This great, though disastrous, culture can only change as we begin to stand off and see... the inveterate materialism which has become the model for cultures around the world.

No amount of technical knowledge and competence is, of itself, sufficient to make a craftperson into an artist. That requires caring - passionate caring about ultimate things.

I'm a musician, so for the most part I've always thought that the musicians were equally as inspiring to listen to - maybe more so, in some cases - in addition to the artists.

I think it's a nice payback. There aren't many people that kind of give back to artists that were their inspiration. Most people think they're . . . they're very self bloated.

I think it's really the job of the composer, the artist, the painter, the writer to present people with options. I'm just really reflecting the thoughts and actions around me.

Speaking of line, what artist of line was ever able to find more depth and volume than Hirschfeld? He was an illustrator and a caricaturist, but first and foremost, an artist.

I think as an actor, or any artist, you move with your moods and you express what's going on for you, and you answer to that voice within that's calling for particular things.

I'm not an Internet artist, I didn't get discovered on the Internet - I got discovered pushing my mix tapes on the street, walking on foot, going to parties, passing them out.

The movies today are too rich to have any room for genuine artists. They produce a few passable craftsmen, but no artists. Can you imagine a Beethoven making $100, 000 a year?

When I lived in Seattle and Oregon, we partied, which is a large reason I don't know drugs or alcohol now because I saw the Destruction of so many great musicians and artists.

"Do not call yourself an "artist-photographer" and make "artist-painters" and "artist-sculptors" laugh; call yourself a photographer and wait for artists to call you brother."

Being honest in the spotlight is the worst idea . But I do like when artists are honest and are able to build a persona for the artwork with their honesty. That's really good.

I really appreciate artists of the 20th century, and I can see a lot of their influence on my work, but to suggest that my design only fits within an 'ism' kind of bothers me.

The relationship between the public and the artist is complex and difficult to explain. There is a fine line between using this critical energy creatively and pandering to it.

Childhood play is nothing more than an expression of our individuality and preparation for human interaction. Everybody’s an artist. Unfortunately we don’t treat them as such.

I want people to understand that this is a very calibrated image [Portrait of the Artist as a Shadow of His Former Self ], where point by point, very little is left to chance.

The great leaders of business, industry and finance, and the great artists, poets, musicians and writers all became great because they developed the power of self-motivation .

I belong to the scarce minority of artists who work in good faith, around whom the phenomenal world vanishes, as it happens to the mystics when they give themselves to prayer.

I'd love to talk to Joaquin Phoenix because he's a very private guy. Also, he's creating a new kind of sexy leading man. To me, his face is new and might be legendary someday.

Modern conquerors can kill, but do not seem to be able to create. Artists know how to create but cannot really kill. Murderers are only very exceptionally found among artists.

Too many of the artists of Wales spend too much time talking about the position of theartists of Wales.There is only one position for an artist anywhere: and that is, upright.

As for famous men who were not artists, I am beginning to be tired of them. Those poor little scoundrels who are called great men fill me with nothing but overwhelming horror.

I think my music is born out of the music that I personally like to listen to. I love amazing singer-songwriters and diverse artists but it's important to know your strengths.

They[ Lana and Andy Wachowski]are true artists. They really are trying to say something and trying to create something original, and there aren't that many people who do that.

These critics with the illusions they've created about artists - it's like idol worship. They only like people when they're on their way up... I cannot be on the way up again.

I'm only concerned with making music that I love and that my fans will respond to. I am happy to see other really good young artists able to flourish and pursue their careers.

The thing that's tricky is sometimes the best voices - just because someone hits the big notes and sounds amazing - it doesn't necessarily mean they make the greatest artists.

When a record company makes a mistake, the artist pays for it. When a manager makes a mistake, the artist pays for it. When the artist makes a mistake, the artist pays for it.

My bottom line is that I think Ridley Scott is one of the greatest visual artists of our time and I feel very privileged that he wants to work with me, so I go with that flow.

To be an artist, you're basically a crazy person. You're extremely narcissistic and emotionally expressive. The idea that the world needs to listen to you is an insane thought.

The park achieved a kind of reality. Like these virtual reality games the children are playing with. I told them we were doing this 40 years ago! Disneyland is virtual reality.

Departure from the literal aspect, rather than mechanical exactness, is the code of the true artist. However, departures are the result of studied intent rather than inability.

A citizen sticks to conventions, does whatever is social. Artists, of course, must reject all conventions. I see no differently in reconciling the best of both of these worlds.

Allowing artist-illustrators to control the design and content of statistical graphics is almost like allowing typographers to control the content, style, and editing of prose.

The good work proceeds with tenacity, intention, without interruption, with an equal measure of passion and reason and it must surpass that goal the artist has set for himself.

We are trying to evoke and reinforce meanings from the spaces we cover and the times we're given. Short or long this becomes our purpose. What we artists do is important stuff.

The revolt against individualism naturally calls artists severely to account, because the artist is of all men the most individual; those who were not have been long forgotten.

Just as Renaissance artists provided narratives for the era they lived in, so do I. I'm always looking beyond the surface. I've done that ever since I first picked up a camera.

[Photography is a] hair-raising joy ride in a medium that, despite being a mechanical trick, can break down the division between mind and matter like a superhero, or an artist.

Is it not the artist who - like our dreams - dissolves the pretenses that hide us from ourselves, disclosing both our self-serving fantasies and our unsuspected potentialities?

I practice the artist's golden rule. I wouldn't want somebody telling me how to finish my painting, I'm not going to tell him how to finish his movie or how to shape his movie.

Artists are always looking for new things and fresh ground and fresh air. If it feels new to me, there's a chance it'll feel new to the audience and we'll have found something.

You can never not feel like that, as a working artist these days. It's funny - time off makes me nervous, but so does time on. At least the pressure wasn't coming from outside.

A time comes, after years in the trenches, when the artist begins to fathom what his career has looked like so far and what it will look like if he continues as he's proceeded.

There are artists who are very well known and many of us feel they should be less well known, while there are others who aren't well known and many feel deserve more attention.

The mystery of the artist is something that the 70's made, but it's not the same these days, and I don't know... to me, I feel like letting your fans know about you is awesome.

As an artist you can use your own discomfort and neuroses and difficulties and at least transform them into something else. Without that you're just neurotic and uncomfortable.

And I like the idea of change. Because I don't see why we should hang a painting on the wall and then just not think of it anymore because it's there like a piece of furniture.

Now "professional" seems to be whoever you went to school with. It constitutes your nuclear world. And that's the fault of the teachers; it's not the fault of the young artist.

I was scared to do anything in the studio because it felt so claustrophobic. I wanted to be somewhere where things could happen and the subject wasn't just looking back at you.

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