Quotes of All Topics . Occasions . Authors
I really want to do the unexpected, and I think that's what I did when I executed 'Long.Live.A$AP.' I wanted people to really see the message and that I'm an artist who not only has the capability of rapping, but of composing great music both for people of my generation and for people with different backgrounds.
Hopefully this is going to be a trend, the beginning of a movement to reclaim theater for the artist and not commerce. I think there's a level of fatigue. Artists are tired of having to create work that's then coopted by commercial demands. When you begin souping up the car, the car no longer feels like your own.
I don't have the desire to just keep every record and put it out. That's not what I do. I make records for people; that's why I just continue to be consistent, where a lot of the other top writers, they kind of fell off because they started focusing on their own careers as artists. That's not where my head is at.
I began working within the streets of Harlem, where, after graduating from Yale [University, New Haven, CT], I became the artist in residence at the Studio Museum in Harlem [New York, NY]. I wanted to know what that was about. I would actually pull people from off of the streets and ask them to come to my studio.
The poet, being an imitator like a painter or any other artist, must of necessity imitate one of three objects - things as they were or are, things as they are said or thought to be, or things as they ought to be. The vehicle of expression is language - either current terms or, it may be, rare words or metaphors.
Having the courage to dream means following your calling today, in some way, despite the facts in your life that seem to be unmovable obstacles. And then, if your canvas is unfinished at the moment you die, at least you'll die an artist rather than a dabbler who talks about how she or he would truly like to live.
There are so many great artists out there; it's hard to choose one. But, I would love to work with Ledisi; she has a great voice. I also admire and respect John Legend. When he wrote "All of Me," I fell in love with the melody and music. He is an artist that really loves music and just has a great way with words.
Musicians and artists are not... it's not like politicians or something where you can't really affect them. There's not like this separate caste system where it's like, "I'm the musician, you're the audience. Never the two shall meet." It was a case where it was like, "Hey, you know what? I'm on your level, man."
It took me some years to clear my head of what Paris wanted me to admire about it, and to notice what I preferred instead. Not power-ridden monuments, but individual buildings which tell a quieter story: the artist's studio, or the Belle Epoque house built by a forgotten financier for a just-remembered courtesan.
The artist usually sets out -- or used to -- to point a moral and adorn a tale. The tale, however, points the other way, as a rule. Two blankly opposing morals, the artist's and the tale's. Never trust the artist. Trust the tale. The proper functions of a critic is to save the tale from the artist who created it.
As in creating some significant work the artist first experiences something akin to dream awareness that becomes clarified in the creative process itself, so we must first have a vision of the future sufficiently entrancing that it will sustain us in the transformation of the human project that is now in process.
No matter who you are, you always want more recognition, but I'm grateful for what I do have, and I feel like I've earned it... So I'm going to continue to put in that hard work, and build relationships with people, and continue to grow as an artist... So hopefully from that, I'll be able to get more recognition.
It is often said that the modern exhibition has ruined painting. It is an unfortunate fact that it does encourage competition, so that, to attract attention to his work, an artist is tempted to descend to sensationalism, whether it is expressed by strong colour, grotesque handling, unusual subject, or sheer size.
You can describe [Portrait of the Artist as a Shadow of His Former Self] as a manifesto of sorts. I saw it as a pivotal turn, a work that really led me down the avenues that brought me to where I am. That picture was the vehicle that helped me clarify a lot of things and I began to understand that I wanted to do.
To make a record requires a strategy; it's not just throwing somebody in the studio and seeing how it goes. Some artists are self-contained, but they still need advice about producers and collaborations and single choice. They need an army and a perspective and creative friction, because nobody has all the ideas.
Just be comfortable. Sometimes, when open up for a bigger artist at a conventional concert, you can feel unwelcome. But when you're playing a festival, people come to see music in general - so don't be fearful. The people are there to enjoy and discover new music so approach the show with confidence and optimism.
Chocolate and candy. That's what we brought in to our friends. We worked in East Berlin with other artists who were smuggled out to come work in the Western Bloc. It was extraordinary because people in East Berlin just wanted to know what was happening. Music. Fashion. The news. All of the things we get every day.
You may cut off the heads of every rich man now living--of every statesman--every literary, and every scientific authority, without in the least changing the social situation. Artists, of course, disappeared long ago as social forces. So did the church. Corporations are not elevators, but levellers, as I see them.
Remember that an artist's life is an intense search for truth. This search takes many forms. Everyone of these forms demands its own disciplines. I learned and adapted to my search. I expect nothing from you. Question the truth of anything you confront. How does it apply to yourself and the trail you are pursuing?
Right before I got 'Sons of Anarchy,' I actually quit acting for 18 months and didnt read a single script, and I wrote a film. I felt like I needed to do something that I had control over, as an artist, and also just do something where I felt like I had some control over my life, as just a human, out in the world.
You know the question: 'How do you get to Carnegie Hall?' Answer: 'Practise?' Well, in my case, I got there by not practising. I didn't finish my music degree. And when I got into the pop world, I decided not to conform because I figured that the point of being an artist was that you shouldn't be like anyone else.
Mr. Searle became a satirist, he once said, because ‘in the late '30s, things in general and politics in particular were no longer neatly divided into things black and white. On top of this,’ he added, ‘there was the irresistible impulse to draw. I cannot remember wanting to be anything else other than an artist.’
Artists are the seeds, brave enough to live and flower before humanity. Our soil is contemplation, our water, its understanding. Whether my petals be beautiful to another, to I and The Maker, they are Unique and yet, only equally as beautiful as any other. Some call that being a Dreamer. I call it, being Belov'ed.
I try and absorb all the things that I respect in the artist's I've worked with.When we work with someone on, Live From Daryl's House, we really get inside their music which gives me an even broader idea of the writing process. I think I'm always learning from everything in life. There are really songs everywhere.
Some say it appears that painting has come to an end. I say the problem is that the painters' curiosity has come to an end, and this is more observable in the West and not in the East, since in the East there are plenty of untouched and unexplored spaces that could still inspire an artist as sources of creativity.
Quentin Tarantino is a hip-hop artist. I told him, "You're hip-hop!" You keep seeing surprises, and a clip here and there, because Quentin is hip-hop. A hip-hop artist will drop a single, leak something over here, and drop something over there 'cause he knows it's hot. He's on the spot with the way he does things.
There are any number of models artists can use to profit off of their talent and artistry. It is not up to the state to protect them from competition. Musicians can obviously get paid for performing and having their music copied and "pirated" helps them in this respect by making them more well known, more popular.
There are so many artists these days that are trying to imitate other artists and go for a certain style; there's a lot of bullshit in the music industry. I don't want to deviate from anything else other than the music, cause that's why I listen to my favorite records - not because I like the way the artists dress.
What I find interesting is this ricochet effect, that the audience perceives the work and then does something with it, throws it back to the world, and there's an ongoing interaction between work and audience, which doesn't belong to the artist anymore - from the moment you release it, it doesn't belong to anybody.
I don't think that much anymore in terms of 'write a record, record a record, tour a record,' because in my own mind, things have changed, in that I'm just an ongoing artist. I'm not quite sure what the next project needs to be until it presents himself, and then I know. I just follow dutifully while I'm being led.
I think a business guy is different from an artist. They walk different paths. Artists create the best outputs when they're having fun. And when a good business partner supports them from the side, it creates great synergy. When someone's trying to do both, I think the music gets bad and the business gets bad, too.
Right before I got 'Sons of Anarchy,' I actually quit acting for 18 months and didn't read a single script, and I wrote a film. I felt like I needed to do something that I had control over, as an artist, and also just do something where I felt like I had some control over my life, as just a human, out in the world.
I think it's important to earn your fan base and not just try to immediately advance to the top. If you ride to the top quickly, you're liable to fall as quickly. Take your time. It's a long journey ahead of you as an artist. There's nowhere that you're supposed to be other than right now living inside of your art.
Being an artist and being a teacher are two conflicting things. When I paint, my work manifests the unexpected... In teaching it's just the opposite. I must account for every line, shape and colour and I am forced to give an explanation of the inexplicable and account for the variety of styles the students present.
I have heard Ori Kam on several occasions over the last few years and have always been deeply impressed with his playing. He possesses a rare combination of musical talent, technical facility, intelligence, and charisma, and he is undoubtedly one of the most extraordinary young artists I have heard in recent years.
Earlier in this century, philanthropy often flowed from the wills of dead industrialists. In recent decades, it's as likely to have come from a very alive business leader, entertainer, artist or sports star. The most effective of these patrons begin the process of giving by asking what they care about passionately.
You can learn a lot from children because they see things new every day. That's the beauty of what you want to achieve as an artist - seeing things in a different way. Kids are constantly saying things that are funny and surprising and their observations are just... you know, they're like little artists themselves.
That's the only interaction I have with people, those talking shows. Most of the people in my phone book are artists, management, producers, engineers. I don't ever call people with, "Hi! How are you?" I say, "How are you? Do you have that 16/30 ready? When do you want me to come into the studio?" That's what I do.
I've definitely become more commercially successful. I think everything has changed over the past two years. People seem to take me seriously now as a songwriter for other artists and as an artist, which is funny to me because I always thought I was good. I guess that's the main change, which is pretty interesting.
Why did Erich von Stronheim leave Germany? Why did Hitchcock leave England? If you were a director you'd like to work in Hollywood too. Now go ahead and ask me if I'm still Polish. You people keep asking me this question. You want Polish artists to make it in the world, but when they do, you accuse them of treason.
My mom is a painter and an artist. She would play music, and she always had very good taste in music, fashion, and art. She was also a young single mom, so I think she had really good style; she was really free... just really inspiring in her own way and allowed me to find the direction I wanted to take in my life.
You need to know what makes artists tick. Having been through the process myself as a musician, since I was an early teen, gave me an advantage - understanding them from their point of view, because it's about them, it's not about you - it's their vision and what they're capable of achieving, and you're the conduit.
[On John Tunnard:] One day a marvelous man in a highly elaborate tweed coat walked into the gallery. He looked a little like Groucho Marx. He was as animated as a jazz-band leader, which he turned out to be. He showed us his gouaches, which were as musical as Kandinsky's, as delicate as Klee's, and as gay as Miró's.
Be clear in your mind why learning to draw well is important. Drawing enables you to see in that special, epiphanous way that artists see, no matter what style you use to express your special insight. Your goal in drawing should be to encounter the reality of experience... to see ever more clearly, ever more deeply.
I had my first exhibition in September, 2012. This was when I first introduced the public to my style of the incorporation of cloth in my paintings. It was well received and everyone was fascinated with the work on display. I also invited other young aspiring artist to display they work which was also well received.
I've been very lucky in the freedom that I've been given. Every artist needs two types of freedom: You need the freedom to - the freedom to come up with an idea or treatment - and then you need the other half of the freedom, and that's freedom from - somebody saying, 'This is great. This is how I want you to do it'.
Approaching the stove, she would don a voluminous apron, toss some meat on a platter, empty a skillet of its perfectly cooked a point vegetables, sprinkle a handful of chopped parsley over all, and then, like a proficient striptease artist, remove the apron, allowing it to fall to the floor with a shake of her hips.
The gallery closed its doors in 1971. I could no longer psychologically handle the needs of 12 artists. I cared about all of them, and what was happening with their careers. I'm just not a person who can do that indefinitely. And tax-wise I was concerned because they gallery wasn't making money; it was losing money.
I actually happened to be in Haiti right before the earthquake in 2010. I was there already with the organization I work with now, Artists for Peace and Justice, visiting the primary school that I had adopted, the Academy for Peace and Justice in Port-au-Prince. I came back, and within days, the earthquake happened.
Whatever the scientists may come up with, writers and artists will continue to portray altered mental states, simply because few aspects of our nature fascinate people so much. The so-called mad person will always represent a possible future for every member of the audience - who knows when such a malady may strike?