Quotes of All Topics . Occasions . Authors
It's an incredible dilemma to be an artist of color and to always be in denial about that, saying, 'I'm a choreographer first and then I'm black,' when in fact, that's not the case. I'm black first and then I'm also a choreographer.
I do all of marketing and promotion - it's the most exhaustive and rewarding part of the process and I wouldn't trade it for anything. The artist should be the person representing their brand because theyre the best person to do so.
The artist forges himself to the others, midway between the beauty he cannot do without and the community he cannot tear himself away from. That is why true artists scorn nothing: they are obliged to understand rather than to judge.
An artist is either good at color or good at value but rarely good at both. I focus on the tonal range, the dark-light effects, rather than the full color range of bright colors. I just don't know what to do with all those cadmiums.
To be in any way a positive contribution, that's all anybody wants to be. It's all I've ever wanted to be. I wanted to be an artist, be a mother. You want to feel that in your life you've been of use, in whatever way that comes out.
Take two paintings by the same artist, one has a signature and the other doesn't. The signed picture is generally more valuable. The signature is almost graffiti or a tagging system, yet it can become more important than the subject.
I admire the artists that work everyday to attest things for themselves... In the act of transforming the objects of the everyday they transform the passage of time and analyze the economics and politics of the instruments of living.
I am an artist who's just tryin' to do something different, and basically not caring about everybody's opinions and wanting to follow what everybody else is doing. At the same time, I know when to be serious, but I know when to joke.
At every show, people I've never seen approach me with the same story: how experiencing my work changed their lives and made them artists or writers or law enforcers or attorneys, believe it or not. It's very humbling and gratifying.
I was an only child. I lost both my parents. By the time I was twenty I was bald. I'm homosexual. In the way of circumstances and background to transcend I had everything an artist could possibly want. It was practically a blueprint.
How I wished I'd have had a camera of my own, a mad mental camera that could register pictorial shots, of the photographic artist himself prowling about for his ultimate shot - an epic in itself. (On the road with Robert Frank, 1958)
The thing represented had to pass through two distorting lenses: the artist's mind, and his medium of expression, before it emerged as a man-made dream - the two, of course, being intimately connected and interacting with each other.
I think almost every woman artist I've ever met has this ideal of being in a partnership working situation with a man, that men don't seem to share. They seem to want this ideal thing, that we'll always be together and work together.
My notion about any artist is that we honor him best by reading him, by playing his music, by seeing his plays or by looking at his pictures. We don't need to fall all over ourselves with adjectives and epithets. Let's play him more.
The key to the mystery of a great artist is that for reasons unknown, he will give away his energies and his life just to make sure that one note follows another... and leaves us with the feeling that something is right in the world.
You are not an artist simply because you paint or sculpt or make pots that cannot be used. An artist is a poet in his or her own medium. And when an artist produces a good piece, that work has mystery, an unsaid quality; it is alive.
I think part of what makes us unique as artists and as singers is that we can bare our souls in front of millions of people That's the magic and power of being an artist. You can be honest. Always remember that. And do not be afraid.
To me, the job of the artist is to provide a useful and intelligent vocabulary for the world to be able to articulate feelings they experience everyday, and otherwise wouldn't have the means to express in a meaningful and useful way.
The future belongs to a different kind of person with a different kind of mind: artists, inventors, storytellers-creative and holistic 'right-brain' thinkers whose abilities mark the fault line between who gets ahead and who doesn't.
I was shaped in college into a performance artist. I never really thought of myself as being one singular thing. I think of myself as an artist and I feel no restrictions when it comes to how I want to portray what I want to portray.
There were times in my career ... when I felt like a trapeze artist doing dangerous somersaults without a net underneath. When you execute those somersaults flawlessly, the audience feels the same sense of triumph the performer does.
All the mistakes committed by artists are due to their having separated themselves from truth, believing that their imagination is stronger. There is nothing stronger than nature. With nature in front of us we can do everything well.
I wanted to paint in a folk-artist-y way. My heroes were Van Gogh, Gauguin, Matisse, and Rembrandt. I think Picasso is about as a modern as I got. But I incorporated things that they rejected as well as movements that happened later.
When I first started out in the music industry and went to Elektra Records, I didn't go to be an artist, I went to get a record label started. And they said in order to have a label deal, I had to be an artist - so that's what I did.
Are you an artist? Look about you. Is there a physical tool whose use you have mastered, a part of your body that responds utterly to your control? Is your motive esthetic? If so, you are an artist. If not, you are probably a writer.
It's only recently that we've discovered that the artist's inner self is somehow more important than the public world. I'm happier to create exterior pieces for the world rather than to express something I deeply feel or wish to say.
Sometimes the European and North American public like some things to be exotic and kept at arm's length. They don't want sometimes to know that foreign artists are doing something that's at least as relevant as what's being done here.
You called me a natural con artist and asked me what other secrets I was hiding. I didn't answer because I already knew, in some deep, primal way, what furtive truth you were referring to: That I was destined to fall in love with you.
For me, I wanted somebody that got me musically, that understood that I'm an artist and this is who I am. I'm not going to be like another artist on your label, probably - hopefully. I found all those things with the Broken Bow group.
I think there was a point in the past when I felt that my options as an artist were either to make race a nonissue and deny its impact on life and just say, "Don't think of me as an Asian cartoonist. Just think of me as a cartoonist."
One of the best things about Kickstarter and crowdfunding and the collapse of the music business is a lot of artists like me have been forced to face our own weird mess about ourselves and what we thought it meant to become musicians.
The artistic formulae wear thin quickly and yet daily the artist - when developing his own foundation - must enter his own time and the problems of other contemporary artists. Paths cross and the soil of time is starting to be turned.
Some artists leave remarkable things which, a 100 years later, don't work at all. I have left my mark; my work is hung in museums, but maybe one day the Tate Gallery or the other museums will banish me to the cellar... you never know.
Many writers and artists portrayed the poor sympathetically, and even fought on their behalf, but they themselves were not of that class. Gay life is perhaps even more subject to ambiguity, since it so often involves crossing classes.
In terms of the organic feel and the love for noises, I definitely feel more connected to Four Tet and Fennesz, as any dance floor artist. I do like some dancey stuff like Martyn when I DJ, but I draw my inspiration from other things.
The moment you introduce difference into a museum, then the privileged space is contested, and under the most ideal circumstances what all artists want is the chance to be competitive. That's what I think the museum is supposed to be.
Austin is a big music town, so growing up, I had a lot of local heroes. Toni Price I was very, very into; she was one of the first people I tried to emulate. She's a local Austin blues artist. Marsha Paul I was also a very big fan of.
I feel like that I'm learning all the time. I'm learning from new artists, from established artists... every time I listen to '70s rock 'n' roll records, I'm learning. And I think that I'm just now starting to get a hold on what I do.
I'm a producer. I'm a musician. And my job is to come in and, you know, put - you know, I treat all of the artists that I work with, like, you know, the way da Vinci was looking at Mona Lisa, you know, there's an interesting backdrop.
I want to keep acting and I want to keep working with high quality artists. I might be a bit spoiled because they're so good at what they do. I think the only way you learn is to surround yourself with people that are better than you.
Lenin is an artist who has worked men, as other artists have worked marble or metals. But men are harder than stone and less malleable than iron. There is no masterpiece. The artist has failed. The task was superior to his capacities.
An artist is an artist only because of his exquisite sense of beauty, a sense which shows him intoxicating pleasures, but which at the same time implies and contains an equally exquisite sense of all deformities and all disproportion.
But if you have a point of view and you're an artist or a writer, it's kind of crazy to not take advantage of that, especially if you can do something that's entertaining as well. I've done a number of things like that over the years.
every artist is both male and female, and ... sometimes, the two great elements are in conjunction with him, so that all by himself he suddenly gets the melody and the burst of feeling of a great symphony without any external stimuli.
Well, a lot of people within government and big business are nervous of Hip Hop and Hip Hop artists, because they speak their minds. They talk about what they see and what they feel and what they know. They reflect what's around them.
It's rare when an artist's talent can touch an entire generation of people. It's even rarer when that same influence affects several generations. Elvis made an imprint on the world of pop music unequaled by any other single performer.
Europe isn't something connected by the Euro. Every little dimension of Europe is so hugely different, and I think America is different in its states as well, so I never really think of things in big blocks, in terms of other artists.
What every artist should try to prevent is the car, in which is our civilized life, plunging over the side of the precipice -- the exhibitionist extremist promoter driving the whole bag of tricks into a nihilistic nothingness or zero.
They told me that they are starting a classic label, and wanted me to be the first artist. So I signed, and am producing myself, and writing my own music, but I'm their first artist on their classic label. And I have creative control.
Sometimes it's hard to listen to new music and get motivated, because it's elementary to me - no disrespect to new artists, because that's where we started, too. But it's like they're way back there in first grade, and I'm in college.