and have different styles.

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