Quotes of All Topics . Occasions . Authors
People love a conflict. Artistic conflict is not like that at all. It's just wanting your own space, it's not wanting what the other person has. And we dissolved at a good time - we were very close to the top of our game.
I don't like when an Asian-American actor says, 'I'm entering this business to change Hollywood.' It feels like the wrong reason - I would prefer they entered the business for artistic reasons, because they need to do it.
I have a sewing machine that I adore, and I spend a lot of time sitting in front of it when I'm not working. And any excuse to paint or draw or do something artistic with my hands really gets me going. Definitely aspiring.
My father was an artist. When life was harder and he couldn't get jobs, he painted houses, but he was artistic. When I went to see his work, it was special. Somewhere along the line, I felt I was special. I didn't know why.
Chicago still remains a Mecca of the Midwest - people from both coasts are kind of amazed how good life is in Chicago and what a good culture we've got. You can have a pretty wonderful artistic life and never leave Chicago.
I mean, artistic processes are all about making choices all the time, and the very act of making a choice is the distilling down and the getting to the core of what it is that you care about and what you want to say, really.
Children also have artistic ability, and there is wisdom in there having it! The more helpless they are, the more instructive are the examples they furnish us; and they must be preserved free of corruption from an early age.
I am still taking care of the creation of the collection alongside my staff, and my daughter Nathalie Rykiel, is the artistic director of Sonia Rykiel, who takes care of a lot of things. We are very alike and also very close.
I wish I had more confidence. I think that's probably my Achilles' heel. If I had more, I probably would have felt emboldened to make more interesting music earlier on, or really go for it in an artistic or songwriting sense.
Bollywood is a place which is completely free from caste, region and religion. Some people might work in the industry with the help of networking but I feel is that it's your artistic competence that gets you work in industry.
Most campaigns rely on photographs because the moment you do something that is a graphic interpretation where any artistic license has been taken, I think a lot of people are scared that it's going to be perceived as propaganda.
I've had the thought that a person's 'artistic vision' is really just the cumulative combination of whatever particular stances he has sincerely occupied during his creative life - even if some of those might appear contradictory.
Viggo Mortensen had the biggest impact on me in terms of approach, dedication, intention, and artistic outlook, and I'm nowhere close to how good he is as an artist, and I wouldn't even put myself in the same category as an actor.
I was born into an artistic family, and they understood me. But they were really worried, because some of the stuff I did was dangerous. If I'd been caught without the veil with a shaved head, I don't know what would have happened.
I like making art that's useful to people who have a harder road. Art is a tool to get through it; it's a tool to prepare for the worst. By envisioning it in an artistic context, you can make sense of it before and after it happens.
I often think about image, and image is something that - but in truth, the real artistic process, as I've understood it, is 95 percent intuitive, like seat-of-the-pants, at-the-moment decisions that you can't even explain, you know?
When I was fifteen, I dreamed of living in the big city, as many a young person does if he is artistic and sensitive. By 'artistic and sensitive' I mean short, skinny, unkissed, bad at sports, and carrying a C average in high school.
I think that James Baldwin is, for sure, one of the most important American writer/thinkers of his time... not just African-American. He singled-handedly revolutionized the political, artistic, and historical discourses about America.
If you are living a life that feels right to you, if you're willing to take creative chances or a creative path that feels like it's mostly in keeping with your sensibilities, you know, aesthetic and artistic, then that's what matters.
Living creatively is really important to maintain throughout your life. And living creatively doesn't mean only artistic creativity, although that's part of it. It means being yourself, not just complying with the wishes of other people.
I think every age has a medium that talks to it more eloquently than the others. In the 19th century it was symphonic music and the novel. For various technical and artistic reasons, film became that eloquent medium for the 20th century.
By the time I was seven, I did a sonnet at Shakespeare's Globe theatre for Shakespeare's birthday because my dad had been at the first season of the Globe and was friends with the artistic director. Somehow, that lead to me doing a sonnet!
It's really hard to do, but I think it's an important thing for, no matter what type of artist you are, to trust that the reason why you are given the love of being artistic is just to make you happy - it's not to make you rich and famous.
Yes, there is a terrible moral in 'Dorian Gray' - a moral which the prurient will not be able to find in it, but it will be revealed to all whose minds are healthy. Is this an artistic error? I fear it is. It is the only error in the book.
I know it's become an ongoing thing about whether videogames are art, and I think there's plenty of examples of things that use the form in a fascinating way. Things that are more surreal or artistic, like 'Katamari Damacy' or 'Vib-Ribbon.'
That very concentration of vision and intensity of purpose which is the characteristic of the artistic temperament is in itself a mode of limitation. To those who are preoccupied with the beauty of form nothing else seems of much importance.
I like characters. I like spirited characters whether they exist in fiction or real life. Whether they're the invention of artistic people or directors, musicians. I think music and art and fashion designers inspire me and I like characters.
I tend to gravitate toward people who are a bit more eccentric and creative and artistic in some ways. And I like bringing disparate kinds of creative people together to create some great work, even to share points of view on a new direction.
I am artistic so I reserve the right to change my mind at any point. I just like to do different things. What is more important than the name is that people know that I really like acting, I enjoy it and I want people to know that I am serious.
When you're in your 20s, there's maybe a little room for you to not be at the top of your artistic game, if you look good on a magazine cover. When you're not on the cover of the magazines anymore, then you realize that the work has to be great.
When I was a little girl my parents always told me do everything you want in an artistic way. If you want to draw, make a drawing. Just do it. And if you want to play piano, play piano. It was a very free childhood where everything was possible.
I turned to the novel, an artistic form which had in former days been neglected and had thus acquired a bad reputation, but which during the nineteenth century had developed and elevated itself to the ranks occupied by drama and the ancient epic.
In my case, everything starts from Marcel Duchamp and the new expressive possibilities he gave us with his ready-mades. I transferred his artistic language into today's world, choosing, for example, to use pedestrian-crossing stripes as a symbol.
I became a loner. I became a mountain man. A lot of those things are very good qualities and they help you do your work, help you be singular and keep the artistic integrity of your work intact, but they don't make it very easy to live your life.
My job as artistic director at the Brighton digital agency Lighthouse is all about trying to show that digital culture is about more than just tools and gadgets - it's about perceiving the societal transformations being brought about by technology.
There is something inherently valuable about being a misfit. It's not to say that every person who has artistic talent was a social outcast, but there is definitely a value for identifying yourself differently and being proud that you are different.
Very few people possess true artistic ability. It is therefore both unseemly and unproductive to irritate the situation by making an effort. If you have a burning, restless urge to write or paint, simply eat something sweet and the feeling will pass.
For a long time I wanted to draw, but I could never get the proportions right. My still life sketches were the artistic equivalent of someone who has misjudged the space constraints of a postcard, the handwriting shrinking uncomfortably at the bottom.
I enjoy trying to inspire myself. I enjoy the artistic side of everything. Music, art, fashion, everything. I just like to be on the cutting edge of it. I'm into designing houses and interior design. I like change. I like creating things out of nothing.
I want to reveal in a simple way the usual - and unusual - life of the city; the corporation workman, the busmen, policemen, the civil servants, the theatres, Moore Street and also, what occupies so large a place in Dublin's life, the literary and artistic.
When I graduated from high school, I had artistic and academic scholarships, and I was trying to figure out what to do. I decided to audition for the Royal Academy of Dramatic Arts, Juilliard and the National Institute of Dramatic Arts in Sydney, Australia.
I've always been interested in the form itself, so I always feel like I've never been good at going ahead with the artifice and not acknowledging the self in the artistic process, and not acknowledging the absurdity of pretending that's required in fiction.
I always enjoyed participating in artistic endeavors, and I remember in high school participating in chorus, drama and singing madrigals, mainly because they were an easy A. I loved being in plays and musicals too, but you didn't really get credit for those.
You have to be practical. So every time I say, if you want to write a novel you have to be practical, people get bored. They are disappointed. They are expecting a more dynamic, creative, artistic thing to say. What I want to say is: you have to be practical.
There's a lot of wisdom that my dad and my grandparents and my uncle have been able to impart on me, and what I've treasured the most is I've seen examples in my life of people embracing their creativity, not feeling insecure about their artistic inclinations.
The intercourse between the Mediterranean and the North or between the Atlantic and Central Europe was never purely economic or political; it also meant the exchange of knowledge and ideas and the influence of social institutions and artistic and literary forms.
I felt that needed to be addressed: the idea that anything a man tries to do properly or thoroughly is dismissed as either metrosexual or OCD. But why can't you be practical and artistic at the same time, which was considered perfectly normal in the Renaissance?
In the documentary space, the biggest and most obvious difference is that in those films you're not in it for a financial gain. It's a piece of collaboration and artistic expression, that pushes change and self expression, in the sense that everyone has a story.
I cannot write poetically, for I am no poet. I cannot make fine artistic phrases that cast light and shadow, for I am no painter. I can neither by signs nor by pantomime express my thoughts and feelings, for I am no dancer; but I can by tones, for I am a musician.
Let me formulate the artistic disposition as follows: it is reacting with one's ideal to the flaw in oneself and in the world, and somehow making that reaction formation solid enough in the medium so that it indeed becomes an improved bit of real world for others.