Quotes of All Topics . Occasions . Authors
There's a myth among amateurs, optimists and fools that beyond a certain level of achievement, famous artists retire to some kind of Elysium where criticism no longer wounds and work materializes without their effort.
I wanted to do comic books... as a comic book artist, as an illustrator. But I'm not very good so I thought I should do something else! So I went to a film school when I was seventeen and came out when I was nineteen.
Strokes carry a message whether you will it or not. The stroke is just like the artist at the time he makes it. All the certainties, all the uncertainties, all the bigness of his spirit and the littlenesses are in it.
You can go down the list of great artists and kind of understand that they are products of their environment. Whether it's U2 or Henry Rollins or myself or Johnny Lydon, they're gonna be products of their environment.
If you're an artist, you do what you do, and in a way, you don't even control the core essence of what you do. You try to mold it and develop a style, but the core elements of what you do are just part of who you are.
Societies never know it, but the war of an artist with his society is a lover's war, and he does, at his best, what lovers do, which is to reveal the beloved to himself and, with that revelation, to make freedom real.
No, and I never, ever eat in between the meals. I control it well enough and with no pills, and I sleep seven hours a night. I go to bed. I fall asleep, and I wake up seven hours later, and this is the most important.
Fashion for me is another way I get to express myself creatively. It is one of the fun things I get to do: to play dress-up, and create outfits and looks that aren't typical. I am an artist, so I like creating things.
I want to change the pop world one sequin at a time. Artists tend to take themselves way too seriously and don't enjoy the fun of making an impact on culture. I just have a good time and sequins represent a good time.
My father is a visual artist, so I was influenced by him, and my mother is an English teacher who forced me to read a lot of books and poetry and get involved in theatre. I developed a varied taste for different arts.
Every artist that I got with me is really from the hood and really from Atlanta and really in the streets of Atlanta. Lotto Savage, Mookie Madri Gra, Freaky D$MG, that who I bring with me; that's all sides of Atlanta.
Basically, I feel inspired by any artist that seems to want to introduce the world to their likes and perspective rather than trying to shape their interests and point of view to fit better into the world around them.
People often ask me if I consider myself to be an architect, fashion designer, or artist. I'm an architect. The paintings I've done are very important to me, but they were part of a process of thinking and developing.
I completely believe that - literature for me is a way of life. That's probably true of all writers or all artists. I think in the end this kind of activity absorbs one in such a way that it becomes one's way of life.
God is the great mysterious motivator of what we call nature, and it has often been said by philosophers, that nature is the will of God. And I prefer to say that nature is the only body of God that we shall ever see.
As for techniques and processes, as seen in the works themselves, neither public nor artists will find anything about them here. Those things are learned in the studio and the public is interested only in the results.
I was a bit scared because I came from the acting world. There was a fear that people would think of me kind of as a joke. But really, people think of me as a country artist who can act. That's my favorite compliment.
Diane Arbus is one of the most mysterious, enigmatic, and frighteningly daring artists of the 20th century. Her work emerged from a deeply private place and profoundly affected all those who came into contact with it.
Now one thing I think is really lame, is if you're an artist and you go to a karaoke bar and sing your own song. I like to get up there and sing stuff that I would never sing on stage anywhere else. Like Neil Diamond.
I'm 47 years old. I couldn't compete with Beyonce. I'm not competing with anyone. I've already established myself as an artist. I've been in this business for 30 years. There's no reason for me to compete with anyone.
It is just the little difference between the good and the best that makes the difference between the artist and the artisan. It is just the little touches after the average man would quit that makes the master's fame.
You can't change people's minds, we are not God. We can do our best to do what we do, whatever job we have to bring sort of goodness out there. But we can't change people. As an artist what I can do is to communicate!
The real truthfulness of all works of imagination, sculpture, painting, and written fiction, is so purely in the imagination, that the artist never seeks to represent positive truth, but the idealized image of a truth
As a kid I quite fancied the romantic, Bohemian idea of being an artist. I expect I thought I could escape from the difficulties of maths and spelling. Maybe I thought I would avoid the judgement of the establishment.
This game is lame, the music comes second So you can save that stupidness for all them artists you checkin. Popularity don't last long, I'm in it for classics, Cause the other side of the biz is fake and it's plastic.
It seems that our politicians see the world in black and white, so why not our artists? Did Woody Allen's 'Manhattan' have to be in black and white? No. But is it fantastic that it was? To see New York like that? Yes!
I love Ruth Brown, not just her singing, but Ruth Brown has more girl power than anyone, because she fought hard against people who ripped her off and then helped other artists through the Rhythm and Blues Foundation.
The deepest and most sincere feeling I get is when I meet an artist and they have that steel in their eyes and they have that fire and that passion and all they want is to be a star and to hear themselves on the radio.
People need trouble - a little frustration to sharpen the spirit on, toughen it. Artists do; I don't mean you need to live in a rat hole or gutter, but you have to learn fortitude, endurance. Only vegetables are happy.
When I start to write, words have become physical presence. It was to see if I could bring that private world to life that found its first expression through reading. I really dislike the romantic notion of the artist.
The power of beauty at work in man, as the artist has always known, is severe and exacting, and once evoked, will never leave him alone, until he brings his work and life into some semblance of harmony with its spirit.
I have worked with this red all over the world - in Japan, California, France, Britain, Australia - a vein running round the earth. It has taught me about the flow, energy and life that connects one place with another.
If the artist succeeds in producing the impression of a movement which takes several moments for accomplishment, his work is certainly much less conventional than the scientific image, where time is abruptly suspended.
They were in the world and not of it--not because they were saints, but in a different way: because they were artists. The integrity of an artist lifts a man above the level of the world without delivering him from it.
Ladies and gentlemen, if some of the leading artists in a civilization see a man urinating in another man's mouth and see composition and lighting and do not see their civilization being pissed upon, we are in trouble.
Most people just want to be part of the world, they want to live, love, and enjoy themselves - to take part in the world around them. Whereas artists are always retreating, locking the door, and inventing other worlds.
For me, acting is all about the aesthetic. I just want to keep honing my craft. Not that I'm taking myself too seriously, but every artist should consider himself Picasso. Otherwise, you're doing yourself an injustice.
I went back and researched the history of gospel; where it came from, slavery times, communicating with each other without their master knowing what they are saying, and that gospel artists view themselves differently.
When you listen to an album, it shouldn't feel like, "That's the girl song," "That's the club song." I shouldn't know what you're thinking while you're making the song. I don't want to know what the artist is thinking.
The Germans were much more graphical. The expressionism is much more than cinema. It was a movement with artists, painters, music and architecture, so it's really graphic and visual. And the French were something else.
Some of my favorite artists are Jason Mraz, Eric Hutchinson, Ben Folds, Bruno Mars, Mumford and Sons, Maroon 5 - their vibe is slightly different from all the pop stuff on 'Glee,' although some do fall into that genre.
To this day, I've never had an assistant. I really insist on doing everything myself because I value the role of the artist's hand so much in the process. But that means I have to learn it personally in order to do it.
I don't really have a problem with the pain of life. Perhaps that is because I am a martial artist and I am used to dealing with pain. Or perhaps I adjusted to pain because there has been a great deal of it in my life.
Lots of artists who paint have the experience to one degree or another... where their thinking doesn't precede their doing... It's a funny thing, what I really hate yet I have to go through with it, is the preparation.
If an artist tries consciously to do something to others, it is to stretch their eyes, their thoughts, to something they would not see or feel if the artist had not done it. To do this, he has to stretch his own first.
What is it about conformity itself that causes us all to require it of our neighbors and of our artists and then, with consummate fickleness, to forget those who fall into line and eternally celebrate those who do not?
Mostly, I believe an artist doesn't create something, but is there to sort through, to show, to point out what already exists, to put it into form and sometimes reformulate it.... I didn't invent anything, I indicated.
As an artist, I feel that we must try many things - but above all we must dare to fail...Say what you are. Not what you would like to be. Not what you have to be. Just say what you are. And what you are is good enough.
I don't like being under someone elses thumb. I'm very supportive of other female artists, especially those trying to make their own statement... trying to do what they want instead of being someone else's Barbie doll.
It used to be that artists thought of nature as their environment. Now media is our environment. It has been for the past 50, 70 years. It's what you see on TV, on the computer, what is in the magazines and newspapers.