The passionate reactions of people to a painting, the exclamation, 'Oh, this is wonderful,' may, even if meant in a positive way, entirely destroy the chiaroscuro, the mystical hidden weaving of fantasy which the artist needs.

The Irish seem to want their artists to function as surrogate priests - sources of authority, founts of wisdom, people who will offer us free-range organic consolation, you name it. It's not a position I feel comfortable with.

Europeans really provided many venues over there and hailed the jazz artists, and a lot of musicians went over there and stayed over there for a long time. A lot of them moved over there, lived over there, and died over there.

I don't know if there are artists out there who love their own records. I haven't met any, and I'm kind of extreme in the other direction, but therein lies the impetus to keep working and keep making new songs and new records.

A new artist today has to get their teeth fixed, has to tighten their jeans up, and they have to get 'em the right kind of hat, and if anything's wrong with their nose, if it's a little crooked, it's got to be straightened up.

One of the things that sells music is when the artist is looked at as someone who's come up from the streets. Not just any streets, but the toughest, meanest streets of the urban ghetto. And that's called 'street credibility'.

The great music for so many artists - the Beatles, the Rolling Stones - was always at the moment when they were closest to pop. It would be easy for U2 to go off and have a concept album, but I want us to stay in the pop fray.

I think Chicago people are very special people, and the Midwest's confluence of East Coast-meets-Midwest sensibilities had to, on a formative level, inform me as an artist and an actor. In that sense, it had to have helped me.

I'm definitely obsessed about artists and the type of music and the playing and the tone and all that kind of thing - I'm not obsessed about what the best Beatles album is. I just think if The Beatles are great, they're great.

I'm trying to satirize what it's like to be a recording artist in 2011. I realize that standing on a soap box and ranting and raving about my opinions on the digital age and its effect on music is only going to get you so far.

The past is of no importance. The present is of no importance. It is with the future that we have to deal. For the past is what man should not have been. The present is what man ought not to be. The future is what artists are.

It is hard to describe the thrill of creative joy which the artist feels when the conviction seizes her that at last she has caught the very soul of the character she wishes to portray, in the music and action which reveal it.

I'm not really an art collector - I'm more of a person who picks up things. I have pieces by people like Gerhard Richter, for example, but then also others by unknown Japanese artists, and not many real art collectors do that.

The worth of a civilization or a culture is not valued in the terms of its material wealth or military power, but by the quality and achievements of its representative individuals - its philosophers, its poets and its artists.

When I began as an artist, I already did not like expressionism, or abstract expressionism, because abstract painting had already been done. I did not want to belong to any one group or the other, and I'm not one or the other.

Everything I do, whether it's producing or signing an artist, always starts with the songs. When I'm listening, I'm looking for a balance that you could see in anything. Whether it's a great painting or a building or a sunset.

Pitbull is great with brands. Endorsements with hip-hop artists work because hip-hop artists typically set the most trends... It's every brand's goal to be seen in the mainstream, and hip-hop music has become mainstream music.

I had to learn, because as an artist myself, an artist owns that right to protect their interest of how they want to roll their project out. It's just important to give them that opportunity to roll it out the way they want to.

Our job as actors, especially in front of a camera, is almost like textile artists. We spend so much time getting the right texture of yarn, and working out the color scheme, and binding off the weave, and making it just right.

It seems other rap artists are trying to follow a "tradition", or something... I don't consider us [Migos] as weirdos, we just went the other way and didn't follow the rap tradition. We just killed it and made it our tradition.

I've done my time in being broke in Indonesia. Eating Goat soup. Australia's a developed country, you've got a lot of taxes, rents are high and its quite difficult to survive as an artist especially when you are just coming up.

All intervening steps, scribbles, sketches, drawings, failed work models, studies thoughts, conversations, are of interest. Those that show the thought process of the artist are sometimes more interesting than the final product

It is an error common to many artists, who strive merely to avoid mistakes, when all our efforts should be to create positive and important work. Better positive and important with mistakes and failures than perfect mediocrity.

There is material among us for the broadest comedies and the deepest tragedies, but, besides money and leisure, it needs patience, perseverance, courage, and the hand of an artist to weave it into the literature of the country.

To the artist is sometimes granted a sudden, transient insight which serves in this matter for experience. A flash, and where previously the brain held a dead fact, the soul grasps a living truth! At moments we are all artists.

I think the best thing an artist can do is not hang out with other artists. I really dislike hanging out with musicians, for the most part, except for a few select friends, because I don't like to talk about music all the time.

I am a great artist and I know it. It's because of what I am that I have endured so much suffering, so as to pursue my vocation, otherwise I would consider myself a rogue - which is what many people think I am, for that matter.

I always wanted to be an artist. I think I was just waiting on somebody to approve me and be like, "Oh, okay, you should be an artist," you know 'cause it wasn't until I stopped looking for approval that I could actually do it.

In this context of achievement-and-death, artist who make Happenings are living out the purest melodrama. Their activity embodies the myth of nonsuccess, for Happenings cannot be sold and taken home; they can only be supported.

America is no place for an artist: to be an artist is to be a moral leper, an economic misfit, a social liability. A corn-fed hog enjoys a better life than a creative writer, painter or musician. To be a rabbit is better still.

If I did a Rock record, it would be equally as truthful because I love Rock. I had to actually sing to Bon Jovi one time and I felt like he believed me. He's one of my favorite artists, so there's nothing better than the truth.

How terribly hard and almost impossible it is to tell the truth. More than anything else, the artist in us prevents us from telling aught as it really happened. We deal with the truth as the cook deals with meat and vegetables.

Experiments were not attempted at that time, we did not believe in the usefulness of the concept anyway, and I finished my thesis in 1962 with a feeling like an artist balancing on a high rope without any interested spectators.

All 48 of my fights have been hard. None have been easy. All played a major key. It's the 'Mayweather Era.' I feel that every fighter is an artist and they all take pictures their own way. I'm just one of the very best artists.

I guess you can be a supermodel today just by building followers. You don't necessarily have to do the work of going to Milan and then to Paris or New York, trying to find the right photographer, artist, or designer to see you.

The longer you garden the better the eye gets, the more tuned to how colors vibrate in different ways and what they can do to each other. You become a scientist as well as an artist, with the lines between increasingly blurred.

The aboriginal women leaders of Papunya - the Papunya Artists - performed a dance for me: the Honey Ant dance. They'd never done it for anyone else. They honoured me with a ceremonial stick that signifies the story of the land.

I am a humble artist moulding my earthly clod, adding my labour to nature's, simply assisting God. Not that my labour is needed, yet somehow I understand, my Maker has deemed it that I too should have Unmoulded clay in my hand.

Like the adolescent, the artist is a dreamer and a revolutionary; like the adolescent, he often finds his accomplishment inadequate to his imaginings. But his dream, setting him apart, helps him to escape the burden of the real.

United Artists wanted to do records with me. I had no idea, what a rare thing that was... to make an album. And they put a guy with me working on songs, and I got busy with films. I just kind of let it slide. Isn't that amazing?

In order to acquire a growing and lasting respect in society, it is a good thing, if you possess great talent, to give, early in your youth, a very hard kick to the right shin of the society that you love. After that, be a snob.

It is the artists who make the true value of the world, though at times they may have to starve to do it. They are like earthworms, turning up the soil so things can grow, eating dirt so that the rest of us may eat green shoots.

You ready? I have gold teeth, I have braids, I'm wearing Rick Owens moon boots, I have rips in my denim, a biker vest, I love artsy girls, my favourite artists are Jimi Hendrix and John Lennon. I'm obsessed with being different.

I notice a lot of younger artists have difficulty telling stories. They might have short stories where they express themselves well, but they don't really know how to tell stories with characters. That craft just passed them by.

The artist's view of the world and mankind is that which seeks as far as possible to lose itself in its object, illuminating it not from the outside by some light foreign to it, but from within, deriving light from its own core.

A garden is a result of an arrangement of natural materials according to aesthetic laws; interwoven throughout are the artist's outlook on life, his past experiences, his affections, his attempts, his mistakes and his successes.

We do not know and cannot tell when the spirit is with us. Great talent or small, it makes no difference. We are caught within our own skins, our own sensibilities; we never know if our technique has been adequate to the vision.

Every poet and musician and artist, but for grace">Grace, is drawn away from love of the thing he tells to love of the telling till, down in Deep Hell, they cannot be interested in God at all but only in what they say about Him.

There's just so, so many overlooked R&B artists and I think it's really about, again, being sensitive to whatever you're addressing culturally. I just always try to have a sensitivity to it and what that might make someone feel.

Our souls as well as our bodies are composed of individual elements which were all already present in the ranks of our ancestors. The "newness" in the individual psyche is an endlessly varied recombination of age-old components.

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