Quotes of All Topics . Occasions . Authors
Every artist has different priorities. Some artists I know don't make as much music as they used to, because social media has taken over their lives. I work at what I feel is a very normal pace, and things keep clicking. It's rewarding.
I definitely want to work with Thom Yorke. I want to work with Damien Marley; there's a few international artists I wouldn't mind working with - like Massacre Children would be ill, and I still have an affinity for the UK hip hop scene.
The artist who could disentangle the subtle soul of the image from its mesh of defining circumstances most exactly and 're-embody' it in artistic circumstances chosen as the most exact for it in its new office, he was the supreme artist.
The artists who stand out to me have a passion for what they do. There are a lot of people who can sing. It's just like when you go to church and people are singing because it sounds good, not because it feels good. There's a difference.
I think I've been able to witness Canadian hip-hop get a lot more respect from our own people. I think some of the artists that came before me were doing their thing but lacked a strong next generation of artists to help them capitalize.
What was great about the 80s was that you still had record companies who would get behind developing you as an artist. You had these bonkers heads of department and A&R people who, even after a flop album, would let you make another one.
A living is made, Mr Kemper, by selling something that everybody needs at least once a year.Yes, sir! And a million ismade by producing something that everybody needs every day.You artists produce something that nobody needs at any time.
Artists freeze themselves into these weird postures that are meant to be impressive and involving, then they fling them out into the world like Polaroids, and then they move on. And I'm stuck in this intense relationship to the Polaroid.
You got a handful of great guys - Ne-Yo, R. Kelly, Usher. You have a handful of great female artists. But for the most part the music world's changing and change is good. You have to make adjustments if you want to survive in that world.
If asked to list my ten favorite American fiction writers, Gail Godwin would be among them. In this, her latest . . . she evokes in a short book the long married life of two artists. Evenings at Five is a strong tale of love-after-death.
Writers and artists build by hand little worlds that they hope might effect change in real minds, in the real world where stories are read. A story can make us cry and laugh, break our hearts, or make us angry enough to change the world.
It probably all started with The Beatles, and then I guess it goes out from there. Springsteen... Fleetwood Mac... I mean, that's all so inherent in us that when we're making records now, we take a lot from the artists who are around us.
I have to have music playing constantly. It creates the tone and mood for anything you are doing. I specifically love rock, and Jimi Hendrix is one of my favorite artists. My favorite song is 'Red House,' because it's heavy on the blues.
I am very much a woman, but I never consider that I am when I go and make films. I don't check into the world as a woman everyday. I check in first as an artist and mother, then as a daughter sister, and friend - but always as an artist.
Today, as you know, I am famous and very rich. But when I am alone with myself, I haven't the 'courage' to consider myself an artist, in the great and ancient sense of that word... I am only a public entertainer, who understands his age.
One thing about Kurt [Cobain] is before he was a musician, and before he was a rock star, he was an artist, and an artist with a capital A. What that means is that he had to create. It wasn't something that he chose to do - it chose him.
For just as for a flute-player, a sculptor, or an artist, and, in general, for all things that have a function or activity, the good and the well is thought to reside in the function, so would it seem to be for man, if he has a function.
Any artist that's as serious about making music as I am, I'm cool with that. But if you tellin' me, "Man, send me a verse and I'ma send you a verse." No. That's not collaborating. We don't know each other and I'm serous about this music.
The artist-muse relationship is romantic and passionate, and complex, and I would imagine that would be a hard relationship to have if you're not with the person. It requires so much of each other, you have to be in love with each other.
Up until 35 I had a slightly skewed world view. I honestly believed everybody in the world wanted to make abstract paintings, and people only became lawyers and doctors and brokers and things because they couldn't make abstract paintings
Having photographed the landscape for a number of years and specifically working with trees and in the forest I found, without consciously thinking about it, that it was a great learning experience for me in terms of organizing elements.
I've heard many times that with all good artists it's ultimately a self-portrait even if it's an abstraction. I feel my work is very much who I am. I didn't try to make it that way; it just is. It reflects who I am and also my interests.
An artist need not be a minister or a collector in church, but he must have a warm heart for people, and I find it a noble thing that, for example, no winter passed without The Graphic doing something to keep alive sympathy for the poor.
It's cool to see a bunch of brown kids in the crowd. I wanna be a brown artist that they look up to. I didn't see that many artists with my same culture that I looked up to when I was growing up. The industry has always been whitewashed.
I've always been interested in how fast-moving our identity is and that I've never been able to pin down who I truly am. That inspires me to write, because I feel like that cements me a bit, in that I find my identity in being an artist.
I'm proud that I've been able to work with other artists to make sure that the smallest voices - the voices of our children - have a chance to be heard. Artists can reach, inspire, and motivate young people and leaders in a powerful way.
I think whatever an artist does, it just has to be quality and good. I think the way Kanye's doing what he's doing with the Auto-Tune is actually creative because he just writes good melodies. He just writes good songs. He's just gifted.
A lot of my friends do creative things and are doing really well at what they do - some writers, some artists. I'm in a driven circle. I've had a lot of opportunities that other people wouldn't necessarily have and seen some cool places.
Sometimes artist like to catch themselves looking out, let the world see them for once. It's a signature. This one is a very bold one. But this is also a witnessing. We want to remember, and we want to be remembered. That's why we paint.
Just as composers go to concerts and artists visit galleries, writers read. You will learn, in the most enjoyable way, more about style and language from reading good literature than you will ever acquire from workshops and how-to books.
Persons who would never think of announcing boldly to the world, 'I am a scholar,' 'I am a great artist,' 'I am a beautiful woman,' nevertheless seem to think it wholly within the bounds of good taste to announce that they are Christians!
I've always been inspired by female performers and artists who really surround who they are around their voice. For me, it's always been about the voice. I wanna hear someone just sit by a piano, on a stool, and just sing - and that's it!
We finally found out the technique of separating and getting information about where every train would be at any moment. Of course, I went over budget many times, because - as you go along - some things improved, and you get better ideas.
I've come to understand my role. On some level, I provide the context for them to shine. I also know my role is the steward of the songs, and the center point, the artist that the stuff all revolves around. But I really try to honor that.
I guess with the generation we live in, we just want to be entertained at the end of the day. A lot of artists make themselves accessible, so they feel like every artist should be like that. Some artists shouldn't be so accessible, to me.
We were all born, and we all came to the music business with everything we had. Some of us just don't get a chance. Now there's a lot of other people like myself, indeed, who are getting heard worldwide. That gives other artists a chance.
Some people have been kind enough to call me a fine artist. I've always called myself an illustrator. I'm not sure what the difference is. All I know is that whatever type of work I do, I try to give it my very best. Art has been my life.
I wouldn’t want to be labelled unless it was something much broader and inclusive such as an ecological artist or a visionary artist, but there’s a constraint in the definition of a feminist artist, you’re an artist and you’re a feminist.
The deepest motivation for a lot of artists is obviously the one they all share: their great fear they are a fraud. It's a joke. In my case the problem is not that I don't question myself. It's just that I question other people even more.
How often have I actually discovered in myself that enthusiasm raises the artist above himself, how in an ordinary mood one would not have been able to accomplish many of the things for which enthusiasm lends one everything, energy, fire.
She's a shiksa goddess and a trapeze artist, all of that. She can fix the truck...she's outta this world...she's bold, inventive and fearless. That's who you wanna go in the woods with, right? Somebody who finishes your sentences for you.
My idea of covers is that you should never cover a song and do it exactly like the artist because everyone's always going to compare it to the way the original artists did it, and they're just going to go, 'Oh I like the original better.'
Through artists mankind becomes an individual, in that they unite the past and the future in the present. They are the higher organ of the soul, where the life spirits of entire external mankind meet and in which inner mankind first acts.
The artist does not illustrate science; ... [but] he frequently responds to the same interests that a scientist does, and expresses by a visual synthesis what the scientist converts into analytical formulae or experimental demonstrations.
If I'm going to go out to be a solo artist, it's because I want to do something different without having to wait on someone else's schedule or hobbies or be limited by other people's prejudices. I'd be kind of stupid not to exercise that.
The teacher, like the artist, the philosopher, and the man of letters, can only perform his work adequately if he feels himself to be an individual directed by an inner creative impulse, not dominated and fettered by an outside authority.
My parents made no money whatsoever, but they really knew how to see, as artists. So a big adventure might be, on a hot, dreadful day with no place to go, to go out and draw our chickens with pastels. My parents gave me a sense of wonder.
My goal is to tell good stories. And to try as best I can to do something new with acting. To learn from the past and to be a relevant artist. To make stories that are interesting and contemporary and to tell some kind of emotional truth.
The artist, viewing his fellows through his personal vision, has through the ages attempted to portray what he sees and to present his understanding of it. Censorship in his case has perpetrated heavy and sometimes reprehensible blunders.
The album [Blaxistential crisis] artwork is by a friend of mine who is a brilliant artist named Sara Pocock. We've been friends for a couple of years and she worked with me on the animation. I believe she's still working over at BuzzFeed.