Quotes of All Topics . Occasions . Authors
I feel like I am a real artist and I want to be able to feel what I am singing about. So when I sing, 'Leave (Get Out),' I have been through that. I think it is just a new generation, whether people are ready for it or not. Teenagers are dating.
The technology can help the artist work in a different way and the artist also helps define what the technology should be. They call for the tools that they want to be able to tell their story. I thought that was really exciting and interesting.
When a young artist asks me a question, I want to do what I can to give them an answer if I have it within me. I know what I know. I won't make up stuff. But if it's something I've been through, I'll share my experiences and tell them the truth.
My journey has been very nice and gradual and steady. And I've found that my development as a human is very much synchronized to my journey as an artist. It's felt very organic since the beginning. And every step allows me to grow a little more.
Truthfully, I love being in the jungle. I love it when the make-up artists come to set, they come equipped with dirt and sweat. I spend my days climbing trees and I can crawl out of bed and walk on set and that's exactly all I have to look like.
The only thing an artist is useful for, and the only reason why we don't just line 'em up against the wall and shoot them, is because, at their best, they're the reflection of our lives, that most regular people can't even afford to think about.
When you're an artist, your personal life and your professional life kind of blend together. I'm writing from home so I don't have an office or anything. I don't know where to draw the line between "Okay, let's stop now and watch American Idol."
Im ridiculously fortunate to get a chance to experience the sitcom world. The schedule is extremely easy, and you get fed as an artist because youre not only working on a project, but you get to work with cameras, and you get the audience there.
Some artists are told what to like and told definitions of what the music business is. That's a problem. Music is artistry, and you want your music heard, your act known. But artists don't know. They are ignorant the minute they sign a contract.
In many a poetic work, one gets here and there, instead of representation merely a title indicating that this or that was supposedto be represented here, that the artist has been prevented from doing it and most humbly asks to be kindly excused.
While one should always study the method of a great artist, one should never imitate his manner. The manner of an artist is essentially individual, the method of an artist is absolutely universal. The first personality, which no one should copy.
I think it's important to have confidence, but then it's also important to try to try something new, to leave your comfort zone to try to grow. That's why I'm trying to grow as an artist and trying to figure out what kind of artist I want to be.
Artists say that paintings are never done. I sort of feel the same way about music. I would never say something is perfect. There are performances that can generate a lot of emotion in me when I hear them, but I can't say if anything is perfect.
Im gonna try to pay for CLERKS III myself. As much as I love the crowd-funding model, thats an advancement in indie film that belongs to the next generation of artists. I started on my own dime, and if Im allowed, I should finish on my own dime.
Being a new artist, I was trying to make a good album and hope that people like Kool Moe Dee and Melle Mel and some of the firstborns appreciated it. I was being influenced by them brothers there. That's where I got my start and my first listen.
I've been told throughout my career that I have good instincts, and the idea of discovery and development in terms of a new artist is so exciting to me. Being only 25 and in a position where I might be able to grant opportunities is really cool.
This has been a long and tiring battle for 10 years. And I'm glad it's finally resolved. My principles and reputation as a creative artist were involved here-it wasn't just about the royalties. I can now look foward to getting on with my career.
The first four and a half years was me in the studio every day, writing songs for other people. I had jobs, too - eleven jobs. I worked at Kinko's, Fatburger, Subway - I was a sandwich artist - and I was a claims processor at Allstate Insurance.
Because I was a dancer when I was a kid, I have so much empathy for these young girls who are so drawn to something lovely in music and in movement, and yet they encounter a world full of judgment and criticism of 11-year-old artists and bodies.
I know that it feels dangerous and scary and working without a net, so to speak. And working without a net, for me - maybe other women do it a totally different way - means being vanity-free. That's how, as an artist, I know that I need to work.
I have always suspected that too much knowledge is a dangerous thing. It is a boon to people who don't have deep feelings; their pleasure comes from what they know. . . . But this only emphasizes the difference between the artist and the scholar.
As an artist, you've got to see the mess. That's what we do. We get a human being, and it's like putting together a puzzle. And the puzzle has got to be a mixture, a multifaceted mixture of human emotions, and not all of it is going to be pretty.
If you're drawing a Western town, you can duplicate that Western town from instinct alone. Some artists may take it from other illustrations or duplicate what you've drawn, but it will never have that gut reality that's instinctive in the artist.
I paved the way for a lot of white artists now that don’t have to deal with the stigma of being a white artist. I don’t think that people would be as open for non-African American artists like that if it I didn’t take a lot of the slack for them.
I'm an artist, and expressing myself in a sexual way, no matter how that changes throughout the years, is something that has always come naturally to me. At this point of my life, I'm 32 and I feel sexier than ever because you know what you want.
I just want to kind of tackle every kind of form that exists in the comedy world; whether it be stand-up or hidden camera or parody. Kind of slap it in a movie with hip-hop artists and actors, comedians and girls. I just want to do something fun.
It's quite scary when academics start dictating to artists that they should be politically correct or follow certain rules of behavior - which means we have to start making dishonest work, which means it becomes didactic and propaganda in nature.
Talking with other artists is an incredible process. You engage with the work very differently...a nd different relationships between different works start to emerge. To tap into that energy-to tap into that moment-is great for me as an exercise.
Should I be collaborating with artists of color solely because of their race and my politics? This question is weighted with my own worry that I have been invited to speak or collaborate solely because of my race, and not because of my abilities.
The bourgeoisie's weapon is starvation. If as a writer or artist you run counter to their narrow notions they simplyand silently withdraw your means of subsistence. I sometimes wonder how many people of talent are executed in this way every year.
I became a recording artist before I knew it. And I just - when I would listen to my old records, I'd just hear this young, extremely nervous fella that that made me want to run out of the room, you know, rather than listen to what he had to say.
I think that music is stale because of it. I think that we have the same artists from day to day. It's nice to see an artist dip out and come back in every once in awhile. There's a such thing as oversaturating the market. I mean look at Britney.
I look at the Samurai because they were the artists of their time. What I think struck me when I read Bushido is compassion. 'If there's no one there to help, go out and find someone to help.' That hit me, because I try to lead my life like that.
I think most artists will experience a lot of negative people on Twitter but, thank God, I've got so many followers that I'm not able to see them that much. I'll see some from time to time but, for the most part, I always focus on something good.
Radio used to be dominated by Tom Petty and artists like that. If Tom Petty came out today, he'd be played on country radio - all that stuff would. I think the genre has opened itself up to more styles of country, and I think that's a good thing.
Financial firms are sending their back-office jobs overseas. But what do fine artists do? They create something new, unexpected, and delightful that changes the world. MFA abilities are harder to outsource and more important in an abundant world.
When you go on your Twitter or look down your Timeline and it's all great positivity - I love that. But at the same time, it can really divert you from what your purpose is or what you're trying to do. And I've seen artists get caught up in that.
Fashion for me is another way I get to express myself creatively. It is one of the fun things I get to do: to play dress-up, and create outfits and looks that aren't typical. I am an artist, so I like creating things. Shoes are my favorite thing.
I can't draw. I can't paint. But what I can do is tell somebody else what to do. I'm a creator. I can tell an artist what to do. I can be behind the artist. I have the eye, so I can move things around. I can put stones together. I can match them.
It's already years ago now, but there's that South Korean music artist Psy, who had that hit song and it was a hit song here. I'm like, "Wait a minute. There's a chance. There's a way we can have language not be such an important part of comedy."
I'll bet there are a lot of artists that nobody hears about who just make more money than anybody. The people that do all the sculptures and paintings for big building construction. We never hear about them, but they make more money than anybody.
I was forced to be an artist and a CEO from the beginning, so I was forced to be like a businessman because when I was trying to get a record deal, it was so hard to get a record deal on my own that it was either give up or create my own company.
I am interested in the non-dramatic moments in life. I`m not at all attracted to making films that are about drama. A few years back, I saw a biopic about a famous American abstract expressionist artist. And you know what? It really horrified me.
I'm not going to say that the other people I worked with weren't artist. They were all very great, very talented people, but I think Guillermo [del Toro] will go down in cinematic history as one of our more talented, visually brilliant directors.
I'm an independent artist, but I do have a good business relationship with Lego, since I'm a unique customer. They're aware of what I'm doing. A painter may not have a relationship with a paint maker, but there's only one company that makes Lego.
All you can do as an artist is do what you think is an extension of you. You put down on paper ... who you are. That's what being an artist is all about. And when it gets done, you don't look back at it and say, Oh, I could have done that better.
I believe the future will reflect different body types, ethnicities, cultures and sexual orientations. I've been working with a lot of young artists who really project an androgynous and inclusive approach to the world. I'm very inspired by that.
As a young artist in New York, I thought about postwar Japan - the consumer culture and the loose, deboned feeling prevalent in the character and animation culture. Mixing all those up in order to portray Japanese culture and society was my work.
If you wanna be an artist carry sketch pad with you, and sketch everything you see. Get so you can draw anything and it looks like what it's supposed to be. It's a lot of work, but if you really have it in you, it's not like work. It becomes fun.
I know I can only do as much as I can do... Although I have so many ideas of my own, I'm still very interested in helping to cultivate and encourage some promising new artists. But there are a lot of people and, unfortunately, a very small window.