Quotes of All Topics . Occasions . Authors
People like Howlin' Wolf, Bob Dylan, The Rolling Stones, John Lee Hooker, Nina Simone, Captain Beefheart - all of these artists were what I grew up listening to every day of my life. And there's a very healthy music scene in the west country of England, where I grew up.
There is a world of communication which is not dependent on words. This is the world in which the artist operates and for him words can be dangerous unless they are examined in the light of the work. The communication is in the work and words are no substitute for this.
Every normal human being (and not merely the 'artist') has an inexhaustible store of buried images in his subconscious, it is merely a matter of courage or liberating procedures ... of voyages into the unconscious, to bring pure and unadulterated found objects to light.
I think, sometimes, artists release music too fast. If you just sit back and listen to the track for a little bit you could pick and choose how you want to do it and see if you really feel the song, because sometimes you might not even like the song after a few listens.
Whatever you do as an artist, people have to have an experience. It's not about the details or the wrong note or what tuning the piano is. It doesn't matter. It all doesn't matter. It only matters what people think when they leave the room and what their impression was.
An artist makes something to be physically experienced by another person. It's a raw, freely chosen, interpersonal relationship between the maker and the viewer, so it's close to what a musical composer does, or a poet or a dancer. It is coming out of one's inner being.
I often envy my friends who are visual artists. Visual artists have other things to work with. Other media. I envy my sculptor friends: they have hunks of matter. Marble. Wood. It's physical, which I find very appealing. What we have is nothing, is just glaringly blank.
Artists with the lack of proper education and experience of working from life will copy whatever is visible on the photograph, without knowing what's underneath. As a result, instead of creating the in-depth and full of character portrait, they draw a mask with no soul.
If you want to be an entertainer, then go be an entertainer and give people what they want. If you want to be an artist, then you have to be true to yourself, and you have to be prepared to confront expectations - and you have to be prepared to disappoint your fans, too.
I like to blow up this notion that all we have to do as writers and artists is represent reality, which is presumably solid and self-evident, with no negotiation of the gap between myself and the world, between this body and this space, which needs narration to close it.
You can support trans-positive legislation, tranny artists, and the inclusion of trannies in your neighborhood, schools, place of worship, whatever. For the long term? Join or initiate some good legal battles against the puritanical laws that exist around sex and gender.
It's easy to attack an artist as misogynist, but that's really such a facile epithet. And if an artist is constantly worrying about how others will judge a work, it can end up being a block to investigating certain areas of human nature or certain truths about sexuality.
Nowadays, if you're a great artist, you don't have to leave the house, which is a really big difference. You're closer to the artist. And the artist can be closer to their artistry without having to always worry about branding themselves or building something image-wise.
The nervous system of any age or nation is its creative workers, its artists. And if that nervous system is profoundly disturbed by its environment, the work it produces will inescapably reflect the disturbances, sometimes obliquely and sometimes with violent directness.
Really the truth is just a plain picture. A plain picture of, let's say, a tramp vomiting in the sewere. You know, and next door to the picture Mr. Rockefeller or Mr. C. W. Jones on the subway going to work. You know, any kind of picture. Just make a collage of pictures.
A lot of Appalachian music has a certain haunted, foggy feel to it; a certain sinister quality. And that transcends who is singing it. I think it's good if an artist can represent some kind of culture that they either aspire to ignite, or that they themselves experience.
I never put myself in that box of you're an Oscar winner so you can only do this or that. That's one award, one night, and it does not define my career or it does not define me as an artist. I never wanted to get put in that Oscar box because that's a lonely place to be.
I'm gonna make music, and I'm gonna capture every aspect of being a human being. That's really all I'm trying to do. I think that artists and pop culture identities are used to simplify what it means to be a human and pigeon-hole people into looking up to one role model.
In general, therefore, color is a means of exerting a direct influence upon the soul. Color is the keyboard. The eye is the hammer. The soul is the piano with its many strings. The artist is the hand that purposefully sets the soul vibrating by means of this or that key.
Howard Hughes innovation was in the aviation field. His designs and spirit of experimentation was at the forefront. As far as his work as film producer, he certainly went after a bigger and more ambitious kind of filmmaking, even if he wasn't necessarily a cinema artist.
There's just some dysfunctionalism with artists. There are good things and bad things about being an artist, and the good thing is, sometimes you get an inside line on what's really happening. You develop these strange antennae that clue you in to what's really going on.
In general, you have great artists who have died far too early and who have left great cultural impact. If you look at people like Vincent van Gogh or Jean-Michel Basquiat-there's a long, long list of artists who have died in tragic circumstances, and far, far too early.
After being taught sets and reps and working at it for a length of time you can't paint by numbers anymore. It must come from within. Any artist has an emotional contact with their work. A true bodybuilder doesn't just build muscle he creates muscle. You can't be a robot.
[Stanley] Kubrick was a great artist and a perfectionist. He always wanted the exact right thing. He did a million takes. Everything had to be perfect. I'm an imperfectionist. I don't really care that much about the work. I write quickly. I'm careless. I shoot carelessly.
The real purveyors of the news are artists, for artists are the ones who infuse fact with perception, emotion, and appreciation...We are beginning to realize that emotions and imagination are more potent in shaping public sentiment and opinion than information and reason.
I know some stories about "liberation" and stuff that's been liberated by people who turn around and get on their soapbox about how it's unfair that the artists didn't benefit while they're sitting on stuff that they "liberated," but that's another story for another time.
We don't stop talking about how the world might be better just because we have no chance of making it to Prime Minister. We are all politicians. We are all artists. In an open society everything the mind and hands can achieve is our birthright. It is up to us to claim it.
Any artist, the work you do, if it's a painting or if it's a performance, you hope it translates to a common denominator with the people that they see something in their own life in there. Or they see something in somebody else's life. That's what's fun about sharing art.
In a sense, the music business and I haven't always been the best of bedfellows. Artists often have to fight their corner. Your music goes through these filters of record labels and media, and you're hoping you'll find someone who'll help you get your work into the world.
Now, you can just get a laptop, get some software, put a microphone on it and make a record. You have to know how to do it. It does help if you've had 35 or 40 years of experience in the studio. But, it still levels the playing field so artists can record their own stuff.
It’s a curious thing. I suppose most people think of artists as impatient but I don’t know of any first-rate artist who hasn’t manifested in his career an appalling patience, a willingness to wait and to do his best now in the expectation that next year he will do better.
My friend Harry Nilsson used to say the definition of an artist was someone who rode way ahead of the herd and was sort of the lookout. Now you don't have to be that, to be an artist. You can be right smack-dab in the middle of the herd. If you are, you'll be the richest.
Much of the blame is the malarkey that artists have created to glorify war, which as we all know, is nonsense, and a good deal worse than that — romantic pictures of battle, and of the dead and men in uniform and all that. And I did not want to have that story told again.
I never understood why when you died, you didn't just vanish, everything could just keep going on the way it was only you just wouldn't be there. I always thought I'd like my own tombstone to be blank. No epitaph, and no name. Well, actually, I'd like it to say 'figment.'
There is a subject - there is a research that says a man thinks about sex every 12 seconds. And so when an artist expresses something that's sexual in music it is a reflection of our reality. If we want that reality changed, then we have to do things that affect the core.
When a young artist asked me for advice on drawing the human foot, I told him, ‘The first thing you must learn is how to take your shoe off, and then how to take your sock off, then prop your leg up carefully on your other knee, take a piece of paper, and draw your foot.’
Regardless of any feedback. I love being a solo artist and having creative control. But it can be very nourishing and informative and flex very different creative muscles to work for someone else. You are essentially employed by the director. I love the challenge of that.
Over the years, I was never really driven to become a solo artist, but I was curious to find out who I was as an individual creative person. It's taken some time, but now I feel I've truly paid my dues. I guess I'm at a point now where I'm more comfortable in my own skin.
I started in the P.A. world and craft service and storyboard artist, with the eye on the prize of directing. When I was directing second unit on Babel, I ended up casting most of the unknown parts. In these weird circles, I was this guy who found these kids on the streets.
My father kind of had hopes that I was going to become an artist like him - the typical thing. Of course I could play guitar better than him when I was about 12. But I couldn't paint better than him. So I went, 'I'm going to be the guitarist of the house, not the painter.'
I'm a huge stadium rock fan, but I'm also a fan of everything from Massive Attack to Peter Gabriel, U2, the Police, Radiohead, and Coldplay. I've realized that I love all forms of music and get excited when any artist goes crazy and creates something that is an experience.
My manager lives on my block; four of the apartments in my apartment complex of seven are people I know. It's a really close-knit community, and almost everyone on these few blocks are artists or graphic designers, because we live right on the cusp of a warehouse district.
There's not too many artist that can handle what we would call an Christian R&B sound. It's kind of a limited field as far as singers go. Just hoping that more artist like that can resonate and grow.In terms of female rappers, man hey come on! We're here...come talk to us!
In the middle classes the gifted son of a family is always the poorest -- usually a writer or artist with no sense for speculation -- and in a family of peasants, where the average comfort is just over penury, the gifted son sinks also, and is soon a tramp on the roadside.
The Deep South has a completely different history, both good and bad, that is fascinating for everybody. It makes people work together who usually don't, and that sounds like a cliche in so many ways, but it actually happened... and it happened because of a beautiful idea.
Creativity is simply the human brain forming new connections between ideas, and we all are engaged in this process every day. The common idea that there are some people who are creative and some who are not is a myth. On some level, we are all artists. We are all creators.
I think we're in an age where artists really have an incredible range of materials at their command now. They can use almost anything from household items - Jackson Pollock used house paint - to, you know, advanced computer systems, to good old oil paint and acrylic paint.
The only people playing the roles of classic rock stars are hip-hop artists, now. Kanye's stage persona, and the way he approaches making albums, and the way he wants to be better than everyone else? That's reminiscent of Freddie Mercury. That's reminiscent of the Beatles.
I always thought it was strange when these artists like Kurt Cobain or whoever would get really famous and say, 'I don't understand why this is happening to me.' There is a mathematical formula to why you got famous. It isn't some magical thing that just started happening.
In the beginning, we had a great deal of freedom, and Jerry wrote completely out of his imagination - very, very freely. We even had no editorial supervision to speak of, because they were in such a rush to get the thing in before deadline. But later on we were restricted.